While it’s still Spring: A recap of TUL @ Spring Fling

Gallery

This gallery contains 9 photos.

On Wednesday, April 17th, Temple Libraries joined 200-plus Temple organizations and vendors at Spring Fling 2013.  It was delightful to participate in our second year at Spring Fling. Here’s a little recap, with big thanks to everyone who volunteered.  . . … Continue reading

Good Bye and Good Luck to Julie

Meet Julie, a student worker in Paley Library.    She has worked there for the four years that she has been at Temple, but you may not have seen her.  She works in the Special Collections Research Center, but when she started, it was “just” the Urban Archives.  As a student worker Julie has had the opportunity to assist patrons, but also did photocopying, retrieved boxes, and filed away newspaper clippings and photos.  In her last few days of work, she continues to work on an ongoing project of transferring  the Philadelphia Bulletin clippings from the big cabinets into archival boxes   Julie has really enjoyed working in the Urban Archives ,not only because of the staff and her supervisors, but because she learned many new things about Philadelphia history.  Working with the various documents, photographs and news clippings have given her insights into Philadelphia neighborhoods and landmarks, as well as the surrounding suburbs.  On one occasion she found development plans for her hometown, Lansdale, PA.  Julie loves going to the beach, and frequents Ocean City, NJ.  She enjoys supporting the Philly sports teams, especially the Phillies.  She notes one exception that during football season, she wears black and gold as she roots for her mom’s hometown team, the Pittsburgh Steelers.

 Julie’s major is Speech, Language Pathology.  She started out at Temple as undeclared.  She really did not know what she wanted to do.  Of her three older sisters, who attended Temple before her, two were in the education field.  Julie loves working with children, but did not want to be a teacher.  In August of 2010, in the Temple bookstore, while buying books for the upcoming fall semester, Julie met an excited student who was graduating that day with a degree in speech pathology. The brief conversation from this chance meeting gave her the idea to look into this major.    She hopes to combine that with her desire to work with children and work in an elementary school, or an early intervention program.   Before that, however, she is going on for her master’s degree in Speech Language Hearing Science here at Temple.

Graduation, on Thursday will bea proud time for Julie.  She has studied and worked hard, and achieved dean’s list every semester.  In April, President Theobald presented her with the honors cords that she will wear on graduation day.  

While I have never worked with Julie, I do know her very well.  In fact, I have known her since the day she was born, and I will be watching with pride as she graduates on Thursday, May 16, 2013!

jbggrad

Where do you study? Popular Study Spaces in Paley Library

Quiet zones are located on the 2nd floor, east side and entire 3rd floor of Paley

Quiet zones are located on the 1st, 2nd floor, and 3rd floors, east side Paley Library

It’s the end of the term and time to finish papers, projects and finals.

I see many students searching high and low for effective study spaces in Paley Library.

Quiet Zones are found on each floor of the library and are marked as such.

 

 

Individual study carrels (desks) and chairs on the first floor, east side.

Individual study carrels (desks) and chairs on the first floor, east side.

I took some time to investigate and photographed the locations of the most popular study spaces.

Look at the pictures and see which study spaces you recognize and discover some new ones.

 

 

Group study area and break out rooms on the 2nd floor, east side

Non-quiet study area for groups and break out rooms on the 2nd floor, east side

Secret study are on the balcony of Paley Library

Secret study space on the mezzanine (balcony) of  Paley Library

Our newest quiet zone on the lower level near the Media Services Department

Our newest quiet zone on the lower level near the Media Services Department

Quiet zone with a view, first floor, east side of Paley

Quiet zone with a view, first floor, east side of Paley Library

 

Group study areas are found on the first floor (computer commons) and the second floor, east side.

There are eight study rooms available in Paley: four each on the east sides of the second and third floors.

These rooms are for groups of three or more and are available on a first come first serve basis.

 

The mezzanine has individual seating and is “above the fray” of the first floor.

This is my “personal favorite” study area in the library.

 

Please be respectful of those around you and follow the library code of conduct and food and beverage policy.

 

From the balcony to the basement the library has quiet spaces you can use to get your work done.

 

And if you need any last minute help you can contact Ask a Librarian by phone, text, email or chat.

Find your space, study well and good luck, everyone! 

 

Andrew Diamond, Bibliographic Assistant II, Paley Library

 

Celebrating students, research and new knowledge!

