All posts by Margery Sly

“Who Lives, Who Dies, Who Tells Your Story?” Hamilton in the Special Collections Research Center

In the Broadway musical Hamilton, George Washington tells Alexander Hamilton, “You have no control … who tells your story.” In archives and special collections, stories are preserved and told every day, whether they are the stories of presidents and politicians or those of everyday people. While the Special Collections Research Center is better known for its collections documenting modern day people and events, we do hold some materials related to our founding fathers, including those represented in Hamilton.

Hamilton bank order
Alexander Hamilton. Order on First Bank of United States, May 16, 1794. Cochran History of Business Collection

Alexander Hamilton’s own handwriting can be seen in the original 1794 document “Order on First Bank of United States,” which shows Hamilton in his capacity as Secretary of the Treasury authorizing the Secretary of State, Edmund Randolph, to be paid $900 for “certain expenses which have occurred in the West Indies in relation to public service.” His work is also represented by his publication The Soundness of the Policy of Protecting Domestic Manufactures (Philadelphia: printed by J. R. A. Skerrett, 1817).

Eighteenth century printed materials in SCRC demonstrate that the personal attacks shown in the musical were just as vindictive in real life: the pamphlet Letters to Alexander Hamilton, King of the Feds (New York: orinted by Richard Reynolds, 1802), attributed to expert scandalmonger James Thomson Callender (the man credited with revealing Hamilton’s affair with Maria Reynolds), attacks Hamilton for 64 pages.

Burr novel
Cover of An American Colonel: A Story of Thrilling Times During the Revolution and the Great Rivalry of Aaron Burr and Alexander Hamilton, by Jeremiah Clemens (Akron, Ohio: Wolfe Pub. Co., 1900)

Multiple books in SCRC detail the life and death of Hamilton, including Gertrude Franklin Horn Atherton’s The Conqueror: Being the True and Romantic Story of Alexander Hamilton (New York: Macmillan, 1902) and William Coleman’s 1804 publication A Collection of the Facts and Documents, Relative to the Death of Major-General Alexander Hamilton (Boston: Reprinted by Houghton, Mifflin and Company, 1904).

Aaron Burr’s troubles did not end after he killed Alexander Hamilton in an 1804 duel. In 1807 he was arrested for treason at the behest of President Jefferson. The trial is extensively detailed in the two volumes of Reports of the Trials of Colonel Aaron Burr (Philadelphia: published by Hopkins and Earle. Fry and Kammerer, printers, 1808). For Burr apologists, the book An American Colonel: A Story of Thrilling Times During the Revolution and the Great Rivalry of Aaron Burr and Alexander Hamilton, by Jeremiah Clemens (Akron, Ohio: Wolfe Pub. Co., 1900) tells the story of Hamilton and Burr’s rivalry in pro-Burr fashion.

Lafayette letter
Marquis de Lafayette letter to “My dear sir,” December 19, 1784. Jay Edwin Sturgis Nagle Papers.

Marquis de Lafayette is represented in SCRC collections by a handwritten 1784 letter from the Jay Edwin Sturgis Nagle Collection, as well as multiple printed eulogies given upon his death in 1834. An unusual take on the Marquis is given in Walt Whitman’s short publication, Lafayette in Brooklyn (New York: George D. Smith, 1905), in which he describes being picked up and kissed by Lafayette as a small child.

Thomas Jefferson, of course, is well documented in many resources, including two letters from the Alexander James and George Mifflin Dallas Papers. SCRC also holds an early edition of Jefferson’s only full-length book, Notes on the State of Virginia (Philadelphia: R.T. Rawle, publisher, John Thompson, printer, June, 1801). The Dallas Papers also contain one letter by James Madison.

Madison letter
Letter, James Madison to George Mifflin Dallas, June 23, 1821. Alexander James and George Mifflin Dallas Papers

George Washington, like Jefferson, is extensively documented. One particularly beautiful Washington-related book is an 1858 publication of his farewell address upon his retirement from the presidency–the basis for the song “One Last Time” (Washington’s Farewell Address to the People of the United States: Embellished with Arabesque Designs & Illuminations. Philadelphia: Devereux & Company, 1858).

