Tag Archives: History News

Cartoonist Samuel R. Joyner

Samuel Joyner, March 1998
Samuel Joyner, March 1998

Born in Philadelphia in 1924, Samuel R. Joyner is among a small number of early African-American cartoonists in the United States. His pioneering work influenced many generations of African American comics and commercial artists. While working as a paper boy for the Philadelphia Tribune, his artistic talents were first recognized by publisher E. Washington Rhodes. Following his service in the United States Navy during World War II, Joyner enrolled in the Philadelphia Museum School of Industrial Art (now known as the University of the Arts) to pursue a career as a commercial artist. He graduated in 1948.

After some difficulty finding employment, Joyner succeeded in selling his work to the Philadelphia Inquirer and Pittsburgh Courier. However, he soon realized that he was not fully valued for his creations at these papers because he was not allowed to attach his name to his art work or draw any non-white characters. In the 1950s, Joyner secured employment as an art director for the African American magazine Color. The magazine was originally based in Charleston West, Virginia, but moved its headquarters to Philadelphia in 1954. While working there Joyner gained national attention for his social and political commentary and satire and used it to encourage other African Americans to engage in activities and dialogues toward the defeat of discrimination and injustice.

Industrial Pollution  Philadelphia Tribune 2/1/94
Philadelphia Tribune, 2/1/94

In the 1960s, Joyner operated a print and graphics shop with his wife and four children. He continued to further his education by taking classes at the Pennsylvania Academy of Fine Arts and Temple University. From 1974 until his retirement in 1990, he taught art classes and graphic communications at Rhodes Middle School, and Bok Technical High School in Philadelphia. His work was published in over 40 different publications, and he received awards and recognitions from Temple University, The National Newspapers Publishers Association, and the Houston Sun Times, among other organizations.

Nintendo game
Houston Sun, March 28, 1994.

Located in the Special Collections Research Center, the Samuel R. Joyner Artwork Collection includes photographs, original artwork and sketches, posters, news articles, publications, and ephemera, dating from 1947 to 2005. Joyner’s art work reveals how greatly influenced he was by the sociopolitical happening in society ,and how he used his talents to challenge racism, discrimination, exploitation, and American political culture in order to give a critical “visual voice” to a range of frustrations in the African American community.

–Brenda Galloway-Wright, Associate Archivist SCRC

 

 

The Photography of Philip Taylor

Walt Whitman Bridge construction, 1955
Walt Whitman Bridge construction, 1955

Since the late 1940s, Philadelphian Philip Taylor has been taking photographs of his environment—Philadelphia as it was in the intervening decades. His painstakingly-processed silver gelatin prints illuminate Walt Whitman Bridge construction, the homeless, pre-gentrification Society Hill, the Camac baths, the Philadelphia neighborhoods of South Philadelphia, Northeast Philadelphia, and East Poplar, Atlantic City, and Philadelphia residents—both anonymous and famous—as well as his travels to Israel, the Canary Islands, and Cuba.

Philip Taylor attended local public schools in South Philadelphia. In 1943, during his junior year in high school, he dropped out to help support his family after his father died suddenly while working at the Philadelphia Navy Yard. Taylor worked as a civilian in the Navy Department in Center City Philadelphia—in the mail room located next to the photography department. Drafted into the United States Army in 1944, Taylor served until 1946 at various stateside bases.

Homeless man, c. 1955
Homeless man on Philadelphia Skid Row, c. 1955

After the war, Taylor apprenticed as a union tradesman in the lithographic printing industry in Philadelphia. For the next twenty-five years, he worked the night shift as a master lithographic cameraman making half-tone negatives and color separations for the print medium at Mid-City Press, one of the largest commercial printers in Philadelphia.  Taylor also taught at the Philadelphia Lithographic Institute and holds two United States Government patents, one in the medical field and another in the lithographic field. He also invented two devices related to the lithographic printing industry.   Working full time, Taylor photographed his environment using a Rolleiflex 3.5F TLR camera and a Leica 35mm camera, and frequently stayed up until dawn developing negatives into photographic prints.

