Human Sciences https://sites.temple.edu/humansciences News, reviews, and resources from the disciplines of Classics, Philosophy, Religion...and a little Economics -- A Temple Libraries' Blog Thu, 12 Oct 2023 20:04:58 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.3 Beyond the Notes with Anne Harlow! https://sites.temple.edu/humansciences/2021/03/31/beyond-the-notes-with-anne-harlow/?utm_source=rss&utm_medium=rss&utm_campaign=beyond-the-notes-with-anne-harlow Wed, 31 Mar 2021 11:15:44 +0000 https://sites.temple.edu/humansciences/?p=13354 Continue reading ]]>
Flute playing

Concert in Charles Library Atrium

We enlisted Sara Wilson and Kaitlyn Semborski of Library Outreach and Communications, who help with planning these

playing the violin

Shannon Merlino performs

performances, to interview Anne Harlow, which they recorded on November 2, 2020. As Anne herself acknowledges, Beyond the Notes is a group effort that enlists the help of library and facilities staff and, of course, the extraordinary faculty and students of the Boyer College of Music and Dance. Kudos to all those who have contributed to making these performances so memorable.

From Paley to Charles to Zoom World, Beyond the Notes has wrapped performance, books, ideas, and pleasure into a singular experience that enriches the university and demonstrates the centrality of the modern academic library. Since this interview, Beyond the Notes has been as busy as ever, with the following programs. The show must go on!

Classical guitar music in Paley Library

Classical guitar music in Paley Library

If you missed any of these programs, check out these recordings and visit the Charles Library website for news and updates on future Beyond the Notes performances.

—Fred Rowland

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Black Samson: The Untold Story of an American Icon https://sites.temple.edu/humansciences/2021/02/23/black-samson-the-untold-story-of-an-american-icon/?utm_source=rss&utm_medium=rss&utm_campaign=black-samson-the-untold-story-of-an-american-icon Tue, 23 Feb 2021 11:00:17 +0000 https://sites.temple.edu/humansciences/?p=13334 Continue reading ]]>

 

Nyasha Junior

Professor Nyasha Junior

In their new book, Black Samson: The Untold Story of an American Icon (Oxford University Press, 2020 // TU copies; Amazon), Nyasha Junior and Jeremy Schipper describe and illustrate how the biblical Samsom became a cultural icon to the Black community. Samson appears in the Book of Judges, chapters 13 to 16 (excerpts below). Though a relatively minor character when compared to Moses, Solomon, or David, Samson has experienced a surprising afterlife in American history. As early as the American Revolution, the enslaved and free Black community identified with Samson, his prophetic birth, his awesome strength, and his enslavement by and resistance to the Philistines.

Jeremy Shipper

Professor Jeremy Schipper

Today our culture is less Bible-literate than in the past, but most people have at least heard bits and pieces – narrative fragments – of the Samson story, even if they cannot arrange them into a coherent picture or even recognize their provenance. With long, beautiful locks as the source of his strength, Samson killed a lion with his bare hands, slew a thousand men with the jawbone of an ass, courted and fell prey to Delilah, and then was blinded and enslaved by the Philistines before wreaking vengeance on a full house of worshippers at the Temple of Dagon. Latter day artists, poets, and politicians have teased out these threads of the Samson story for their own rhetorical and expressive purposes.

At times Black Samson represented the embodiment of the Black community and its struggles and at other times discrete heroic individuals. Shapeshifting, he has also been used to describe the struggles of Black women, white abolitionists, and the working class. He has even been retrojected into the past as inspiration to slave revolts and uprisings, cast onto the silver screen, and starred in a graphic novel.

I spoke with Nyasha Junior and Jeremy Schipper on November 19, 2020 about their new book, Black Samson: The Untold Story of an American Icon (Oxford University Press, 2020 // TU copies; Amazon), which is available in print, ebook, and audiobook formats.

—Fred Rowland

Excerpts from the Book of Judges 13-16:

13.6 And the Spirit of the LORD came mightily upon him, and he rent [the lion] as he would have rent a kid, and he had nothing in his hand: but he told not his father or his mother what he had done.

15.15 And he found a new jawbone of an ass, and put forth his hand, and took it, and slew a thousand men therewith.

16.19 And [Delilah] made him sleep upon her knees; and she called for a man, and she caused him to shave off the seven locks of his head; and she began to afflict him, and his strength went from him.

16.21 But the Philistines took him, and put out his eyes, and brought him down to Gaza, and bound him with fetters of brass; and he did grind in the prison house.

