Category Archives: History News

City Parks Association of Philadelphia

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The City Parks Association of Philadelphia was chartered on May 23, 1888, to create and maintain open spaces as park areas for the citizens of Philadelphia. Since that time, the association has worked with city government to establish parks such as Franklin Delano Roosevelt (FDR) Park (originally named League Island Park) and Pennypack Park. The association advocated for the city government to pass zoning laws and continues today to work for the improvement and preservation of parks, squares, playgrounds, and waterways in Philadelphia and surrounding areas.

Swimmers at League Island Park, July 1925. City Parks Association of Philadelphia Records, SCRC 86, Special Collections Research Center

The Special Collections Research Center holds the records of the City Parks Association. The collection contains meeting minutes and agendas, annual reports, financial records, correspondence, news clippings, and photographs. There is also information related to various specific parks and the Fairmount Park Commission, as well as correspondence, financial, and property records related to Awbury Arboretum and its historic Francis Cope House in the Germantown section of Philadelphia.

Rose Garden plan for Awbury Arboretum, undated. City Parks Association of Philadelphia Records, SCRC 86, Special Collections Research Center

Also included in the collection are captured websites, a new initiative by the SCRC and the Digital Library Initiatives department. Using the Archive-It service, periodic “captures” of the website are taken, and are available to the public. Captures of the City Parks Association are available from between 2002 to 2015, and will continue to be harvested, preserved, and made available.

The collection’s photographs, with the exception of slides, have been digitized and are available online on the Temple University Digital Collections website.

We celebrate with our Temple Press colleagues the publication of Jim McClelland and Lynn Miller’s  City in a Park:  A History of Philadelphia’s Fairmount Park System.

–Katy Rawdon, Coordinator of Technical Services, SCRC

 

 

National History Day

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Masterman High School Students doing research at the SCRC

National History Day is a year-long educational program that attracts thousands of middle and high school students, and educators nationwide. Students compete at the local and state levels, which award participants the opportunity to present their work in a national contest held every June at the University of Maryland, College Park.

Masterman High School Students

The competition was established in 1974 by Professor David Van Tassell who was on faculty in the History Department at Case Western Reserve University in Cleveland, Ohio. Its purpose is to provide invaluable experiences and opportunities for students to conduct historical research and develop critical thinking, writing, and communication skills. Student participants may submit individual or group projects in the form of a documentary, exhibit, paper, performance, or website. The program also offers professional development opportunities for educators through training, and access to varied historical resources that help them to create more robust teaching curricula.

Since 2006, the Special Collection Research Center has participated in NHD programs and has hosted class visits to the archives from Philadelphia area schools including Masterman and Constitution high schools, and LaSalle High School for Boys. Visiting students spend hours combing through the original news clippings and photographs files of Philadelphia Evening Bulletin and Philadelphia Inquirer newspapers for research projects covering a myriad of events such as the integration of Girard College, the 1967 school board riots, the MOVE bombing, and prominent Philadelphia individuals including Father Divine, Frank Rizzo, and Father Paul Washington.

Masterman High School Students, October 2015

In 2015, students from Masterman placed in local and state competitions: Jenny Chan qualified for the national competition for her documentary entitled “Robert Smalls: Not so Small After All.” This Fall a new group of Masterman 10th graders has been visiting the SCRC to research topics for the 2016 NHD competition theme, “Exploration, Encounter, Exchange in History.”

For more information about NHD activities and programs in the Philadelphia area visit the NHD Philly website.

–Brenda Galloway-Wright, Associate Archivist

Carlos Roy Lavender and Science Fiction Fandom

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Lavender’s First Fandom badge.

The Special Collections Research Center is fortunate to hold several collections related to the history of science fiction fandom. In addition to files of ephemera from science fiction conventions and three fanzine collections (the Science Fiction Fanzine Collection, Sue Frank Collection of Klingon and Star Trek Fanzines, and the Women Writers Fan Fiction Collection), we also hold the Carlos Roy Lavender Papers.