Old City Jerusalem. c. 1973
Old City Jerusalem, c. 1973

Temple University Libraries are grateful to Mr. Taylor for his donation of his life’s work. It will serve as a resource in the Special Collections Research Center for study and research. Please join us for a reception celebrating his work, February 26, 4:00  – 7:00, Paley Library Lecture Hall.   The exhibit is on view on the ground and first floors and mezzanine of Paley  through August 2016.

–Margery Sly, Director of Special Collections

We mourn the passing of Phil Taylor on October 29, 2021, and rejoice that his vision of Philadelphia and the world is preserved through his photography.

 

Weavers Way Co-op Archives

The Shuttle newsletter
June 1975 Weavers Way newsletter

Weavers Way Co-op was founded in 1973 in West Mount Airy, a neighborhood in Philadelphia. A cooperatively owned market, Weavers Way grew from a small deli and produce buying club to include two fully staffed and stocked grocery stores in West Mount Airy and Chestnut Hill; Across the Way, a natural pet supply and wellness store in Mount Airy; and Weavers Way Next Door, a natural health and wellness store in Chestnut Hill.

Weavers Way was founded during the “New Wave” cooperative movement of the 1960s and 1970s, when thousands of similarly minded cooperative retail and other ventures were founded across the United States. Offering an alternative to the conventional grocery store, Weavers Way took advantage of the power of collective purchasing to bring better and healthier foods into the community at affordable prices, and pushed for environmental, agricultural, and sociopolitical change through consumer activism and other programs.

From the beginning, the co-op encouraged its membership to be fully vested in the formation of its governance and in choosing which products to sell or not sell, with early newsletters concluding, “If you don’t decide, someone else will!” In its product philosophy statement, the Co-op outlined its commitment to selling products that were locally and/or cooperatively produced, did not originate from exploitative businesses, and to offer product alternatives, such as  bulk versus packaged or organic versus non-organic foods. Weavers Way also organized agricultural boycotts and recycling programs, and, as a leader in urban agriculture and the organic foods movement, it operated the Mort Brooks Memorial Farm at Awbury Arboretum and the Henry Got Crops community supported agriculture (CSA) program at W.B. Saul Agricultural High School.

An active and neighborhood-defining organization, Weavers Way Co-op’s records are a valuable addition to Special Collections Research Center’s holdings. In addition to documenting the history of the co-op and its surrounding community, the Weaver’s Way accession adds to an existing body of collections in the SCRC documenting life in northwest Philadelphia. Other collections include the Ann Spaeth Papers on Chestnut Hill, Lloyd Wells Papers on the Chestnut Hill Experience, the Chestnut Hill Local, the East Mount Airy Neighborhood Association Records, and the West Mouth Airy Neighborhood Association Records. As an added bonus, the Weavers Way Co-op Records also represent our most pleasantly perfumed collection. Having previously been stored above Across the Way, the material emits a delightful aroma of soaps and other wellness products. To learn more about the collection, view the Weavers Way Co-op finding aid.

--Courtney Smerz, Collection Management Archivist, SCRC

AIDS Library Records and LGBTQ Resources

AIDS Library pins
AIDS Library pins

The AIDS Library, located in Center City, Philadelphia, was founded in 1987. The mission of the library is to provide information and support to those infected by HIV/AIDS as well as to caregivers, other AIDS service organizations, medical practitioners, case managers, hospitals, family members, partners, and friends of those infected with and affected by the virus. The library is a part of Philadelphia FIGHT, a local health services organization working with people with HIV/AIDS, provides resources, internet access, educational programs, and one-on-one assistance to the public.

The AIDS Library Records in the Special Collections Research Center came to Temple in 2007. Byron Lee, a volunteer, processed the records. The collection contains administrative records as well as materials previously used but now withdrawn from the library’s collection–monographs, serials, pamphlets, collections of article and newspaper clippings, collections of community newsletters, and information files. The majority of the collection covers the early years of the AIDS epidemic and early activist and political activities from around 1986 to 1997. Additional transfers from the library are in process.