Thursday May 2, 2013 was the date that the library celebrated students and undergraduate research.  The 9th annual Library Prize for Undergraduate Research and the 3rd annual Library Prize on Sustainability & the Environment were awarded on that afternoon with a welcome by the Interim Dean of University Libraries, Carol Lang; and Peter Jones, the Senior Vice Provost of Undergraduate Studies at Temple University.  A Temple alumnus, John H. Livingstone, Jr. a 1949 graduate of the SBM, has supported this undergraduate prize since its founding.  Gale, a part of the Cengage Learning family of research products, has provided funding for the prize for sustainability and the environment.

The scholarship introduced to us that day continues the heritage of our earlier prizes, each award reminding us about what research is: the language of new knowledge.  Please take the time to visit the Research Guide for the Library Prize for Undergraduate Research. If you are interested in the sustainability prize visit the Research Guide for Undergraduate Research on Sustainability & the Environment. At both these sites you will find information about the prize itself, and also the winners and their entries.  Amongst these, there might be an entry to inspire you to apply next year, or perhaps discover a new area of interest for you to pursue! The Libraries, the resources we provide and our staff are here to help you in either case!

Free and Easy: The Appearance of Truly Useful Cultural Heritage Data

William Noel at the Center for Humanities at Temple

William Noel at the Center for Humanities at Temple

“My mission is to bring art and people together, for learning, discovery, and enjoyment.” –William Noel

On Thursday, April 25th, the Center for Humanities at Temple hosted William Noel,  internationally renowned expert in the application of digital technologies to manuscript studies.   Dr. Noel is currently director of the Special Collections Center, and Founding Director of the Schoenberg Institute for Manuscript Studies at the University of Pennsylvania.  His presentation,  ”Free and Easy: The Appearance of Truly Useful Cultural Heritage Data”, covered the restoration and digitization of the Archimedes Palimpsest, a project that he led while at the Walters Art Museum in Baltimore.  Dr. Noel concluded with a discussion of the reasons why a “free and easy” approach is best for digitization of cultural materials.  (Eureka!)

What is the Archimedes Palimpsest?

Picture of the codex Archimedes Palimpsest

Upon initial examination, what is now known as the Archimedes Palimpsest, appears to be a medieval prayer book, dating from 1229, written by the scribe Johannes Myronas in Jerusalem. Back then, parchment was expensive, and therefore was sometimes “recycled.”  To make this prayer book, the scribe scraped off old mathematical text from some parchment  and wrote new text on top, making the book a palimpsest.  From then until 1906, this prayer book was used in liturgical services, and suffered numerous abuses, most notably dripping candle wax, mold, missing pages, and images painted over text as late as the 1930s.  In 1906 the Danish philologist Johan Heiberg discovered the manuscript in the Church of the Holy Sepulchre in Istanbul, and identified the hidden text as Archimedes.  He photographed every page, and with the help of only a magnifying glass, transcribed and published the underlying text that he could perceive.

The twentieth century was no kinder to manuscripts than the middle ages, and from about 1930 to 1991, the Archimedes Palimpsest was either lost or gone from public view until 1998, when an anonymous collector bought the manuscript at an auction at Christie’s in New York.  This collector brought it to William Noel at the Walters Museum in Baltimore for preservation and digitization, for the world to study and enjoy.

Why is the Archimedes Palimpsest important?

Archimedes of Syracuse

Archimedes (c.287BC-212BC), brilliant scientist, inventor, mathematician, and engineer of ancient Greece, worked extensively in geometry, calculating the value of pi, the circle, the sphere, and cylinder.  He developed a theory of buoyancy called the Archimedes Principle.   Of the nine known treatises by Archimedes in Greek, hidden within the Archimedes Palimpsest are seven.  Of these seven, The Stomachion and The Method are the only known copies in the world.  Archimedes’ treatise On Floating Bodies contained here is the unique source in the original Greek.  These Archimedes texts predate any other surviving Archimedes manuscripts by 400 years.

“Best of all is to win.  But if you cannot win, then fight for a noble cause…” – Hyperides

Extensive sections of previously lost speeches by the 4th century Greek orator Hyperides, the largest discovery of new Hyperides text in over a century, also reside hidden in the Archimedes Palimpsest.  Hyperides spoke at public meetings on topics of Athenian court cases as well as politics and democracy.  Previous texts of Hyperides are gleaned only from fragments of papyri.

Other texts hidden beneath the prayerbook are a Commentary on Aristotles Catergories, two Byzantine liturgical manuscripts, and two unidentified manuscripts.