–Katy Rawdon, Coordinator of Technical Services, SCRC

Undergraduate Instruction in the SCRC: Engaging Historically and Artistically with the Book as Object

 

seminar visit
Mosaic seminar

One of the ongoing missions of the Special Collections Research Center is to use our collections to enhance the teaching, learning, and research activities in the undergraduate curriculum at Temple. Over the course of spring semester 2016, the SCRC has hosted over twenty five classes representing a variety of departments and programs on campus.

A recent visit by Professor John Dern’s Intellectual Heritage Honors Mosaic Humanities Seminar, a required general education course in the College of Liberal Arts, gave us the opportunity to highlight some treasures from our rare book collections and gave the students an opportunity to see and turn the pages of first editions of Galileo and Mary Wollstonecraft.

Mosaic seminar
Mosaic seminar

The goal of the Seminar is to “introduce students to philosophical, political and scientific texts that are challenging in at least one of several ways: rhetorically, historically or culturally.” In Professor Dern’s section, students read Galileo’s Sidereus Nuncius (Starry Messenger), Mary Wollstonecraft’s A Vindication of the Rights of Women, and Thucydides’ On Justice, Power and Human Nature, among other assigned texts. When the students visited in early April, we pulled Temple’s first editions of Galileo’s final work, Discorsi e Dimostrazioni Matematiche, intorno à due nuoue scienze, printed in 1638 in Leiden, and the first edition of Mary Wollstonecraft’s seminal proto-feminist work, A Vindication of the Rights of Women, printed in London in 1792. Connecting their class reading of Galileo’s most famous work to how his later works appeared in the European marketplace in the early 17th century provides an invaluable lesson in early modern scientific discovery, censorship, and the dissemination of information across the European continent.

In addition to the first edition of Mary Wollstonecraft’s landmark text advocating equal education opportunities and related 18th century texts, the students also engaged with a 15th century manuscript on the lives of the ancient philosophers, a 16th century edition in Greek of the Roman historian Appian, and an 1804 illustrated volume depicting the punishment of criminals in China according to the Qing penal code. Students were encouraged to turn the pages of these texts, ask questions, and even snap pictures with their always-handy smartphones. Exposure to the physical artifacts of the texts they’re studying in class brings the students closer to an understanding of how the texts entered the cultural marketplace, the historical record, and our collective, intellectual heritage.

M. Dages class
Another of our late semester class visits provided a different kind of connection to the physical book format for the  students. In mid-April, Professor Marianne Dages brought her Tyler School of Art Foundation program class in 2D Foundation Principles to the SCRC to view a selection from our large artists’ books collection. For their own final book-making projects in the class, students were asked to incorporate both a strong use of color and interesting book structures. The selections pulled from the collection provided both examples of strong color technique and unique structures, as well as inspiration for the students’ own work. Just as in the Humanities Seminar, the smartphones were put to good use documenting what they saw for future reference!

Dages class
Tyler students with artists’ books

Whether a class visit to see the SCRC’s print collection enhances the contextual understanding of class readings or directly influences student work, it does prove that the physical book form is still an integral part of undergraduate teaching and learning at Temple.

— Kimberly Tully, Curator of Rare Books, SCRC

From the Philadelphia Jewish Archives: Philadelphia’s Holocaust Memorial

 

Philadelphia Holocaust Memorial
Monument at 16th and Benjamin Franklin Parkway, April 27, 1964

As we enter the Days of Remembrance of the Victims of the Holocaust and Yom Hashoah, the Special Collections Research Center asked Natasha Goldman, Research Associate and Adjunct Lecturer in Art History at Bowdoin College, to share her recent experiences at the SCRC and the connections she made that led to Temple’s acquisition of a previously “hidden collection.”

Goldman writes:  “In 2011, I started research on Nathan Rapoport’s Monument to the Six Million Martyrs (1964), arguably the first public Holocaust memorial in the US, located in Philadelphia at the corner of 16th St., Arch St. and Benjamin Franklin Parkway. Designed by artist Nathan Rapoport, famous for his Warsaw Ghetto Uprising Monument (1948), the sculpture has largely been ignored in the literature of Holocaust memory in the US.