Poetry of AIDS
The Poetry of AIDS

The collection documents one of the earliest organizations founded to educate those affected by HIV/AIDS and their communities and families. Materials detail the evolution of the library as an organization, and the many pamphlets, reports, and other publications document resources available about the AIDS epidemic. Materials by and about other Philadelphia-area organizations, as well as newspaper clippings, photographs, pins, and other ephemera, provide a glimpse of the lesbian, gay, bisexual, and transgender community in Philadelphia during 1980s and 1990s.

The Special Collections Research Center is fortunate to hold a number of other collections related to the history of the Philadelphia LGBTQ community. These include the Philadelphia Lesbian and Gay Task Force Records which contain organization records, educational program records, and videotapes and audio cassettes documenting public service announcements, news reports, and events. The Scott Wilds Papers include articles, clippings, correspondence, magazines, newsletters, and reports from this Philadelphia gay activist, and include information related to political organizations, candidates, and various Philadelphia elections.

Lesbian Tide Sept 1972
Lesbian Tide Sept 1972

The SCRC also holds a variety of newspapers and magazines published by and for the LGBTQ community both in Philadelphia and further afield, including: Philadelphia Gay News, 1973- today; the PLGTF Bulletin, 1978-82; Gayzette, 1974-75; G.L.A.D. Briefs, 1979-1986, New Gay Life, 1977-78, The Baltimore Gay Paper, 1984-87; Common Lives, Lesbian Lives, 1983-1996; The Lesbian Tide, 1971-75 and 1978-80; and Kater Street, 1978-83.

–Katy Rawdon, Coordinator of Technical Services, SCRC

City Parks Association of Philadelphia

The City Parks Association of Philadelphia was chartered on May 23, 1888, to create and maintain open spaces as park areas for the citizens of Philadelphia. Since that time, the association has worked with city government to establish parks such as Franklin Delano Roosevelt (FDR) Park (originally named League Island Park) and Pennypack Park. The association advocated for the city government to pass zoning laws and continues today to work for the improvement and preservation of parks, squares, playgrounds, and waterways in Philadelphia and surrounding areas.

Swimmers at League Island Park, July 1925.
Swimmers at League Island Park, July 1925. City Parks Association of Philadelphia Records, SCRC 86, Special Collections Research Center

The Special Collections Research Center holds the records of the City Parks Association. The collection contains meeting minutes and agendas, annual reports, financial records, correspondence, news clippings, and photographs. There is also information related to various specific parks and the Fairmount Park Commission, as well as correspondence, financial, and property records related to Awbury Arboretum and its historic Francis Cope House in the Germantown section of Philadelphia.

Awbury Arboretum
Rose Garden plan for Awbury Arboretum, undated. City Parks Association of Philadelphia Records, SCRC 86, Special Collections Research Center

Also included in the collection are captured websites, a new initiative by the SCRC and the Digital Library Initiatives department. Using the Archive-It service, periodic “captures” of the website are taken, and are available to the public. Captures of the City Parks Association are available from between 2002 to 2015, and will continue to be harvested, preserved, and made available.

The collection’s photographs, with the exception of slides, have been digitized and are available online on the Temple University Digital Collections website.

We celebrate with our Temple Press colleagues the publication of Jim McClelland and Lynn Miller’s  City in a Park:  A History of Philadelphia’s Fairmount Park System.

–Katy Rawdon, Coordinator of Technical Services, SCRC

 

Temple Classes Visiting the Special Collections Research Center

One of our primary missions at the Special Collections Research Center (SCRC) is to support research, teaching, and learning through the use of the materials in our collection. This semester we’ve had over two dozen classes and hundreds of students pass through the doors of our reading room, and many more have come on their own to conduct further research on a diverse array of topics and disciplines such as architecture, history, urban studies, visual studies, education, dance, film and media arts, criminal justice, and journalism.

Students working with zines
Students working with zines

This semester J. Pascoe, a Philadelphia-based artists and instructor at Tyler School of Art, brought her Visual Studies and Graphic Art and Design classes into the SCRC, so that her students could interact with and explore some of our artists’ books and zine holdings.

