Carlos Roy Lavender and Science Fiction Fandom

October 21, 2015History NewsHistory News, Science Fiction, Top NewsMargery Sly

The Special Collections Research Center is fortunate to hold several collections related to the history of science fiction fandom. In addition to files of ephemera from science fiction conventions and three fanzine collections (the Science Fiction Fanzine Collection, Sue Frank Collection of Klingon and Star Trek Fanzines, and the Women Writers Fan Fiction Collection), we also hold the Carlos Roy Lavender Papers.

Roy Lavender was an aerospace engineer, science fiction fan, frequent convention attendee and organizer, and author of essays describing fan life in the early years of science fiction and the “pulp era.” Lavender was a member of First Fandom – an association of experienced science fiction fans originally limited to fans active prior to 1938 – and a founder of Midwestcon, a science fiction convention held annually in Ohio.

The Carlos Roy Lavender Papers include convention booklets and nametags, fanzines, letters, photographs, ephemera, newsletters, a scrapbook of science fiction writer Harlan Ellison’s column, “The Glass Teat: A Column of Opinion about Television,” and other materials. The many boxes of photographs and slides in this collection contain images of various science fiction conventions, including examples of cosplay.

Cosplayer at the Denvention convention (39th World Science Fiction Convention), 1981

While fans (of anything, but particularly science fiction) are often subject to ridicule, fan studies has grown in recent years. Fandom can be seen as a microcosm of the larger culture, and is intertwined with commerce, economics, entertainment, social connections and structures, and creativity. Documenting fandom has particular challenges for archivists. In addition to the scattered and ephemeral nature of much of what fandom produces, privacy concerns can also be an issue. Some fans do not want to be publicly associated with their fandom or the creative products they make, while others believe that the entire purpose of fandom creativity is to share what they produce with as wide an audience as possible.

Attendee card for the Seacon convention (37th World Science Fiction Convention), 1979.

A pressing current challenge for preserving fandom culture is capturing, preserving, and making accessible digital fandom: online zines, listservs, newsgroup posts, and blogs. These same challenges exist in many other types of contemporary archival collections, and archivists are increasingly well equipped through digital forensics, web archiving (for some of Temple’s contents, see our Archive-It site), and other measures, to provide the same care and access to digital materials as they have done with paper collections.

–Katy Rawdon, Coordinator of Technical Services, SCRC

The Art of the Commonplace Book: An Exhibition of Student Work

October 9, 2015History NewsCommonplace Books, History News, Rare Books, Top NewsMargery Sly

“In conjunction with their reading of Meditations by Marcus Aurelius, I asked my students in the Spring 2015 Mosaic I: Humanities Seminar to keep a commonplace book of quotations primarily from the assigned texts and ancillary readings in our Mosaic class, but also from their other classes and any outside reading they may have done during the semester. This could include novels, newspapers, magazines, Twitter, Facebook, or other social media postings, and even popular mediums, such as music, movies, and television.–Richard Orodenker, Assistant Professor, Intellectual Heritage Program

Students from Richard Orodenker’s Mosaic I: Humanities Seminar course in the Intellectual Heritage program visited Temple University Libraries’ Special Collections Research Center in March 2015 to learn more about the tradition of keeping a commonplace book. A commonplace book is any book in which extracts from other works, quotations, and comments are written. Designed to be both a compilation of knowledge based on its creator’s interests and a memory aid, a commonplace book often includes a wide range of information on a variety of topics, such as politics, religion, and literature.

“I felt that the assignment was an interesting historical correlation to the current trend of tweeting or ‘facebooking’ famous quotes. In my commonplace book I tried to incorporate text and visuals because the quotes that I chose were those that drew pictures with the beauty of their language. I find that a writer’s ability to translate words into mental images creates a wide range of interpretations and emotions for different readers and I wanted to express those images and emotions.”–Keeland Bowers, student.

McGlinn commonplace book title page — Frank McGlinn’s college commonplace book, circa 1935

Several of the commonplace books kept by students in the class, along with a selection of SCRC commonplace books and related materials, are on display during the Fall 2015 semester in three cases in the lobby of Paley Library. Please stop in and see how a visit to the Special Collections Research Center helped to shape this class project, by making the traditional commonplace book the jumping off point for rewarding student projects that incorporate both the old and the new.