Abram Shnaper, a Holocaust survivor, had initiated the monument’s commission on the behalf of the Association of Jewish New Americans, a Philadelphia survivor organization that he had founded in 1954. Together with the Jewish Federation of Greater Philadelphia, the groups raised $47,000 for the monument. Shnaper painstakingly documented the entire process, from raising funds, to writing letters to the artist, to sending telegrams to Israel to invite Israeli officials to the dedication ceremony. When I visited him in his home in 2011, Shnaper conveyed to me his wish that the documents stay in Philadelphia, close to the monument. 

After Shnaper’s passing, I visited his collection once again, this time at the offices of his son-in-law. I also visited the Temple University Libraries’ Special Collections Research Center, where I found the documents of the Jewish Community Relations Council—including files relating to the committee responsible for the monument in the decade after its installation. When Shaper’s son-in-law asked me where he should donate Abe’s papers, I immediately knew that Temple University would be the best home for his collection. It was Shnaper’s greatest wish that young people learn about the Holocaust so as to pass on the legacy of the six million and of the survivors. Finally, students at Temple University and scholars from near and far have direct access to these rich primary documents. They demonstrate the dedication of diverse Jewish communities to create one of the earliest US Holocaust monuments in public space.

Selections from the Shnaper papers
Selections from the Shnaper papers

Acquired by the SCRC in 2014, the Abram Shnaper Papers on the Monument to the Six Million Jewish Martyrs are open and available for research. View the online finding aid or catalog record for a description of the collection’s contents and to request access to the materials in the SCRC reading room.

Natasha Goldman’s article on Rapaport’s memorial, “Never bow your head, be helpful, and fight for justice and righteousness: Nathan Rapoport and Philadelphia’s Holocaust Memorial (1964),” will be published in the Summer 2016 in the Journal of Jewish Identities, issue 9, number 2. The article will also appear in her forthcoming book, Holocaust Memorials in the United States and Germany: From Grass-Roots Movements to National Debates (under advance contract; Temple University Press, Spring 2017).

— Jessica M. Lydon, Associate Archivist, SCRC

From the Philadelphia Jewish Archives: Editorial Cartoons of Stu Goldman

Goldman business card
Stu Goldman business card, undated

Stu Goldman, an award winning syndicated editorial cartoonist, produced illustrations for the Philadelphia newspaper, The Jewish Exponent, from 1981 until his retirement in 2009. For many years, Goldman also served as a regular and feature cartoonist for a variety of periodicals:  Centre Democrat (Bellefonte, PA), Prince George’s Sentinel (Hyattsville, MD), and the predecessor to the alternative press publication, Philadelphia Weekly, previously known as Welcomat, which featured “Eavesdrawing,” a cartoon illustrating eavesdropped true-life conversations heard throughout the city.

[Jewish Voter Roll]
[Jewish Voter Roll] political cartoon, 1988
At the height of syndication, Goldman’s editorial cartoons were featured in over 70 publications. Similar to the work of fellow Philadelphia newspaper cartoonist Samuel R. Joyner, also held by the Special Collections Research Center, Goldman’s cartoons used political satire to comment on issues that affected his own community as well as those of national and international importance. During the 1988 presidential campaign season, for example, Goldman drew a number of cartoons depicting the struggle between then Massachusetts Governor Michael S. Dukakis and then Vice President George Herbert Walker Bush to attract the Jewish vote.

Dr. Who Convention, February 23, 1985
Dr. Who Convention, February 23, 1985

In addition to his editorial cartoons, Goldman’s papers also includes his sketchbooks, many of them produced during his travels in the United States and abroad. His sketchbooks contain images on a range of subjects from the 1984 annual meeting of the American Jewish Press Association in Washington D.C. to a 1985 Dr. Who Convention at the Valley Forge Convention Center.

To learn more about Stu Goldman’s Editorial Cartoon Collection, contact the Special Collections Research Center at scrc@temple.edu .

 

 

— Jessica M. Lydon, Associate Archivist, SCRC

Liber Mundi



Liber Mundi event flyeLIBER MUNDI POP UP EXHIBIT
AND ARTISTS’ TALK
Friday, April 15, 2016, 4:00 – 7:00 PM

Temple University
Paley Library Lecture Hall, 1210 Polett Walk, Ground Floor

Please join us for an exhibit and discussion centered around Liber Mundi, a series of artists’ book and zine exhibitions featuring 13 international artists. For the Liber Mundi series, artists are creating original works that explore the contemporary book form.