When asked what value she placed in class visits to the SCRC, Pascoe says that “I bring my students to the SCRC because as an artist, an educator, and–frankly–as a human moving through this world, it behooves me to know what other people around me are making and doing. It’s not enough to pay attention to only what your friends or colleagues are doing. As artists, it’s important to know what’s being made out there and why.”

Zines on display
Zines at the SCRC

“More specifically, students come to my class wanting to make books and zines. They want to make things with their hands and they, ideally, want other people to hold finished work in their hands. We talk a lot about hand skills and hand work in my classes, so it’s no surprise I champion taking opportunities with my students to put our hands on other people’s work, too. To be able to hold books and zines and spend time with them–that’s where some real learning happens. I see more ‘light bulbs’ moments happen in collections and archives than in studio spaces.”

Student work inspired by their visits to the SCRC can be found on a class blog for Visual Studies 4554.  This is just one example of how the SCRC continues to support teaching and learning on the Temple campus and beyond.
-Josué Hurtado, Coordinator of Public Services & Outreach

National History Day

Masterman High School Students
Masterman High School Students doing research at the SCRC

National History Day is a year-long educational program that attracts thousands of middle and high school students, and educators nationwide. Students compete at the local and state levels, which award participants the opportunity to present their work in a national contest held every June at the University of Maryland, College Park.

Masterman High School Students
Masterman High School Students

The competition was established in 1974 by Professor David Van Tassell who was on faculty in the History Department at Case Western Reserve University in Cleveland, Ohio. Its purpose is to provide invaluable experiences and opportunities for students to conduct historical research and develop critical thinking, writing, and communication skills. Student participants may submit individual or group projects in the form of a documentary, exhibit, paper, performance, or website. The program also offers professional development opportunities for educators through training, and access to varied historical resources that help them to create more robust teaching curricula.

Since 2006, the Special Collection Research Center has participated in NHD programs and has hosted class visits to the archives from Philadelphia area schools including Masterman and Constitution high schools, and LaSalle High School for Boys. Visiting students spend hours combing through the original news clippings and photographs files of Philadelphia Evening Bulletin and Philadelphia Inquirer newspapers for research projects covering a myriad of events such as the integration of Girard College, the 1967 school board riots, the MOVE bombing, and prominent Philadelphia individuals including Father Divine, Frank Rizzo, and Father Paul Washington.

Masterman High School students
Masterman High School Students, October 2015

In 2015, students from Masterman placed in local and state competitions: Jenny Chan qualified for the national competition for her documentary entitled “Robert Smalls: Not so Small After All.” This Fall a new group of Masterman 10th graders has been visiting the SCRC to research topics for the 2016 NHD competition theme, “Exploration, Encounter, Exchange in History.”

For more information about NHD activities and programs in the Philadelphia area visit the NHD Philly website.

–Brenda Galloway-Wright, Associate Archivist

Votes for Women

Woman with ballot
Woman with ballot, c. 1920

August 26, 2015, marked the 95th anniversary of the Woman Suffrage Movement’s great victory, the ratification of the 19th Amendment to the U.S. Constitution. This campaign, which lasted 72 years, was pursued by thousands of persistent women and men who believed that women should have the right to vote in the United States.  That right was first won in various states and localities, sometimes on a limited basis. The Nineteenth Amendment became part of the U.S. Constitution on August 26, 1920. It states, “The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex.”

Here some are of Philadelphia’s suffragettes heading to Harrisburg to celebrate victory in the state in 1919.  Pennsylvania was the seventh state to ratify the national suffragette amendment. While the photograph was taken on June 24, 1919, a 1940 Philadelphia Evening Bulletin caption states “Scenes like this were common in Mother’s day as members of the League of Women Voters explained the mysteries of the ‘Mark X in left hand column’ to the newly enfranchised sex.”

1919 suffragettes
Pennsylvania suffragettes in 1919.

Carlos Roy Lavender and Science Fiction Fandom

Lavender’s First Fandom badge.
Lavender’s First Fandom badge.

The Special Collections Research Center is fortunate to hold several collections related to the history of science fiction fandom. In addition to files of ephemera from science fiction conventions and three fanzine collections (the Science Fiction Fanzine Collection, Sue Frank Collection of Klingon and Star Trek Fanzines, and the Women Writers Fan Fiction Collection), we also hold the Carlos Roy Lavender Papers.