-Kim Tully, Curator of Rare Books, SCRC

Einstein Medical Center History

September 28, 2015History NewsAmerican Jewish History, History News, History of Medicine, Top NewsMargery Sly

Jewish Hospital and Home, 1879 — Illustration of Jewish Hospital and Home designed by Frank Furness and George W. Hewitt, Fourteenth Annual Report of the Jewish Hospital, 1879

On September 23, 1865, Jewish leaders in Philadelphia incorporated the Jewish Hospital Association of Philadelphia, now known as Einstein Medical Center. In the aftermath of the Civil War, the association’s officers, led by Alfred T. Jones, Isadore Binswanger, Samuel Weil, and Mayer Sulzberger, sought to erect a hospital under Jewish auspices in response to the lack medical care afforded to members of the Jewish community and the employment discrimination Jews were subject to at other area hospitals. The preamble to the constitution of the Jewish Hospital Association states “It is the duty of Israelites to take care of the suffering and needy ones among them, and as the sick are especially objects of charity and public solicitude, and since there is no institution now in existence within the State of Pennsylvania under the control of Israelites wherein they can place their sick, and where these can enjoy during their illness all the benefits and consolations of our religion.”

On August 6, 1866, the Jewish Hospital opened for the reception of patients. The original building was located at Haverford Road and 56th Street in West Philadelphia with room for twenty patients–ten for the sick and ten for inmates of the Asylum for the Aged, Infirm, and Destitute. Philadelphia’s Jewish Hospital was the third such hospital to be established in the United States after the Cincinnati Jewish Hospital (1849) and the Jews’ Hospital of New York (1852). In its first five months of operation, the hospital treated twenty-eight patients including three “non-Israelites.” Nonsectarian from its inception, the Jewish Hospital was committed to “reducing or eliminating the attitudes and prejudices that mixed medical practice with religious and moral views.” Unlike other hospitals in Philadelphia at the time, the Jewish Hospital was “was free of charge to all poor and worthy applicants without regard to nationality or creed.”

Jewish Hospital staff, 1896 — Nurses, resident physician Dr. Edwin Jarecki, and Dr. Knipe, Jewish Hospital, York and Tabor Roads, 1896

To learn more about the history of the Albert Einstein Medical Center and its predecessor, the Jewish Hospital, use the hospital archives and these resources in the Special Collections Research Center: Mankind and Medicine: A History of Philadelphia’s Albert Einstein Medical Center by Maxwell Whiteman; Edwin A. Jarecki, M.D. Resident Physician Jewish Hospital of Philadelphia, 1892-1934 by William I. Heine; and History of the Jewish Hospital Association of Philadelphia by Henry N. Wessel.

-Jessica M. Lydon, Associate Archivist SCRC

Cigar Making in Philadelphia

September 18, 2015History NewsHispanic Heritage Month, History News, Philadelphia HistoryMargery Sly

National Hispanic Heritage Month is observed each year from September 15th to October 15th. During this month, the cultures and contribution of Americans whose ancestors come from Spain, Mexico, the Caribbean, and Central and South America are celebrated. It’s a good opportunity to highlight some materials from the Special Collections Research Center (SCRC) that relate to one of the many Hispanic groups that make up the fabric of this country: Puerto Ricans in Philadelphia.

Like many immigrant groups, Puerto Ricans came to the area in search of employment opportunities. Starting slowly in the late 19th century, and accelerating through the 20th century, they immigrated to Philadelphia, a thriving industrial city.

Among the many industries where they found employment was cigar manufacturing. For many years Philadelphia was one of the leading manufacturers of cigars in the United States. Consequently, some of Philadelphia’s Latino communities can trace their origins to enclaves that grew up around cigar factories in North Philadelphia neighborhoods.

T&O Cigar Banding Department, 1900 — T & O Cigar Banding Department, 1900

One such factory, located in the Northern Liberties neighborhood, was owned by the Theobald & Oppenheimer Cigar Company. Founded in 1860, the T & O Cigar Company was one of the largest cigar manufacturers in the city. In 1900, the company opened a new factory at 1147 North 4th Street. To memorialize this opening the company created an album, with over two dozen sepia-toned photographs of the offices, warehouse, factory floor, and workers, who hand-rolled the cigars. (The album was donated to the SCRC in 2012.)