Ángela Sánchez de Vera – Chihuahua, Chihuahua, Mexico
Christopher Kardambikis – Brooklyn, New York, United States
Conor Crumley – Portland, Oregon, United States
J. Pascoe – Philadelphia, Pennsylvania, United States
Janine Biunno – Brooklyn, New York, United States
Jessica Gatlin – Knoxville, Tennessee, United States
Juan Pascoe – Tacámbáro, Michoacán, Mexico
Katherine Pulido – San Francisco, California, United States
Katja Pál – Lendava, Mura, Slovenia
Lee Hunter – New York, New York, United States
Magda Wegrzyn – Mokotów, Warsaw, Poland
Oona Tikkaoja – Turku, Finland
Sarah Hulsey – Somerville, Massachusetts, United States

Special Collections Research Center, Temple University Libraries

 

Sarah Hulsey, In the words of Ptolemy

Sarah Hulsey, In the words of PtolemyA

Janine Biunno, Unfolded
Janine Biunno, Unfolded
Lee Hunter, Environmental Bleed
Lee Hunter, Environmental Bleed
J. Pascoe, Parables for City Living
J. Pascoe, Parables for City Living
Christopher Kardambikis, Janus Inside
Christopher Kardambikis, Janus Inside

Bibliotheca Philadelphiensis: Medieval Manuscripts in Philadelphia

France. Missal Leaf. 1285
France. Missal Leaf. 1285

The Council on Library and Information Resources has awarded one of its Digitizing Hidden Collections grants to the Philadelphia Area Consortium of Special Collections Libraries (PACSCL).  It will support digitization of virtually all the medieval manuscripts in PACSCL member collections and to place them in a common repository with previously digitized manuscripts as free cultural works. The project, “Bibliotheca Philadelphiensis: Toward A Comprehensive Online Library of Medieval and Early Modern Manuscripts in PACSCL Libraries in Eastern Pennsylvania and Delaware,” includes manuscripts from Lehigh University; Free Library of Philadelphia; University of Pennsylvania Libraries; Bryn Mawr College; College of Physicians of Philadelphia; Haverford College; Library Company of Philadelphia; Rosenbach Museum and Library; Swarthmore College; Temple University; University of Delaware; Chemical Heritage Foundation; Franklin & Marshall College; Villanova University; and the Philadelphia Museum of Art.

Detail. Pore Caitif, c. 1400
Detail. Pore Caitif, c. 1400

The proposal funded by CLIR describes the value of the project: “This project will provide online access to high-resolution images, with metadata, of 159,512 pages of medieval manuscripts from more than 400 codices plus leaves. These images will be released to the public domain for free use by scholars and the general public and, added to existing digitized resources, will make the overwhelming majority of the region’s medieval manuscripts–one of the largest concentrations in the United States–available worldwide, in their entirety and easily downloadable. By providing unfettered, unmediated consolidated access to such a comprehensive corpus of images and metadata, the project will shape a new understanding of libraries’ and archives’ role in sharing our historical and cultural heritage.”

Italy. Countess of Gunstalla letter, 1487
Italy. Countess of Gunstalla letter authorizing payment, 1487

Temple students use the medieval manuscripts in Temple’s Special Collections Research Center to study the history of the book, illustration, printing techniques, and ancient texts, and to grow in primary source literacy and evaluation of resources.  The texts also serve as inspiration for the students’ own creative projects. While the manuscripts already support teaching in multiple disciplines, in their digital form they will expand opportunities for study and digital  scholarship.  Temple’s holdings are particularly strong in legal and business history, but also include a late 15th century French illuminated Book of Hours, other religious texts, and music.

–Margery Sly, Director, Special Collections

 

 

 

 

 

 

The Pennsylvania Horticultural School for Women

Ambler students, 1919-20
Ambler students, 1919-20

Located on a 187-acre field in the suburban Pennsylvania town of Ambler, The Pennsylvania School of Horticulture for Women was founded in 1911 by Jane Bowne Haines as one of the first horticultural schools for women in the United States. The school provided a unique opportunity for women not only to become educated generally but to enter a field dominated by men. After more than forty-five years as an independent institution, the school merged with Temple University in 1958, and became the Temple University Ambler Campus. A deeper history of the school can be found on the Ambler Campus website.

