Highlighting, Measuring, and Managing Your Research

Are you a graduate student or faculty member? Do you want to understand the current scholarly landscape for measuring, highlighting, and sharing your research?

zotero   academia   webofscience

Tools like Scopus, Web of Science, and Journal Citation Reports provide indicators of research productivity. Portals like Academia.edu, ResearchGate, Humanities Commons, and Google Profiles allow researchers to share their work and network with other scholars. Zotero, EndNote, and Mendeley make organizing and sharing sources a snap. Publishing in open access venues and posting your research to scholarly repositories can enhance your research impact. Familiarity with these new tools and strategies helps researchers find colleagues, collaborators, and funders, as well as facilitates the tenure and promotion process.

The Temple University Libraries will be offering a series of four workshops in the Digital Scholarship Center on highlighting, measuring, and managing your research. Bring your laptop or borrow one in the DSC.

scopus   researchgate   mendeley

Workshop 1: Managing Your Research
Wednesday, March 29, 11-12, DSC

  • Attendees will gain an understanding of the features of these reference management and sharing tools and their areas of overlap with academic social networks. They will understand some key functional and disciplinary considerations when selecting the proper tool.
  • Register for Workshop 1

Workshop 2: Developing Your Scholarly Profile
Wednesday, April 5, 11-12, DSC

  • The professional and ethical uses of academic social networks such as ResearchGate and Academia as well as preferences of scholars in different disciplines will be explored.  We will talk about ORCiD and other researcher IDs and how they can be used to enhance your online profile.
  • Register for Workshop 2

Workshop 3: Amplifying Your Research Impact
Wednesday, April 12, 11-12, DSC

  • Attendees will learn how to effectively promote and share their research online. We will discuss best practices for using social media, explain how to deposit research outputs in disciplinary repositories, and explore tools and platforms that can help authors expand their readership.
  • Register for Workshop 3

Workshop 4: Measuring Research Impact
Wednesday, April 19, 11-12, DSC

  • Attendees will gain strategies for identifying and measuring their research impact using available online tools. Important buzzwords like citation metrics, impact factors, and the h-index will be explained and applied in a variety of disciplinary contexts.
  • Register for Workshop 4

Making Medical Knowledge



Miriam Solomon is interested in the scientific and social processes which come together to create medical knowledge. Patients come in all shapes and sizes and their socioeconomic backgrounds vary widely. Basic sciences and clinical practices produce vast amounts of data that are evaluated and interpreted. Often the data are contradictory. Millions of articles, reports, and conference proceedings are published. Pharmaceutical companies experiment and test drugs with an eye to the marketplace. How do doctors come to consensus on the best diagnoses and treatments?

In Making Medical Knowledge (Oxford University Press, 2015) Miriam Solomon addresses this question. She explains how consensus conferences and evidence-based, translational, and narrative medicine promote differing methodologies and organizational schemas for coming to consensus on medical problems. After analyzing the advantages and limitations of each, she recommends a “developing, untidy, methodological pluralism” for “making medical knowledge.”

Miriam Solomon is a professor of Philosophy at Temple University with research interests in philosophy of science, philosophy of medicine, epistemology, gender and science, and bioethics. I spoke to her on December 17, 2015.

Download (mp3)

—Fred Rowland

Gaming on the edge

Adrienne Shaw

Concepts like identity, identification, and representation are thrown around pretty loosely when people try to explain the influence of popular media on individuals and groups. Categories like race, gender, sexuality, and class are widely recognized, broadly applicable and, because of this, they are often invoked as a substitute for more nuanced thinking about how individuals relate to media, whether TV, film, or digital games.

  • Do gay men like particular TV shows because they include gay characters?
  • Are women more likely to watch football now that there are (a few) female commentators?
  • Why would women play violent, misogynistic video games?

In her new book, Gaming at the Edge: Sexuality and Gender at the Margins of Gamer Culture (University of Minnesota Press, 2014), Adrienne Shaw complicates this approach by studying “representation in in a way that takes into account the fluidity, performativity, and contextuality of identity categories.” In a series of interviews with individuals from marginalized groups, Shaw, an avid digital game player herself, attempts to situate game playing within the overall lived experiences of her subjects. Through this indirect approach, she hoped to gain a better understanding of how, when, and why representation mattered. One of her main goals in writing this book is to help change the way academic and business researchers study identity, identification, and representation. I spoke with Adrienne Shaw about her new book on July 11, 2015.

Download Audio (mp3)

—Fred Rowland

Remaking women’s magazines

Brooke Erin Duffy image







Newspapers and magazines are struggling in the 21st century. Twenty years after the launch of the World Wide Web, many influential publications of the previous century have folded. Readers have many more choices and advertisers have found new channels to reach them. Advertising revenues from traditional print publications have plunged.

For her new book Remake, Remodel: Women’s Magazines in the Digital Age, Brooke Erin Duffy interviewed over thirty industry professionals, engaged in participant observation, and paid close attention to the industry trade literature. She focused her attention on the production side, attempting to understand how the digital environment is influencing professional and organizational identities.

The routines developed around producing a glossy monthly magazine have shifted towards the urgent, ephemeral 24/7 digital cycle. The magazine is no longer an object but a brand. In addition to the traditional print magazine and its online surrogates, some magazines now have YouTube channels, TV shows, and retail products. Journalistic writing is increasingly being sidelined for prose that is more amenable to search engine optimization and advertisers. Whither the magazine from here?

I spoke to Brooke Erin Duffy about her new book Remake, Remodel: Women’s Magazines in the Digital Age on July 9, 2014.

Audio Download Link

Audio Embed Code

—Fred Rowland

Kathleen Fitzpatrick on scholarly communication & the digital humanities






Kathleen Fitzpatrick is the Director of Scholarly Communications at the Modern Language Association and a visiting faculty member in the English Department at New York University. She has published two books, The Anxiety of Influence: The American Novel in the Age of Television (Vanderbilt University Press, 2006), which analyzed the anxiety and vested interests surrounding the purported demise of literature, and Planned Obsolescence: Publishing, Technology, and the Future of the Academy (New York University Press, 2011), a fascinating and incisive look at the future of publishing and scholarship in the academy. She has a blog, also titled Planned Obsolescence, and she is a co-founder of MediaCommons, “a community network for scholars, students, and practitioners in media studies, promoting exploration of new forms of publishing…”

Kathleen Fitzpatrick gave a lecture at the Center for the Humanities at Temple (CHAT) on March 7, 2013, entitled “The Humanities in and for the Digital Age.” Before her talk, she kindly stopped by my office to discuss her work in scholarly communication and the digital humanities.

Audio Download Link

Audio Embed code

—Fred Rowland