16.29 And Samson took hold of the two middle pillars upon which the house stood, and on which it was borne up, of the one with his right hand, and of the other with his left.

16.30 And Samson said, Let me die with the Philistines. And he bowed himself with all his might; and the house fell upon the lords, and upon all the people that were therein. So the dead which he slew at his death were more than they which he slew in his life.

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In the Duckworth Scholars Studio with Jordan Hample https://sites.temple.edu/humansciences/2020/06/17/in-the-duckworth-scholars-studio-with-jordan-hample/?utm_source=rss&utm_medium=rss&utm_campaign=in-the-duckworth-scholars-studio-with-jordan-hample Wed, 17 Jun 2020 14:00:53 +0000 https://sites.temple.edu/humansciences/?p=13220 Continue reading ]]>
Jordan Hample

Jordan Hample

Jordan Hample got a taste for gaming at Camden County Community College and then moved on to study computer science at Rowen University. After working in the Camden County Library System’s IT department and establishing an independent gaming company with friends (Semag Company), he saw that Temple was hiring for its digital scholarship start-up. Jordan has now been with the Temple University Libraries since 2015. Once we had all made the

Person using VR headset

A student uses a VR headset

transition to Charles Library in the late summer and fall of 2019, Kristina DeVoe and I decided to interview Jordan to find out what in the heck he does and what’s going on in that Loretta C. Duckworth Scholars Studio (web site / blog). Do they have lightsabers? What about transporters? Are there strange bursts of light and otherworldly sounds emanating from that zone on the third floor? What does all of this have to do with education and research? OK, so maybe it’s an exaggeration to say that Jordan was an international man of mystery, but we were nevertheless a little uncertain about

Demonstrating photogrammatry

Photogrammetry in the Scholars Studio

Jordan demonstrates VR

Jordan Hample demonstrates VR

what he does. It seems likely that in our positions as librarians supporting multiple academic departments that we will need to work more closely with the Scholars Studio in the future. So, not only was this interview fun but it was also important for us.

Both of these engaging and informative interviews provide a nice introduction to the work of the Loretta C. Duckworth Scholars Studio through the eyes of one of its founding members. In the first interview he discusses the Scholars Studio and his role in it (3:54-6:33), the VR / Visualization Studio (6:34-8:35), play and gaming in education, plus eSports (8:50-12:23), and outreach (12:26-22:30), among other topics.

Pouring mixture to make faceshields

David Ross pouring the special sauce

In the second interview Jordan first describes working from home. Then he explains in detail the role that the Scholars Studio played in collaboration with the Tyler School of Art and the College of Engineering to produce personal protective equipment (PPE) for the Temple Hospital System for the COVID-19 emergency (7:55-18:20) (special shout out to David Ross). Though the COVID-19 pandemic has been a terrible tragedy, it is rewarding to know this new organizational structure within Charles Library has been able to play such an important and lifesaving role, which is all the more reason to take some time to listen to Jordan’s experiences and insights.

These interviews took place on January 6, 2020 and June 8, 2020. We’d like to thank Jordan Hample for his cooperation.

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Digitizing Art and History: An Interview with Michael Carroll https://sites.temple.edu/humansciences/2020/06/03/digitizing-art-and-history-an-interview-with-michael-carroll/?utm_source=rss&utm_medium=rss&utm_campaign=digitizing-art-and-history-an-interview-with-michael-carroll Wed, 03 Jun 2020 12:00:51 +0000 https://sites.temple.edu/humansciences/?p=13139 Continue reading ]]>

What started out as part-time employment for erstwhile undergraduate student Michael Carroll has morphed into a fascinating career reviewing, organizing, and digitizing archival collections that move him back and forth through time and space, a medieval manuscript or a Renaissance Italian log of commercial transactions on one day,

Michael Carroll

Michael Carroll

a montage of 20th century Philadelphia street scenes on another, and yet historical and stereotypical images of racial bias on another. Michael Carroll holds a B.A. (2014) and M.A. (2019) in Art History from Temple University and he is currently working on a Masters in Library Science from Clarion University. He began working in Paley Library (R.I.P., 1966-2019)  as a sophomore and continued this part-time position after returning from a junior year abroad program in Italy. He was hired into a full-time position at Paley Library in 2016.