As Puerto Rican immigration to Philadelphia increased throughout the post-war years, organizations such as the Nationalities Service Center (established in 1921) began to respond to the needs of this group, as it had to previous waves of immigrants, by providing information, guidance, and services on such issues as housing, education, and employment. The programs and activities provided by the center were aimed at helping to ease the transition of living and working in a new place. A parallel goal of the center was to promote and conserve the cultural values of immigrant communities for the enrichment of American life. These efforts to aid the Puerto Rican immigrant community, as well as many other ethnic communities, are documented in the Records of the Nationalities Service Center, one of the collection in the SCRC’s Urban Archives.

-Josué Hurtado, Coordinator of Public Services & Outreach

Remembering 9/11/2001

September 9, 2015History NewsArtists' Books, History News, Top NewsMargery Sly

In 2006, as a tribute to the World Trade Center victims on the fifth anniversary of 9/11, book artist Werner Pfeiffer created Out of the Sky: 9/11. A constructed book, it consists of a series of segments, illustrated by woodcut images of falling victims and their names. When assembled, the book represents a model of the World Trade Center and is over 5 feet tall. As the book is deconstructed for storage, that action mirrors the falling of the towers. The book includes Pfeiffer’s written reflections, colored by his childhood in World War II Germany and his memories of witnessing the towers’ collapse from Pratt Institute’s rooftop in Brooklyn.

Temple University Libraries’ Special Collection Research Center houses number 41 of the limited edition of 52. View the book in Paley Library lobby on Friday, September 11, 2015.

See a youtube video of Pfeiffer discussing Out of the Sky, or read more about Pfeiffer in Jonathan Rinck’s International Sculpture Center blog.

Out of the Sky in Paley on September 11, 2015

From Camp Kennebec to Camp Firewood

August 27, 2015History NewsAmerican Jewish History, Film history, History NewsMargery Sly

In late July, Netflix released a much anticipated prequel to the quite literally campy cult classic Wet Hot American Summer which premiered in the U.S. in 2001. The newly released series and the original movie both revolve around the often deviant misadventures of camp goers at a disorganized sleep-away camp in Maine called Camp Firewood. Both films are loosely based on the experiences their director, David Wain, had while attending a Jewish camp in Belgrade, Maine.

Established by three Jewish Philadelphians, Louis Fleischer, Charles Edwin Fox, and Milton Katzenberg, at the start of the twentieth century, Camp Kennebec was located in the scenic Kennebec County town, Belgrade. For almost a century, it catered to Jewish male youth ages 8 to 18, mainly hailing from Philly.

Camp Kennebec’s location and religious affiliation are likely the only similarities between it and David Wain’s camp memories. Kennebec was a no-nonsense kind of summer experience with few amenities. It was established to mold boys into “true men” during the tail end of the Progressive Era, when stoic masculinity was emphasized.

Camp Kennebec recruited counselors from Princeton, Harvard, Yale, and the University of Pennsylvania among other universities, and instructed campers to call each of them “uncle” (or the “uncs” as one camper affectionately noted in his photographic travel journal). Kennebec’s primary emphasis was on the development of respectable traits such as masculinity, ruggedness, and independence. Kennebec’s campers engaged in athleticism, wilderness survival, and first aid, but also academic pursuits such as the study of literature. For many, the boyhood bonds formed at the camp and the lessons it taught them lasted well into adulthood.

A collection of records from Camp Kennebec and Kennebec alumni is available for research in Temple University Libraries’ Special Collections Research Center. The collection includes yearbooks, souvenirs, photo albums of hiking trips, and ephemera relating to alumni reunions, which were no doubt well attended. To learn more about Camp Kennebec and the alumni collection, view the online finding aid.

