By SaraGrace Stefan
Author: Saragrace Stefan
Traces of Tomorrow: Decolonizing Vietnamese Commercial Paintings with 3D Scanning and CNC Machining
Posted on February 2, 2022 by Chau Nguyen
Speculative Objects: 3D Modeling of Imaginary Things
Posted on March 9, 2021 by Marilla Cubberley
Creating a Virtual Environment in Blender and Unity
Posted on January 18, 2021 by Evgeny Kukshinov
Using 3D Scanning, Modeling and Printing as a Tool in Art Making
Posted on November 17, 2020 by Marilla Cubberley
Types of VR research
Posted on November 13, 2020 by Evgeny Kukshinov
Making ‘Old School’ 3D Images: Renaissance Sculpture Techniques & Photogrammetry
Posted on June 24, 2019 by Megan Reddicks Pignataro
In the Aftermath of Notre Dame, How Can Digital Art History Help?
Originally posted on April 19, 2019 by Bethany Farrell On Monday the images of Notre Dame’s spire and ceiling aflame were too horrific for me to really look at. I couldn’t bare…
Impressions in the Land Part ll
Posted on April 3, 2019 by Vivien Wise
How Our Tools Shape Us: Technology’s Impact on Art History
Originally posted on February 19, 2019 by Bethany Farrell On the walk between Temple’s Art History department and Paley Library (where the Digital Scholarship Center is located) there has been a poster…
Impressions in the Land: An Exploration of Digital Modeling
Posted on January 22, 2019 by Vivien Wise
Bless This Mess: The Problem of Aesthetics in Digital Art History
Originally posted on November 28, 2018 by Bethany Farrell As art historians it is built into our DNA to prize the beautiful, but as I continue to integrate digital analytic tools into…
3D Modeling in Reverse: From the Digital to the Physical
Originally posted on October 8, 2018 by Vivien Wise
“That Belongs in a Museum”: Curation and DH Data as Cultural Heritage
Originally posted on September 21, 2018 by Bethany Farrell Of all the discipline-specific words co-opted by the larger public the word curate irks art historian me the most. Almost a decade ago,…