Roy Lavender was an aerospace engineer, science fiction fan, frequent convention attendee and organizer, and author of essays describing fan life in the early years of science fiction and the “pulp era.” Lavender was a member of First Fandom – an association of experienced science fiction fans originally limited to fans active prior to 1938 – and a founder of Midwestcon, a science fiction convention held annually in Ohio.

The Carlos Roy Lavender Papers include convention booklets and nametags, fanzines, letters, photographs, ephemera, newsletters, a scrapbook of science fiction writer Harlan Ellison’s column, “The Glass Teat: A Column of Opinion about Television,” and other materials. The many boxes of photographs and slides in this collection contain images of various science fiction conventions, including examples of cosplay.

Cosplayer at the Denvention convention (39th World Science Fiction Convention), 1981

While fans (of anything, but particularly science fiction) are often subject to ridicule, fan studies has grown in recent years. Fandom can be seen as a microcosm of the larger culture, and is intertwined with commerce, economics, entertainment, social connections and structures, and creativity. Documenting fandom has particular challenges for archivists. In addition to the scattered and ephemeral nature of much of what fandom produces, privacy concerns can also be an issue. Some fans do not want to be publicly associated with their fandom or the creative products they make, while others believe that the entire purpose of fandom creativity is to share what they produce with as wide an audience as possible.

Attendee card for the Seacon convention (37th World Science Fiction Convention), 1979.

A pressing current challenge for preserving fandom culture is capturing, preserving, and making accessible digital fandom: online zines, listservs, newsgroup posts, and blogs. These same challenges exist in many other types of contemporary archival collections, and archivists are increasingly well equipped through digital forensics, web archiving (for some of Temple’s  contents, see our Archive-It site), and other measures, to provide the same care and access to digital materials as they have done with paper collections.

–Katy Rawdon, Coordinator of Technical Services, SCRC

The Art of the Commonplace Book: An Exhibition of Student Work

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“In conjunction with their reading of Meditations by Marcus Aurelius, I asked my students in the Spring 2015 Mosaic I: Humanities Seminar to keep a commonplace book of quotations primarily from the assigned texts and ancillary readings in our Mosaic class, but also from their other classes and any outside reading they may have done during the semester.  This could include novels, newspapers, magazines, Twitter, Facebook, or other social media postings, and even popular mediums, such as music, movies, and television.–Richard Orodenker, Assistant Professor, Intellectual Heritage Program

Students from Richard Orodenker’s Mosaic I: Humanities Seminar course in the Intellectual Heritage program visited Temple University Libraries’ Special Collections Research Center in March 2015 to learn more about the tradition of keeping a commonplace book.  A commonplace book is any book in which extracts from other works, quotations, and comments are written.  Designed to be both a compilation of knowledge based on its creator’s interests and a memory aid, a commonplace book often includes a wide range of information on a variety of topics, such as politics, religion, and literature.

“I felt that the assignment was an interesting historical correlation to the current trend of tweeting or ‘facebooking’ famous quotes. In my commonplace book I tried to incorporate text and visuals because the quotes that I chose were those that drew pictures with the beauty of their language. I find that a writer’s ability to translate words into mental images creates a wide range of interpretations and emotions for different readers and I wanted to express those images and emotions.”–Keeland Bowers, student.

Frank McGlinn’s college commonplace book, circa 1935

 

Several of the commonplace books kept by students in the class, along with a selection of SCRC commonplace books and related materials, are on display during the Fall 2015 semester in three cases in the lobby of Paley Library. Please stop in and see how a visit to the Special Collections Research Center helped to shape this class project, by making the traditional commonplace book the jumping off point for rewarding student projects that incorporate both the old and the new.