-Irena Frumkin, SCRC Student Assistant

Additions to the Artists’ Book Collection

August 19, 2015History NewsArtists' Books, History News, Rare Books, Top NewsMargery Sly

The over seven hundred artists’ books housed in the Libraries’ Special Collections Research Center are a rich resource for Temple faculty and students in a variety of art and humanities disciplines. Artists’ books often defy standard descriptions but are broadly described as any work of original art created in book format or which takes the book as its primary mode of expression. Students, many from the Tyler School of Art, studying topics such as book structures, narrative, 2D foundation principles, and book arts in general, have visited the SCRC reading room to explore and be inspired by examples from the SCRC’s collection.

Clock Work Fish artists's book — Clock Work Fish

In the first weeks of this fall semester, there are already three different courses, two from the Graphic and Interactive Design program in Tyler and one from the English department, whose instructors have integrated the use of SCRC’s artists’ books into their syllabuses. Collecting artists’ books and making them available to users serves our mission to collect, preserve, and make accessible unique materials to enrich teaching and learning at Temple.

The artists’ books collection, which includes titles from the former library at Tyler School of Art, has grown exponentially over the last few years with several new titles added annually. The following artists’ books have recently been added to the SCRC’s collections, and we invite users to visit them.

The artists’ book shown above demonstrates the often whimsical quality of the book arts. Created by Guy Himber, Clock Work Fish is made entirely from LEGOs and consists of illustrations printed on vinyl pages. It is fully functional and consists of over 200 LEGO parts. More information and images can be found in the Libraries’ catalog record.

Another recent acquisition, this artists’ book by an Egyptian artist, Islam Mahmoud Mohamed Aly, is entitled Echoes. It is a finely wrought piece of craftsmanship, combining a traditional Coptic binding with the modern technology of laser engraved image and laser etched wooden boards. Inspired by the chants of protestors during the Egyptian Spring of 2011, the Arabic words for Bread, Freedom, and Social Justice are repeated throughout the design. More information and images can be found in the Libraries’ catalog record.

Cosmeceutical Collection artists' book — Cosmeceutical Collection

Unlike the first two examples which fuse unusual materials and illustrative techniques with the familiar codex structure, this artists’ book by Alicia Bailey entitled Cosmeceutical Collection, uses non-traditional “book” structures in the form of cosmetic containers, including an eyeshadow case, a mascara wand, and a compact case, to house her three miniature books. Bailey writes of the work: “…given my mistrust of both consumerism and culturally dictated notions of female beauty, I am also repulsed by these shrines to artificial beauty.” This title is so new to the collection that it’s not yet cataloged, but will be available soon.

Kimberly Tully
Curator of Rare Books
Special Collections Research Center

Local Dance History Project Timeline

August 10, 2015History NewsHistory News, Philadelphia Dance History, Philadelphia HistoryMargery Sly

Check out Philadelphia Dance Projects’ dance history timeline representing the work of independent dancers in Philadelphia, circa 1975-94. Their Local Dance History Project presents photos, videos, comments, and more documenting the development of contemporary dance in Philadelphia–a history largely unpreserved at present. Beginning with the work of 11 dance and performance artists: Terry Beck, Michael Biello & Dan Martin, Jac Carley, Jano Cohen, Terry Fox, Tonio Guerra, Wendy Hammarstrom, Ishmael Houston-Jones, Steve Krieckhaus, and Melanie Stewart, the project looks to create a digital collection reflecting their work. These artists were among the first to explore post-modern, improvisation, and performance genres in the city during the late 1970s and early 80s.

The digital collection of this largely undocumented history is being preserved and shared through a partnership of Philadelphia Dance Projects and the Special Collections Research Center at Temple University Libraries. A work in progress, the timeline will grow as additional resources are available and as additional artists add their content.

From the Archives: World War II Love Letters

August 3, 2015History NewsHistory News, Philadelphia History, World War IIMargery Sly

“No, I am not crazy for writing you twice in one day, just head over heels in love with you!” Thus, the ever romantic, Master Sergeant Jesse Lare began his letter to Mildred Patterson of Fishtown, Philadelphia, on September 27, 1944. Jesse and Mildred had not known each other for very long. They met at a mutual friend’s house several months earlier, and their correspondence had begun in June, when Jesse first wrote to Mildred. They maintained a correspondence that lasted almost two years and led to their marriage.