Roy Lavender was an aerospace engineer, science fiction fan, frequent convention attendee and organizer, and author of essays describing fan life in the early years of science fiction and the “pulp era.” Lavender was a member of First Fandom – an association of experienced science fiction fans originally limited to fans active prior to 1938 – and a founder of Midwestcon, a science fiction convention held annually in Ohio.

The Carlos Roy Lavender Papers include convention booklets and nametags, fanzines, letters, photographs, ephemera, newsletters, a scrapbook of science fiction writer Harlan Ellison’s column, “The Glass Teat: A Column of Opinion about Television,” and other materials. The many boxes of photographs and slides in this collection contain images of various science fiction conventions, including examples of cosplay.

Cosplayer at the Denvention convention (39th World Science Fiction Convention), 1981
Cosplayer at the Denvention convention (39th World Science Fiction Convention), 1981

While fans (of anything, but particularly science fiction) are often subject to ridicule, fan studies has grown in recent years. Fandom can be seen as a microcosm of the larger culture, and is intertwined with commerce, economics, entertainment, social connections and structures, and creativity. Documenting fandom has particular challenges for archivists. In addition to the scattered and ephemeral nature of much of what fandom produces, privacy concerns can also be an issue. Some fans do not want to be publicly associated with their fandom or the creative products they make, while others believe that the entire purpose of fandom creativity is to share what they produce with as wide an audience as possible.

Attendee card for the Seacon convention (37th World Science Fiction Convention), 1979.
Attendee card for the Seacon convention (37th World Science Fiction Convention), 1979.

A pressing current challenge for preserving fandom culture is capturing, preserving, and making accessible digital fandom: online zines, listservs, newsgroup posts, and blogs. These same challenges exist in many other types of contemporary archival collections, and archivists are increasingly well equipped through digital forensics, web archiving (for some of Temple’s  contents, see our Archive-It site), and other measures, to provide the same care and access to digital materials as they have done with paper collections.

–Katy Rawdon, Coordinator of Technical Services, SCRC

The Art of the Commonplace Book: An Exhibition of Student Work

The Art of the Commonplace Book exhibit

 “In conjunction with their reading of Meditations by Marcus Aurelius, I asked my students in the Spring 2015 Mosaic I: Humanities Seminar to keep a commonplace book of quotations primarily from the assigned texts and ancillary readings in our Mosaic class, but also from their other classes and any outside reading they may have done during the semester.  This could include novels, newspapers, magazines, Twitter, Facebook, or other social media postings, and even popular mediums, such as music, movies, and television.–Richard Orodenker, Assistant Professor, Intellectual Heritage Program

Students from Richard Orodenker’s Mosaic I: Humanities Seminar course in the Intellectual Heritage program visited Temple University Libraries’ Special Collections Research Center in March 2015 to learn more about the tradition of keeping a commonplace book.  A commonplace book is any book in which extracts from other works, quotations, and comments are written.  Designed to be both a compilation of knowledge based on its creator’s interests and a memory aid, a commonplace book often includes a wide range of information on a variety of topics, such as politics, religion, and literature.

Student's commonplace book

 

“I felt that the assignment was an interesting historical correlation to the current trend of tweeting or ‘facebooking’ famous quotes. In my commonplace book I tried to incorporate text and visuals because the quotes that I chose were those that drew pictures with the beauty of their language. I find that a writer’s ability to translate words into mental images creates a wide range of interpretations and emotions for different readers and I wanted to express those images and emotions.”–Keeland Bowers, student.

McGlinn commonplace book title page
Frank McGlinn’s college commonplace book, circa 1935

 

Several of the commonplace books kept by students in the class, along with a selection of SCRC commonplace books and related materials, are on display during the Fall 2015 semester in three cases in the lobby of Paley Library. Please stop in and see how a visit to the Special Collections Research Center helped to shape this class project, by making the traditional commonplace book the jumping off point for rewarding student projects that incorporate both the old and the new.

-Kim Tully, Curator of Rare Books, SCRC