Class of 1913 students pruning
Class of 1913 students pruning

The Pennsylvania School of Horticulture for Women Records contain of a wealth of photographs and materials documenting the history of the school. The photographs trace the students’ lives on campus through images of activities, dances, clubs, and their work in the fields, gardens, greenhouses, and classrooms. Through these photographs,  you see the changes in uniform, social dress codes, campus buildings, the variety of clubs, and even social expectations of women. One aspect that does not change is the labor requirement. From the very beginning, students were expected to climb trees, drive tractors, harvest the fields, and care for the animals, often in very impractical clothing.

PSHW's 1932 Flower Show Exhibit
PSHW’s 1932 Flower Show Exhibit

In addition to the photographs, which have all been digitized, the files contain administration records, printed materials, including several publications published by the school (Pen & Trowel and Wise Acres, along with a variety of alumni publications), ephemera relating to campus activities and festivals, correspondence, student records, and landscape design drawings. The archives also includes some photographs and other materials relating to the school’s participation in the Philadelphia Flower Show.

–Holly Wilson, Processing Archivist , Special Collections Research Center

Cartoonist Samuel R. Joyner

Samuel Joyner, March 1998
Samuel Joyner, March 1998

Born in Philadelphia in 1924, Samuel R. Joyner is among a small number of early African-American cartoonists in the United States. His pioneering work influenced many generations of African American comics and commercial artists. While working as a paper boy for the Philadelphia Tribune, his artistic talents were first recognized by publisher E. Washington Rhodes. Following his service in the United States Navy during World War II, Joyner enrolled in the Philadelphia Museum School of Industrial Art (now known as the University of the Arts) to pursue a career as a commercial artist. He graduated in 1948.

After some difficulty finding employment, Joyner succeeded in selling his work to the Philadelphia Inquirer and Pittsburgh Courier. However, he soon realized that he was not fully valued for his creations at these papers because he was not allowed to attach his name to his art work or draw any non-white characters. In the 1950s, Joyner secured employment as an art director for the African American magazine Color. The magazine was originally based in Charleston West, Virginia, but moved its headquarters to Philadelphia in 1954. While working there Joyner gained national attention for his social and political commentary and satire and used it to encourage other African Americans to engage in activities and dialogues toward the defeat of discrimination and injustice.

Industrial Pollution  Philadelphia Tribune 2/1/94
Philadelphia Tribune, 2/1/94

In the 1960s, Joyner operated a print and graphics shop with his wife and four children. He continued to further his education by taking classes at the Pennsylvania Academy of Fine Arts and Temple University. From 1974 until his retirement in 1990, he taught art classes and graphic communications at Rhodes Middle School, and Bok Technical High School in Philadelphia. His work was published in over 40 different publications, and he received awards and recognitions from Temple University, The National Newspapers Publishers Association, and the Houston Sun Times, among other organizations.

Nintendo game
Houston Sun, March 28, 1994.

Located in the Special Collections Research Center, the Samuel R. Joyner Artwork Collection includes photographs, original artwork and sketches, posters, news articles, publications, and ephemera, dating from 1947 to 2005. Joyner’s art work reveals how greatly influenced he was by the sociopolitical happening in society ,and how he used his talents to challenge racism, discrimination, exploitation, and American political culture in order to give a critical “visual voice” to a range of frustrations in the African American community.

–Brenda Galloway-Wright, Associate Archivist SCRC

 

 

The Photography of Philip Taylor

Walt Whitman Bridge construction, 1955
Walt Whitman Bridge construction, 1955

Since the late 1940s, Philadelphian Philip Taylor has been taking photographs of his environment—Philadelphia as it was in the intervening decades. His painstakingly-processed silver gelatin prints illuminate Walt Whitman Bridge construction, the homeless, pre-gentrification Society Hill, the Camac baths, the Philadelphia neighborhoods of South Philadelphia, Northeast Philadelphia, and East Poplar, Atlantic City, and Philadelphia residents—both anonymous and famous—as well as his travels to Israel, the Canary Islands, and Cuba.