Digital Collections

Temple Digital Collections

Michael currently leads a team of mostly student workers digitizing the amazing collections in the Charles Library Special Collections Research Center (SCRC) and the Charles L. Blockson Afro-American Collection. His work combines a close attention to detail and technical expertise with an art historian’s eye for the unusual, the ordinary, and the beautiful. For an overview of what he does in his work, listen to minutes 4:09 to 11:42 of the audio.

 

Humanities librarians Jill Luedke (Art & Architecture) and Rebecca Lloyd (History, Spanish/Portuguese, Latin American Studies) interview Michael Carroll (12/05/2019) in this first Behind the Scenes audio, a series that will highlight the

Rebecca Lloyd and Jill Luedke

unsung heroes of the Temple University Libraries. While students, faculty, alums, and community users generally only see the public-facing staff of the Library, there are many more people behind the scenes who organize and make available our vast physical and digital collections. In their positions Jill and Rebecca regularly depend on the materials Michael and his student workers digitize, so they were eager to learn more about his work. At the very end of the interview, Rebecca, Jill, and Michael talk about the importance of primary sources and the need for students and researchers to become more familiar with finding and interpreting them (33:20-38:09).

When asked about his favorite project, Michael explained that scanning and documenting Temple’s medieval manuscripts came out on top.

medieval manuscript

A Medieval Manuscript

Known officially as Bibliotheca Philadelphiensis, Temple’s contribution to this regional project consists of 43 scanned images, containing 15th century Italian business documents, choral sheet music, a book of hours, and a missal leaf.

Stereotypical Image

Stereotypical advertising image

Another special project that he worked on was the Stereotypical Images Collection, a collection of images, designed for classroom use, that represents racial and ethnic stereotypes in popular culture. (You can hear Michael talk about these projects between 16:24 and 18:47 of the audio.) One additional collection that Michael talks about is the work he did in collaboration with the SCRC and the Digital Scholarship Center (the current Duckworth Scholars Studio) scanning a vast

Science Fiction Prject

Science Fiction Books

science fiction collection with OCR technology in order to enable textual analysis and data mining of this digital corpus. He talks about this project during the interview when he discusses the technology-related aspects of his work (13:38 to 16:21).

Throughout the interview, Rebecca and Jill ask Michael to reflect on his career path and provide advice for students who might want to pursue their interests in the cultural sector as a

Michael Carroll

Michael Carroll, action photo

profession. He has very valuable and encouraging suggestions for anyone interested in this fascinating (and, as he cautions, often painstaking) line of work (18:48-21:46; 25:47-27:23; 29:01-32:08).

Since we recorded our original interview way back on December 5, 2019 — which at this point seems like a million years ago — we decided to check back in with Michael at his new pandemic workstation. In addition to providing some insight on how he overcame the initial disorientation and reorganized his work, it is also one among many testimonies to this strange and painful time we are living through.

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Macey’s Ashes; or, thinking about non-human animals https://sites.temple.edu/humansciences/2020/01/08/maceys-ashes-or-thinking-about-non-human-animals/?utm_source=rss&utm_medium=rss&utm_campaign=maceys-ashes-or-thinking-about-non-human-animals Wed, 08 Jan 2020 11:30:58 +0000 https://sites.temple.edu/humansciences/?p=13070 Continue reading ]]>

Amy Defibaugh and Maple

 

Amy Defibaugh earned her Religion PhD at Temple University in 2018 with a doctoral dissertation titled An Examination of the Death and Dying of Companion Animals. She now works in the College of Liberal Arts as the director of graduate affairs. She is the author of “Macey’s Ashes: After-Death Care of Companion Animals as Interspecies Family,” which appears as a chapter in the recently published anthology Feeling Animal Death: Being Host to Ghosts (Rowman & Littlefield, 2019). In the words of editor Brianne Donaldson, the authors of Feeling Animal Death “explore feelings and emotions associated with animal death as catalysts for personal development, for professional and activist efforts, and generative of new linkages between ideas and ethics.” “Macey’s Ashes,” adapted from material in Defibaugh’s dissertation, examines contemporary methods of burial and memorialization of companion animals. 

For Defibaugh, the human-animal relationship is a personal as well as intellectual engagement. Having grown up on a Central Pennsylvania farm, non-human animals were always a big part of her life and they remained so as she made the transition to city life. In her doctoral program, her intellectual focus came in part from her graduate teaching of the popular religion course Death & Dying, where she decided to primarily address issues concerning the death and dying of non-human animals. In this course, she and her students…

discussed the destruction of animal habitats caused by human activity that resulted in the depletion of myriad species; [they] examined poaching, hunting, and deforestation. We studied the techniques and modes of animal death, particularly in factory farming, animal shelters, and veterinary clinics. [They] deliberated over the meanings of euthanasia.

