Tag Archives: World War II

From the Philadelphia Jewish Archives: WWII Troops Put on a Show

Joseph L. Pollock in costume as Dr. Quilton J. Foss, 1945
Joseph L. Pollock in costume as Dr. Quilton J. Foss, 1945

Joseph L. Pollock was a social studies teacher, principal, and administrator for the Philadelphia School District from 1947 until his retirement in 1984. In the 1960s, Pollock worked for the Philadelphia Board of Education, first as assistant to the president of the Board of Public Education, and then as director of informational services, a new division formed to improve effective citizen and community participation in school affairs and serve as a resource center and dissemination agency for school information. In addition to his classroom teaching activities, Pollock also wrote and produced radio and television programs for the Philadelphia School District’s Division of Radio-Television Education in the 1950s.

A few years before his foray into the education sphere, while serving in the United States Army, and shortly after V-E Day (May 8, 1945), Pollock co-wrote a burlesque production of Bizet’s opera Carmen with fellow soldier Fredd Wayne  Originally intended as a three-day regimental show at the town hall in Tauberbischofsheim, Germany, in June 1945, the performance was so well received by soldiers and military personnel, that the Special Services Division booked the troupe for a tour that lasted eight months, ending in January 1946. Performances were held in Heidelberg, Wiesbaden, Berlin, Bremen, Brussels, Paris, Rome, Vienna, and Nuremberg, among other places. The show’s 142 performances were witnessed by more than 250,000 troops and civilians in post-war Europe.

Exterior of Walhalla Theater, Wiesbaden, July 1945
Exterior of Walhalla Theater, Wiesbaden, July 1945

The original cast of G.I. Carmen consisted of 44 combat veterans from the 253rd Regiment, 63rd Infantry Division. Wayne was tasked with playing the lead role. Pollock initially played the role of Dr. Quilton J. Floss, a character parodying Milton Cross, an American radio announcer best known for his New York’s Metropolitan Opera House broadcasts. Pollock would later serve as company manager. Costumes for the production were obtained from the Scala Theater in Berlin and music provided by a thirteen piece band directed by jazz guitarist Marty Faloon. The bawdy comedy was done in the style of Ole Olsen and Chic Johnson’s Hellzapoppin, a gag-filled musical revue that ran on Broadway between 1938 and 1941.

Tophat Tales, October 21, 1945
Tophat Tales, October 21, 1945

Throughout the run of the show, articles and reviews in numerous GI, military, and civilian newspapers lauded the quality of the production. A day after G.I. Carmen arrived at Camp Tophat’s Paramount Theater in Antwerp, Belgium, the following rave review appeared in Tophat Tales:  “…Wayne and Pollock have caught the GI humour of a [Bill] Mauldin and transplanted it to the stage with a maximum of wit, originality, and the sure-fire knowledge of the likes of a soldier audience.”

Pollock’s papers, including records related to his work as an educator, his World War II military service, and the production of G.I. Carmen are now available for research in the Special Collections Research Center.

Jessica M. Lydon

Associate Archivist, SCRC

From the Archives: World War II Love Letters

Jesse Lare letter, September 27, 1944
Jesse Lare letter, September 27, 1944

“No, I am not crazy for writing you twice in one day, just head over heels in love with you!”  Thus, the ever romantic, Master Sergeant Jesse Lare began his letter to Mildred Patterson of Fishtown, Philadelphia, on September 27, 1944. Jesse and Mildred had not known each other for very long. They met at a mutual friend’s house several months earlier, and their correspondence had begun in June, when Jesse first wrote to Mildred. They maintained a correspondence that lasted almost two years and led to their marriage.

Jesse, who was also from Philadelphia, was stationed in Memphis at Second Army Headquarters, and later, at Camp Shelby in Mississippi. He was serving in the Second Army, a training outfit that readied troops for combat and other army jobs. Mildred lived in Philadelphia, and worked at the Kensington National Bank.
From the start, they were dedicated pen pals, and they wrote with increased frequency as time went on. Through their letter writing, Mildred and Jesse shared in each other’s lives, including their relationship, their work, their friends and families, and their leisure. In his free time, Jesse liked to bowl, play golf, and go to the movies. Mildred liked to go to Wildwood and other towns along the Jersey Shore, and she frequently turned to the Ouija board for her fortune. They
told each other about the daily goings on of life, from progress in the war to activities in Philadelphia and at the army base, the weather, and their feelings. It is clear they were well-suited friends, and the romance that quickly developed was a natural next step.

Western Union Telegram
Mildred accepts Jesse’s proposal, January 13, 1945

Having met in person only a few times, they married in January 1945. As a married couple, they maintained a candid correspondence in which they regularly discussed the ups and downs of their relationship and future together.

The Jesse and Mildred Lare Correspondence, 1944-1945, was donated to the Special Collections Research Center by Jesse and Mildred Lare’s daughter, in early 2015. This great World War II era collection has been processed and is available for research use! To learn more, check out the online finding aid.
– Courtney Smerz, Collection Management Archivist, SCRC