Restoration

Cross section of parchment from the Archimedes PalimpsestConservation and restoration of the Archimedes Palimpsest is an enormous and ongoing task.  Progress is slow and the work is meticulous and painstaking.  To prepare the manuscript for imaging, the codex had to be taken apart because the hidden text continued under the folds of the parchment in the spine of the book.  Because some of the glue was from the late 20th century, it was particularly difficult to remove.  It took 4 years just to take off the glue!   Next, the parchment was analyzed chemically to determine the condition of the collagen, the main component of parchment.  Here you see an image of an enlargement of a cross-section sample of the parchment, the size of a pinhead, from  the Archimedes Palimpsest.  The Archimedes text is the dark stain at the top of the parchment.  In this sample, the collagen is sound.  But where the manuscript has mold, the collagen is breaking down and disintegrating.

 Imaging and Digitization

Archimedes Palimpsest with multi-spectral imaging

Modern technology allows us to view the underlying text of the Archimedes Palimpsest through various techniques.  One technique is multi-spectral imaging.  In ultraviolet light, both the overlying and underlying texts are visible.  Ink blocks ultraviolet light, but the parchment flouresces, causing another light source.  There is then, two light sources, one going into the page, and one coming from the page going out, which allows us to see the underlying text.  When the images are merged together, the underlying text becomes red, and enlarging the image allows the underlying text to be legible. The only way to access the text underneath the gold-leaf illustrations added to the codex in the twentieth century, was to use the particle accelerator at Stanford University.  Ink used for the Archimedes manuscript contained a high amount of iron, which could be recognized and captured only by the strongest xrays such as those generated by the particle accelerator. In the following image, an abstraction of an object or a boat in the sea, one can see that Archimedes considered the world to be round.

after

 

Principles of Digitizating Cultural Artifacts

William Noel explained the basic principles that formed the foundation for the many decisions made during the Archimedes Palimpsest project.   His principles are based on ethical considerations, digital use and sustainability, and economic value for the institution undertaking the project.  Taking the example of the Mona Lisa, Noel explained that thousands of people visit the Louvre every year to see the Mona Lisa, even though they already know what the painting looks like.  In fact, the reason that the Mona Lisa has so many visitors is precisely because so many know the painting already and want to see the original.  Therefore, making digital images as broadly available and usable as possible to the largest audience benefits the institution in name recognition, visitors, and financially.  The Walters Museum in Baltimore has already benefited this way because many of their medieval manuscripts are so freely available, and that they appear at the head of results in Google image searches.  Thus, the Walters Museum gains name recognition, prestige, and popularity.

The sustainability of the data benefits from Noel’s philosophy of wide availability and use. As he explains, data from digitized cultural documents must be:

1. well documented
2.  free
3.  just take it
4.  just use it

The data from the Archimedes Palimpsest is licensed in the Creative Commons, and images also appear on Flickr.  As a result, the data from the Archimedes Project is preserved, not only at the Walters Museum, but at Stanford, and at other universities as well.

Noel also explained the importance of presenting such data as data, pure and simple, allowing others to create interfaces for study and exhibition.  Why?  Because interfaces have a shelf-life of only about three years, but the pure data can be used and re-used.  Noel said that too often institutions are busy creating “boutiquey” interfaces for their digitized data, that these institutions are presenting “apple pie” to the researchers, when simply presenting the raw data in many cases would be more helpful.  In addition, Noel gave an amusing way to think about data.  Dr. Noel says that data should be:

Sustainable
Usable
Complete
Known

The criteria for data to be sustainable is that it should be cheap to maintain, in an interface that should last, and be simple, not relational.  By complete, Dr. Noel explained that images must be presented at full resolution (with derivatives as an option), with all descriptive metadata and all technical metadata.  And to make the data known, a discovery layer for human readers should be developed.  Raw xml can be presented that is machine readable, with a style sheet that combines images with the xml, to give a traditional type of presentation.

Dr. Noel ended the presentation discussing new ways for social media to further scholarship and knowledge.  For example, jokes are often hidden within medieval manuscripts.  If a scholar finds a joke in a manuscript, they tweet it!  The Penn Provenance Project uses social media to help identify the provenance, or historic background of the ownership of precious books and manuscripts by crowdsourcing.  Scholars writing blogs about the images are important, too.  Another project, t-pen.org, will, in the next few years, make manuscripts texts searchable.

Using these techniques, we can all share in William Noel’s mission, “to bring art and people together for learning, discovery, and enjoyment.” 

William Noel answering questions at the Center for Humanities at Temple.

William Noel answering questions at the Center for Humanities at Temple.