-Kim Tully, Curator of Rare Books, SCRC

 

Einstein Medical Center History

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Illustration of Jewish Hospital and Home designed by Frank Furness and George W. Hewitt, Fourteenth Annual Report of the Jewish Hospital, 1879

On September 23, 1865, Jewish leaders in Philadelphia incorporated the Jewish Hospital Association of Philadelphia, now known as Einstein Medical Center. In the aftermath of the Civil War, the association’s officers, led by Alfred T. Jones, Isadore Binswanger, Samuel Weil, and Mayer Sulzberger, sought to erect a hospital under Jewish auspices in response to the lack medical care afforded to members of the Jewish community and the employment discrimination Jews were subject to at other area hospitals. The preamble to the constitution of the Jewish Hospital Association states “It is the duty of Israelites to take care of the suffering and needy ones among them, and as the sick are especially objects of charity and public solicitude, and since there is no institution now in existence within the State of Pennsylvania under the control of Israelites wherein they can place their sick, and where these can enjoy during their illness all the benefits and consolations of our religion.”

On August 6, 1866, the Jewish Hospital opened for the reception of patients. The original building was located at Haverford Road and 56th Street in West Philadelphia with room for twenty patients–ten for the sick and ten for inmates of the Asylum for the Aged, Infirm, and Destitute. Philadelphia’s Jewish Hospital was the third such hospital to be established in the United States after the Cincinnati Jewish Hospital (1849) and the Jews’ Hospital of New York (1852). In its first five months of operation, the hospital treated twenty-eight patients including three “non-Israelites.” Nonsectarian from its inception, the Jewish Hospital was committed to “reducing or eliminating the attitudes and prejudices that mixed medical practice with religious and moral views.” Unlike other hospitals in Philadelphia at the time, the Jewish Hospital was “was free of charge to all poor and worthy applicants without regard to nationality or creed.”

Nurses, resident physician Dr. Edwin Jarecki, and Dr. Knipe, Jewish Hospital, York and Tabor Roads, 1896

To learn more about the history of the Albert Einstein Medical Center and its predecessor, the Jewish Hospital, use the hospital archives and these resources in the Special Collections Research Center:   Mankind and Medicine: A History of Philadelphia’s Albert Einstein Medical Center by Maxwell Whiteman; Edwin A. Jarecki, M.D. Resident Physician Jewish Hospital of Philadelphia, 1892-1934 by William I. Heine; and History of the Jewish Hospital Association of Philadelphia by Henry N. Wessel.

-Jessica M. Lydon, Associate Archivist SCRC

Remembering 9/11/2001

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Out of the Sky: 9/11. Pear Whistle Press, Red Hook, NY, 2006.

In 2006, as a tribute to the World Trade Center victims on the fifth anniversary of 9/11, book artist Werner Pfeiffer created Out of the Sky: 9/11.   A constructed book, it consists of a series of segments, illustrated by woodcut images of falling victims and their names.  When assembled, the book represents a model of the World Trade Center and is over 5 feet tall.  As the book is deconstructed for storage, that action mirrors the falling of the towers.   The book includes Pfeiffer’s written reflections, colored by his childhood in World War II Germany and his memories of witnessing the towers’ collapse from Pratt Institute’s rooftop in Brooklyn.

Temple University Libraries’ Special Collection Research Center houses number 41 of the limited edition of 52.  View the book in Paley Library lobby on Friday, September 11, 2015.

See a youtube video of Pfeiffer discussing Out of the Sky, or read more about Pfeiffer in Jonathan Rinck’s International Sculpture Center blog.

Out of the Sky in Paley on September 11, 2015

 

 

From Camp Kennebec to Camp Firewood

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“The War Canoes” postcard, undated

In late July, Netflix released a much anticipated prequel to the quite literally campy cult classic Wet Hot American Summer which premiered in the U.S. in 2001.  The newly released series and the original movie both revolve around the often deviant misadventures of camp goers at a disorganized sleep-away camp in Maine called Camp Firewood. Both films are loosely based on the experiences their director, David Wain, had while attending a Jewish camp in Belgrade, Maine.

Established by three Jewish Philadelphians, Louis Fleischer, Charles Edwin Fox, and Milton Katzenberg, at the start of the twentieth century, Camp Kennebec was located in the scenic Kennebec County town, Belgrade. For almost a century, it catered to Jewish male youth ages 8 to 18, mainly hailing from Philly.

