Tag Archives: Philadelphia History

From the Philadelphia Jewish Archives: Hollywood Mysteries

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Scholars have long been interested in the cultural and socioeconomic conditions that led Jews to success in the early film industry. Jewish immigrants, and particularly those from Eastern Europe, were adept at developing film technology and skilled at writing, directing, and marketing movies. Even the moguls who created Hollywood’s studio system–William Fox, Samuel Goldwyn, Louis B. Mayer, and Adolph Zukor, among others–were Jewish immigrants who rose from unprepossessing circumstances to become some of the most powerful men in the country. In books, articles, and documentaries, historians and film buffs have attempted to explain this unique aspect of film history.

What’s been less well-studied, however, is the relationship between Hollywood and Philadelphia’s own rich Jewish history. And I must admit that I’ve never given it much thought either, despite being a Philadelphia Jewish Archives collections project archivist in the Special Collections Research Center and classic film enthusiast. That changed, however, after I discovered an intriguing letter in the Robert B. Wolf and Morris Wolf Papers.

Robert and his father, Morris, were prominent members of the Philadelphia Jewish community. Morris served with the American Red Cross during World War I and was stationed in Paris. It was among his letters from France that I came across a curious passage:

Letter to Edwin Wolf, December 1918.

Dated December 26, 1918, the letter is addressed to Morris’ father, Edwin. “Dear Father:” Morris wrote, “I made my first visit to a moving picture house last evening….There was a picture of Gaby Deslys’s, which I thought was very good. It seems to me that Goldwyn would make a tremendous hit by trying to get say five pictures a year with this star for the United States.” He later reminded, “I suggest that you speak to Goldwyn about it.”

Call me crazy, but was Morris Wolf referring to THE Sam Goldwyn? The famous producer of dozens of classic American films? If he was, then what was the connection between the Wolf family and the Hollywood film industry?

A search of the collection produced more hints, but frustratingly few answers. I found an employment contract for First National Pictures, a film company that merged with Warner Bros. in 1928. The collection also includes a 1959 Philadelphia Inquirer article that mentions that the family starred in and produced Westerns at a Montgomery County motion picture studio (Betzwood, anyone?)

Hoping to find more information, I turned to secondary sources. To my surprise, I found that little has been written about Philadelphia Jews and their role in the national film industry. To be sure, Siegmund Lubin’s career has been well documented, but there are significant gaps in the literature on this subject.

So, if anyone out there decides to tackle this topic, Morris Wolf and I will be eagerly awaiting your findings. Until then, feel free to use the Robert B. Wolf and Morris Wolf Papers and take a stab at unravelling the mystery yourself….

— Jenna Marrone, SCRC Project Archivist

Photograph of Morris Wolf in uniform, 1918

Walter Massey Phillips, Philadelphia Renaissance Man

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Page from a notebook kept by Walter Massey Phillips recording tugboats seen on the Delaware River, 1920s. Walter Massey Phillips Papers, SCRC 136, Special Collections Research Center.

Walter M. Phillips, Sr. (1912-1985) was active in Philadelphia civic affairs for more than thirty years, particularly during the period of the 1940s-1960s, which was known as the “Philadelphia Renaissance.” During this time, political organizers worked for reform of what was seen as an immensely corrupt city government. While Phillips was an enormous political presence behind the scenes, he never held a political office, and by all accounts his reticent personality kept his significant role in the Philadelphia reform movement from wider renown. However, noted architect and city planner Edmund Bacon once called Phillips “the greatest single figure in the renaissance.”

A graduate of Episcopal Academy, Princeton, and Harvard Law School, Phillips was a chief organizer of the City Policy Committee, President of the Citizens’ Council on City Planning, Board Member of the Greater Philadelphia Movement, President of the Philadelphia Housing Association, Executive Secretary with the Delaware River Basin Advisory Committee, Trustee of Lincoln University, Director of the Honey Hollow Watershed Association, and Board Member of the Committee of Seventy. He managed Joseph Clark’s successful race for Mayor of Philadelphia in 1951, served in Clark’s cabinet as City Representative and Director of Commerce through 1955, and was the (unsuccessful) reform candidate against Mayor James Tate in the 1963 Democratic primary election.

Walter Massey Phillips during the 1963 mayoral race, May 1963. Walter Massey Phillips Papers, SCRC 136, Special Collections Research Center

After retiring, Phillips initiated an oral history project, and, between 1974 and 1980, interviewed approximately 160 of the local civic and government leaders with whom he had worked. The interviews generally discuss Philadelphia city government and history between the late 1930s and the 1970s.

The Special Collections Research Center holds  Phillips’ personal papers as well as cassette tapes, transcripts (many of which are now available online), and background information from his oral history project. His papers document his life, career, and the nature of civic decision making at the policy level in mid-twentieth century Philadelphia. In addition to records from and related to the many Philadelphia organizations and networks in which Phillips was involved, there are also personal items, such as family photos and a diary of Phillips’ 1936 trip to the Yukon.

–Katy Rawdon, Coordinator of Technical Services, SCRC

From the Philadelphia Jewish Archives: Pinchos J. Chazin Papers

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Rabbi Pinchos J. Chazin (1914-2006) was a well-known and much admired spiritual leader in Philadelphia’s Jewish community.  For forty-three years, he inspired and engaged the congregation of Temple Sholom with sermons and weekly lectures that connected scripture with contemporary culture in a way that was both meaningful and motivational.  Rabbi Chazin’s sermons were invariably positive, encouraging congregants to explore their spirituality and delve deeper into Jewish tradition.  He also displayed compassion for the foibles of human nature, an ability that impressed many people who heard Rabbi Chazin speak. 

“Your work as the spiritual guide of Temple Sholom must be a taxing one,” wrote one correspondent in 1950, “but one can’t help feeling your sincerity of purpose….It did a lot to create and instill the desire to delve deeper into the beauties of Judaism, and what it stands for.”  In 1970, another correspondent noted, “You are unquestionably the finest rabbi in terms of learning and expression and humanity that I have ever known, and one of the finest human beings I have ever known, as well.”  And in 1979, a congregant succinctly wrote, “For the many years that you have acted as Rabbi in Temple Sholom you have opened the doors to ourselves and our children to the true meaning of Judaism and warm friendship.”

Chazin’s personal papers including his weekly sermons, book review lectures, eulogies, cantatas and related materials are now open for research in the Special Collections Research Center. To learn more about this collection, review the online finding aid http://library.temple.edu/scrc/pinchos-j-chazin-papers

Jenna Marrone, Project Archivist