For more information see:

The Archimedes Palimpsest; 2004; 2 May 2013 <http://archimedespalimpsest.org/about/>

Archimedes Palimpsest.  2 May 2013 <http://www.digitalpalimpsest.org/>

Archimedes.  Works.  New York; Dover, 195-?.

Noel, William. Revealing the Lost Codex of Archimedes; TED: Ideas Worth Spreading; Apr 2012; 2 May 2013 <http://www.ted.com/talks/william_noel_revealing_the_lost_codex_of_archimedes.html>

“Archimedes.” Encyclopaedia Britannica.  Encyclopaedia Britannica Online Academic Edition.  Encyclopaedia Britannica Inc., 2013.  Web. 02 May 2013. <http://www.britannica.com/EBchecked/topic/32808/Archimedes>.

Krock, Lexi.  Inside the Archimedes Palimpsest; NOVA; 09.30.03; 2 May 2013 <http://www.pbs.org/wgbh/nova/physics/inside-archimedes-palimpsest.html>

Netz, Reviel and William Noel.  The Archimedes Codex: How a Medieval Prayer Book is Revealing the True Genius of Antiquity’s Greatest Scientist.  Philadelphia; Da Capo, 2007.

 -Anne Harlow, May 2 2013.

Whitman, Poe and Sushi: Exploring Poetry at Paley

As students traverse the main floor of Paley Library, rushing to and from classes this spring semester, a few stop every now and then to experience the poetry. Spread among the display cases on the first floor of Paley are books and documents from the Temple University Libraries Special Collections Research Center (SCRC) that invite us to explore 20th century alternative and small-press American poetry. As the crush of exams and final projects arrives, exploring this poetry display can be a great way to clear one’s mind and do a bit of de-stressing.

According to Margery Sly, Director of the SCRC,all the material in the exhibit comes from SCRC manuscript and rare book holdings. She adds that the display was designed as a journey into our poetry collections that begins with Philadelphia-region forefathers Walt Whitman and Edgar Allen Poe, who were considered radical in their day and moves forward into the work of 20th century poets. The display was also intended to coordinate with a lecture about Whitman, and to also promote the use of the poetry collection for research by Temple students.

Moving among the cases provides insight into poets who be less familiar to us but whose work is significant in the world of poetry. The work of accomplished poets such as John Burnett Payne, Lyn Lifshin, Dorothea Grossman and Tony Quagliano are featured in this display. Browsing the poems, letters and related documents one senses the importance the small press has played in expanding the dissemination of poetry in 20th century America. A small (literally) book of verse, such as Grossman’s “The First Time I Ate Sushi” communicates “the fun of speaking English” (a line from her poem Future Past).

displaycase

If you want to explore those other iconoclasts and innovators of American poetry, scattered among the display cases are rare artifacts for Poe and Whitman found in our Special Collections Research Center. Then proceed up the stairway to the mezzanine level where you will find several cases dedicated to Poe and Whitman. There you will find some unique items documenting the lives and works of these great writers. This exhibit will remain in Paley Library through August. Be sure to take some time to explore before it returns to the SCRC.

TURF-CreWS: Undergraduate Research in Technicolor

What is research? And how exactly is that concept made manifest?  As members of an academic community, we may think of research as a culling—one gathers information from a static collection of preexisting “facts”, and uses said facts as supporting evidence in the construction of an original thesis. That thesis is then articulated, filled out, augmented with the appropriate research materials, and, often, rendered formally in print.

However, after attending Temple’s Undergraduate Research Forum/Workshop Symposium (aka TURF-CreWs), held in the Howard Gittis Student Center on April 18th, it’s clear that research can be a far more fluid enterprise than its face value definition suggests.  Composed of the research projects of 130 undergraduate participants from all of Temple’s colleges, the forum offers these students a setting in which to display and present their ongoing projects. From papers to posters to panels to performances, a wide range of subjects were on exhibit for the Temple community to not only observe, but to engage with as well.

At the event, I was able to speak with three students from three different Temple colleges, whose respective research interests engendered three different approaches to the research process—some traditional, some more creatively employed, but all immanently remarkable.

Andrea Gudiel, Biology: “Deforestation and the Spread of Invasive Species”

While assisting with a graduate student research project  during a field work trip to Madagascar , Andrea found herself focusing on the effects of local human use in her immediate environment. Built infrastructure, such as roads and trails, along with various invasive flora and fauna species, were causing tangible changes within the Madagascan ecosystem.  Though internet connectivity was precarious in her location, she was able to discern a lack in written research in this specific area after conducting preliminary searches. This lack, then, Andrea decided to take up and address herself. Since her trip, Andrea has utilized various library databases—including Web of Knowledge and Gale—to flesh out her  field work. Though still in progress, Andrea told me she hopes to submit the finished project to an international bio-diversity journal for publication.