Kennebec Junior felt patch, undated

Camp Kennebec’s location and religious affiliation are likely the only similarities between it and David Wain’s camp memories. Kennebec was a no-nonsense kind of summer experience with few amenities. It was established to mold boys into “true men” during the tail end of the Progressive Era, when stoic masculinity was emphasized.

Camp Kennebec recruited counselors from Princeton, Harvard, Yale, and the University of Pennsylvania among other universities, and instructed campers to call each of them “uncle” (or the “uncs” as one camper affectionately noted in his photographic travel journal).  Kennebec’s primary emphasis was on the development of respectable traits such as masculinity, ruggedness, and independence. Kennebec’s campers engaged in athleticism, wilderness survival, and first aid, but also academic pursuits such as the study of literature. For many, the boyhood bonds formed at the camp and the lessons it taught them lasted well into adulthood.

Kennebecamper yearbook, 1978

A collection of records from Camp Kennebec and Kennebec alumni is available for research in Temple University Libraries’ Special Collections Research Center. The collection includes yearbooks, souvenirs, photo albums of hiking trips, and ephemera relating to alumni reunions, which were no doubt well attended. To learn more about Camp Kennebec and the alumni collection, view the online finding aid.

-Irena Frumkin, SCRC Student Assistant

From the Archives: World War II Love Letters

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Jesse Lare letter, September 27, 1944

“No, I am not crazy for writing you twice in one day, just head over heels in love with you!”  Thus, the ever romantic, Master Sergeant Jesse Lare began his letter to Mildred Patterson of Fishtown, Philadelphia, on September 27, 1944. Jesse and Mildred had not known each other for very long. They met at a mutual friend’s house several months earlier, and their correspondence had begun in June, when Jesse first wrote to Mildred. They maintained a correspondence that lasted almost two years and led to their marriage.

Jesse, who was also from Philadelphia, was stationed in Memphis at Second Army Headquarters, and later, at Camp Shelby in Mississippi. He was serving in the Second Army, a training outfit that readied troops for combat and other army jobs. Mildred lived in Philadelphia, and worked at the Kensington National Bank.
From the start, they were dedicated pen pals, and they wrote with increased frequency as time went on. Through their letter writing, Mildred and Jesse shared in each other’s lives, including their relationship, their work, their friends and families, and their leisure. In his free time, Jesse liked to bowl, play golf, and go to the movies. Mildred liked to go to Wildwood and other towns along the Jersey Shore, and she frequently turned to the Ouija board for her fortune. They
told each other about the daily goings on of life, from progress in the war to activities in Philadelphia and at the army base, the weather, and their feelings. It is clear they were well-suited friends, and the romance that quickly developed was a natural next step.

Mildred accepts Jesse’s proposal, January 13, 1945

Having met in person only a few times, they married in January 1945. As a married couple, they maintained a candid correspondence in which they regularly discussed the ups and downs of their relationship and future together.

The Jesse and Mildred Lare Correspondence, 1944-1945, was donated to the Special Collections Research Center by Jesse and Mildred Lare’s daughter, in early 2015. This great World War II era collection has been processed and is available for research use! To learn more, check out the online finding aid.
– Courtney Smerz, Collection Management Archivist, SCRC

From the Philadelphia Jewish Archives: Hollywood Mysteries

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Scholars have long been interested in the cultural and socioeconomic conditions that led Jews to success in the early film industry. Jewish immigrants, and particularly those from Eastern Europe, were adept at developing film technology and skilled at writing, directing, and marketing movies. Even the moguls who created Hollywood’s studio system–William Fox, Samuel Goldwyn, Louis B. Mayer, and Adolph Zukor, among others–were Jewish immigrants who rose from unprepossessing circumstances to become some of the most powerful men in the country. In books, articles, and documentaries, historians and film buffs have attempted to explain this unique aspect of film history.

What’s been less well-studied, however, is the relationship between Hollywood and Philadelphia’s own rich Jewish history. And I must admit that I’ve never given it much thought either, despite being a Philadelphia Jewish Archives collections project archivist in the Special Collections Research Center and classic film enthusiast. That changed, however, after I discovered an intriguing letter in the Robert B. Wolf and Morris Wolf Papers.