Jesse, who was also from Philadelphia, was stationed in Memphis at Second Army Headquarters, and later, at Camp Shelby in Mississippi. He was serving in the Second Army, a training outfit that readied troops for combat and other army jobs. Mildred lived in Philadelphia, and worked at the Kensington National Bank.
From the start, they were dedicated pen pals, and they wrote with increased frequency as time went on. Through their letter writing, Mildred and Jesse shared in each other’s lives, including their relationship, their work, their friends and families, and their leisure. In his free time, Jesse liked to bowl, play golf, and go to the movies. Mildred liked to go to Wildwood and other towns along the Jersey Shore, and she frequently turned to the Ouija board for her fortune. They
told each other about the daily goings on of life, from progress in the war to activities in Philadelphia and at the army base, the weather, and their feelings. It is clear they were well-suited friends, and the romance that quickly developed was a natural next step.

Western Union Telegram — Mildred accepts Jesse’s proposal, January 13, 1945

Having met in person only a few times, they married in January 1945. As a married couple, they maintained a candid correspondence in which they regularly discussed the ups and downs of their relationship and future together.

The Jesse and Mildred Lare Correspondence, 1944-1945, was donated to the Special Collections Research Center by Jesse and Mildred Lare’s daughter, in early 2015. This great World War II era collection has been processed and is available for research use! To learn more, check out the online finding aid.
– Courtney Smerz, Collection Management Archivist, SCRC

From the Philadelphia Jewish Archives: Hollywood Mysteries

July 16, 2015History NewsAmerican Jewish History, Film history, History News, Top NewsMargery Sly

Scholars have long been interested in the cultural and socioeconomic conditions that led Jews to success in the early film industry. Jewish immigrants, and particularly those from Eastern Europe, were adept at developing film technology and skilled at writing, directing, and marketing movies. Even the moguls who created Hollywood’s studio system–William Fox, Samuel Goldwyn, Louis B. Mayer, and Adolph Zukor, among others–were Jewish immigrants who rose from unprepossessing circumstances to become some of the most powerful men in the country. In books, articles, and documentaries, historians and film buffs have attempted to explain this unique aspect of film history.

What’s been less well-studied, however, is the relationship between Hollywood and Philadelphia’s own rich Jewish history. And I must admit that I’ve never given it much thought either, despite being a Philadelphia Jewish Archives collections project archivist in the Special Collections Research Center and classic film enthusiast. That changed, however, after I discovered an intriguing letter in the Robert B. Wolf and Morris Wolf Papers.

Robert and his father, Morris, were prominent members of the Philadelphia Jewish community. Morris served with the American Red Cross during World War I and was stationed in Paris. It was among his letters from France that I came across a curious passage:

Dated December 26, 1918, the letter is addressed to Morris’ father, Edwin. “Dear Father:” Morris wrote, “I made my first visit to a moving picture house last evening….There was a picture of Gaby Deslys’s, which I thought was very good. It seems to me that Goldwyn would make a tremendous hit by trying to get say five pictures a year with this star for the United States.” He later reminded, “I suggest that you speak to Goldwyn about it.”

Call me crazy, but was Morris Wolf referring to THE Sam Goldwyn? The famous producer of dozens of classic American films? If he was, then what was the connection between the Wolf family and the Hollywood film industry?

A search of the collection produced more hints, but frustratingly few answers. I found an employment contract for First National Pictures, a film company that merged with Warner Bros. in 1928. The collection also includes a 1959 Philadelphia Inquirer article that mentions that the family starred in and produced Westerns at a Montgomery County motion picture studio (Betzwood, anyone?)

Hoping to find more information, I turned to secondary sources. To my surprise, I found that little has been written about Philadelphia Jews and their role in the national film industry. To be sure, Siegmund Lubin’s career has been well documented, but there are significant gaps in the literature on this subject.

So, if anyone out there decides to tackle this topic, Morris Wolf and I will be eagerly awaiting your findings. Until then, feel free to use the Robert B. Wolf and Morris Wolf Papers and take a stab at unravelling the mystery yourself….

— Jenna Marrone, SCRC Project Archivist

Photograph of Morris Wolf in uniform, 1918