Daharis Pesantez, Communication Studies, “Networks in New Urbanism”

I was drawn  to Daharis’ poster because its primary subject matter, The High Line Park in New York City (check out the website HERE if you’re unfamiliar with the park), is, in and of itself, very interesting. Daharis’ engagement with the park, though, added several dimensions to its appeal: her poster posed the questions, Do these types of spaces promote diversity within the community?  Within their respective communities, are they perceived as inviting spaces, or as marginalizing? Thinking of the High Line as one of the first “repurposed urban spaces” in what is becoming an emerging trend (including in our own Philadelphia!), Daharis sees these spaces as sites, “networks”, in which social, economic, and cultural intersections are enacted, redefining ideas surrounding urban areas and community engagement.  As of now, Daharis’ footwork has been interdisciplinary and research-based, looking at work in fields such as urban studies, sociology,  and her major, communication. This summer, Daharis will be in New York  conducting on-site research (she hopes to interview parkgoers) and incorporating an experiential aspect into the solid research-based foundation she’s established.

IMG_0786 (640x478)

Daharis and her High Line poster

Kenneth Brown, Music Composition, “Two Concertos for Bassoon and String Orchestra”

After being commissioned to write two neo-baroque concerti for bassoon by a fellow composition student, Kenneth began the task of composing. Aided by a Diamond Scholars Research grant, he started at Paley, where he studied a variety of concerti from the baroque period for bassoon and other instruments. With these materials in hand, Kenneth analyzed the key, tempo, meter, and length of the pieces he found in the library, identifying patterns in the scores. Vivaldi’s 10 Bassoon Concerti  in particular was an important resource.  In the process, he found he had to move out of his familiarity with writing specifically for bassoon, learning how to write in baroque concerto form.

During his panel presentation, Kenneth showed us his early drafts, each subsequent draft moving toward becoming “less imitative and more inventive”.  Of his process of composing, Kenneth said, “…I began twisting my baroque-influenced ideas into a more modern shape by playing with meter and introducing unexpected dissonances.” He describes his work as moving toward “Vivaldi through a prism—exploded and refracted.” The concerti now completed, Kenneth was kind enough to share a video of their performance. Take a look below!

Library Prize for Undergraduate Research and Library Prize for Undergraduate Research on Sustainability and the Environment Winners are Announced

Congratulations to the winners and honorable mentions for this year’s Library Prize for Undergraduate Research and Library Prize for Undergraduate Research on Sustainability and the Environment. Join us to celebrate in the Lecture Hall on May 2 at 4PM.

2012-2013 Library Prize Winners

Eamonn Connor

“Miasma and the Formation of Greek Cities”
GRC 4182: Independent Study (Fall 2012)
Faculty Sponsor: Sydnor Roy

Emily Simpson

“”Represion!” Punk Resistance and the Culture of Silence in the Southern Cone, 1978-1990”
History 4997: Honors Thesis Seminar (Spring 2013)
Faculty Sponsor: Beth Bailey

Nicole Wolverton

“The Murder at Cherry Hill”
English 3020: Detective Novel and the City (Fall 2012)
Faculty Sponsor: Priya Joshi

2012-2013 Library Prize Honorable Mentions

Jordyn Kimelheim

“The Persistence of Chattel Slavery in Contemporary Mauritania”
Political Science 4896: Theories and Practices of Slavery, Then and Now (Fall 2012)
Faculty Sponsor: Jane Gordon

Kyle Repella

“False Pretenders and Friends of Truth: Pennsylvania, the Keithian Controversy, and the Reorientation of the Quaker Empire in the late Seventeenth Century”
History 4997: Honors Thesis Seminar (Spring 2013)
Faculty Sponsor: Travis Glasson

2012-2013 Library Prize for Research on Sustainability and the Environment Winner

Andrea Gudiel

“Deforestation and the spread of non-native species”

BIOL 4391: Accelerated Research in Biology (Spring 2013) 

Faculty Sponsor: Brent Sewall

2012-2013 Library Prize for Research on Sustainability and the Environment Honorable Mention

Veronica Anderson

“Urban climate catalyst: Lima, Peru”

ARCH 4699: Thesis Studio (Spring 2013)

Faculty Sponsor: Sneha Patel