Philip Taylor attended local public schools in South Philadelphia. In 1943, during his junior year in high school, he dropped out to help support his family after his father died suddenly while working at the Philadelphia Navy Yard. Taylor worked as a civilian in the Navy Department in Center City Philadelphia—in the mail room located next to the photography department. Drafted into the United States Army in 1944, Taylor served until 1946 at various stateside bases.

Homeless man, c. 1955
Homeless man on Philadelphia Skid Row, c. 1955

After the war, Taylor apprenticed as a union tradesman in the lithographic printing industry in Philadelphia. For the next twenty-five years, he worked the night shift as a master lithographic cameraman making half-tone negatives and color separations for the print medium at Mid-City Press, one of the largest commercial printers in Philadelphia.  Taylor also taught at the Philadelphia Lithographic Institute and holds two United States Government patents, one in the medical field and another in the lithographic field. He also invented two devices related to the lithographic printing industry.   Working full time, Taylor photographed his environment using a Rolleiflex 3.5F TLR camera and a Leica 35mm camera, and frequently stayed up until dawn developing negatives into photographic prints.

Old City Jerusalem. c. 1973
Old City Jerusalem, c. 1973

Temple University Libraries are grateful to Mr. Taylor for his donation of his life’s work. It will serve as a resource in the Special Collections Research Center for study and research. Please join us for a reception celebrating his work, February 26, 4:00  – 7:00, Paley Library Lecture Hall.   The exhibit is on view on the ground and first floors and mezzanine of Paley  through August 2016.

–Margery Sly, Director of Special Collections

We mourn the passing of Phil Taylor on October 29, 2021, and rejoice that his vision of Philadelphia and the world is preserved through his photography.

 

Weavers Way Co-op Archives

The Shuttle newsletter
June 1975 Weavers Way newsletter

Weavers Way Co-op was founded in 1973 in West Mount Airy, a neighborhood in Philadelphia. A cooperatively owned market, Weavers Way grew from a small deli and produce buying club to include two fully staffed and stocked grocery stores in West Mount Airy and Chestnut Hill; Across the Way, a natural pet supply and wellness store in Mount Airy; and Weavers Way Next Door, a natural health and wellness store in Chestnut Hill.

Weavers Way was founded during the “New Wave” cooperative movement of the 1960s and 1970s, when thousands of similarly minded cooperative retail and other ventures were founded across the United States. Offering an alternative to the conventional grocery store, Weavers Way took advantage of the power of collective purchasing to bring better and healthier foods into the community at affordable prices, and pushed for environmental, agricultural, and sociopolitical change through consumer activism and other programs.

From the beginning, the co-op encouraged its membership to be fully vested in the formation of its governance and in choosing which products to sell or not sell, with early newsletters concluding, “If you don’t decide, someone else will!” In its product philosophy statement, the Co-op outlined its commitment to selling products that were locally and/or cooperatively produced, did not originate from exploitative businesses, and to offer product alternatives, such as  bulk versus packaged or organic versus non-organic foods. Weavers Way also organized agricultural boycotts and recycling programs, and, as a leader in urban agriculture and the organic foods movement, it operated the Mort Brooks Memorial Farm at Awbury Arboretum and the Henry Got Crops community supported agriculture (CSA) program at W.B. Saul Agricultural High School.

An active and neighborhood-defining organization, Weavers Way Co-op’s records are a valuable addition to Special Collections Research Center’s holdings. In addition to documenting the history of the co-op and its surrounding community, the Weaver’s Way accession adds to an existing body of collections in the SCRC documenting life in northwest Philadelphia. Other collections include the Ann Spaeth Papers on Chestnut Hill, Lloyd Wells Papers on the Chestnut Hill Experience, the Chestnut Hill Local, the East Mount Airy Neighborhood Association Records, and the West Mouth Airy Neighborhood Association Records. As an added bonus, the Weavers Way Co-op Records also represent our most pleasantly perfumed collection. Having previously been stored above Across the Way, the material emits a delightful aroma of soaps and other wellness products. To learn more about the collection, view the Weavers Way Co-op finding aid.

--Courtney Smerz, Collection Management Archivist, SCRC