Robert and his father, Morris, were prominent members of the Philadelphia Jewish community. Morris served with the American Red Cross during World War I and was stationed in Paris. It was among his letters from France that I came across a curious passage:

Letter to Edwin Wolf, December 1918.

Dated December 26, 1918, the letter is addressed to Morris’ father, Edwin. “Dear Father:” Morris wrote, “I made my first visit to a moving picture house last evening….There was a picture of Gaby Deslys’s, which I thought was very good. It seems to me that Goldwyn would make a tremendous hit by trying to get say five pictures a year with this star for the United States.” He later reminded, “I suggest that you speak to Goldwyn about it.”

Call me crazy, but was Morris Wolf referring to THE Sam Goldwyn? The famous producer of dozens of classic American films? If he was, then what was the connection between the Wolf family and the Hollywood film industry?

A search of the collection produced more hints, but frustratingly few answers. I found an employment contract for First National Pictures, a film company that merged with Warner Bros. in 1928. The collection also includes a 1959 Philadelphia Inquirer article that mentions that the family starred in and produced Westerns at a Montgomery County motion picture studio (Betzwood, anyone?)

Hoping to find more information, I turned to secondary sources. To my surprise, I found that little has been written about Philadelphia Jews and their role in the national film industry. To be sure, Siegmund Lubin’s career has been well documented, but there are significant gaps in the literature on this subject.

So, if anyone out there decides to tackle this topic, Morris Wolf and I will be eagerly awaiting your findings. Until then, feel free to use the Robert B. Wolf and Morris Wolf Papers and take a stab at unravelling the mystery yourself….

— Jenna Marrone, SCRC Project Archivist

Photograph of Morris Wolf in uniform, 1918

Digital Forensics

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Examples of 5.25” and 3.5” floppy disks from SCRC collections.

Readers of our blog and web site are well aware that the Special Collections Research Center contains many varied types of historical materials. We are proud stewards of published books, letters, administrative records, photographs, film, audio recordings, artists’ books, fanzines, and many other formats. We also actively collect materials in digital form: word processed documents, digital photos and videos, spreadsheets, etc. As archivists and librarians responsible for preserving the historic record, we are well aware that for the past few decades the historic record has increasingly been created via computer.

The SCRC has started testing use of the KryoFlux, a small device that attaches to floppy disk drives to read disks in almost any data format.

Computer technology evolves quickly, and while it is one (still challenging) thing to download recently created files and preserve them, it’s another to be confronted with a box of obsolete disks last used ten or twenty years ago. Paper documents hundreds of years old can still be read if you understand the language, but computer disks require compatible hardware and software to render their contents readable. What’s an archivist to do?

FTK Imager displaying information from disk images of two 3.5” floppy disks.

The answer has emerged from unlikely sources. Computer forensics is used by police and other law enforcement officials to gather and preserve computer files which may be used as evidence in a court of law. Like archivists, law enforcement officials must be sure to preserve documents without altering or damaging them–in the case of law enforcement, for evidential use, and, for archivists, to preserve the historic record. Officials involved in computer forensics have created software that enables that to happen. Meanwhile, classic video game fans have created hardware that allows them to read, copy, and play games created on much older computer systems–and often stored on floppy disks.

The SCRC–and many other special collections and archives departments–has begun to create best practices using this hardware and software to care for digital materials in our collections. At Temple, we have used the FC5025 by Device Side Data to read and copy the contents of 5.25” floppy disks, and we have started testing the Kryoflux, developed by the Software Preservation Society, with 3.5” floppy disks. In both cases, this forensic hardware has been able to read disks that other drives were unable to read. We have also used FTK Imager by AccessData to extract access copies of files for use by our patrons in our reading room, just as they would use our paper collections. Digital forensics is a growing area of archival work, and an exciting new area of exploration. We look forward to sharing our old disks with you.

–Katy Rawdon, Coordinator of Technical Services, SCRC