But her students were far and away most engaged when discussing the deaths of companion animals (the household dog, cat, rabbit, turtle, or snake). This stimulated Defibaugh’s interest in understanding more about this very intimate relationship. There appears to be a vast untapped reservoir of emotion humans feel towards their non-human companions that is expressed in many different public and private ways and this is among the things that Defibaugh studies.

I spoke to Amy Defibaugh on October 17, 2019 in the Charles Library in Temple University.

—Fred Rowland

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Reimagining Hagar: Blackness and Bible https://sites.temple.edu/humansciences/2019/10/25/reimagining-hagar-blackness-and-bible/?utm_source=rss&utm_medium=rss&utm_campaign=reimagining-hagar-blackness-and-bible Fri, 25 Oct 2019 12:00:11 +0000 https://sites.temple.edu/humansciences/?p=13045 Continue reading ]]>
Image of Professor Nyasha Junior, interviewee of this recording

Professor Nyasha Junior

How did Hagar become Black? That is the historical puzzle biblical scholar Professor Nyasha Junior of Temple University investigates in her new book, Reimagining Hagar: Blackness and Bible (Oxford, 2019). 

Hagar first appears in Genesis chapters 16 and 21 as the Egyptian slave of Sarah, the wife of Abraham. Due to her inability to conceive with Abraham, Sarah offers Hagar to her husband as a surrogate and Ishmael is born. 

And Hagar bare Abram a son; and Abram called his son’s name, which Hagar bare, Ishmael.  (Genesis 16:15, King James Bible)

Later, Sarah miraculously gives birth to Isaac and commands Abraham to drive Hagar and Ishmael out of her home.  

And Abraham rose up early in the morning, and took bread, and a bottle of water, and gave it unto Hagar, putting it on her shoulder, and the child, and sent her away: and she departed, and wandered in the wilderness of Beersheba.  (Genesis 21:14, King James Bible)

We actually know little about Hagar’s origins from the biblical text other than the fact that she is an Egyptian. Over the course of her teaching at Howard University, a historically Black university, Professor Junior often encountered certainty among her students that Hagar was Black. On the other hand, she also met people to whom this was an entirely new idea. Professor Junior wanted to understand how this relatively obscure biblical character came to embody her contemporary identity, particularly among African Americans.

Reimagining Hagar is what scholars call a reception history, an investigation into the afterlife of the biblical character Hagar. After explaining Hagar in her ancient setting, Professor Junior leaps forward to the pre-Civil War period and the debates between pro- and anti-slavery forces. What she finds is surprising and begins the process of unravelling the mystery of how Hagar became Black. I spoke with Professor Nyasha Junior on October 2, 2019.

—Fred Rowland

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So you’re writing a dissertation, Part 7…The End https://sites.temple.edu/humansciences/2019/04/01/so-youre-writing-a-dissertation-part-7-the-end/?utm_source=rss&utm_medium=rss&utm_campaign=so-youre-writing-a-dissertation-part-7-the-end https://sites.temple.edu/humansciences/2019/04/01/so-youre-writing-a-dissertation-part-7-the-end/#respond Mon, 01 Apr 2019 12:00:40 +0000 https://sites.temple.edu/humansciences/?p=13019 Continue reading ]]>

The Religion Graduate Student (RGS) passed her dissertation defense and graduated “with distinction”. In the lead-up to her oral defense she reread her dissertation twice, came up with potential questions, and then performed a mock defense with some of her graduate student colleagues. It was a bit hectic bringing her committee members together on November 14, 2012 and one member skyped in, but in the end everything proceeded smoothly and at the conclusion attendees raised glasses of champagne mimosas to toast the newly minted PhD.

In our (bittersweet) concluding interview on February 22, 2013, RGS had just graduated and I had read her dissertation beginning to end. First she filled me in on the details of her big defense day. Then we discussed the content of her dissertation, the writing process, her thoughts about graduate education, and her immediate post-graduation life. In contrast to my medieval notions, the defense did not resemble an inquisition. RGS was satisfied with what she had accomplished but identified a few areas of her dissertation that needed work. She had some trouble describing the writing process and she mourned the many dozens of pages she had written that never made it into her dissertation. The routine she tried to establish at the start never quite came together. In the end it was “tasty treats” that helped her to the finish line. Graduate education is definitely not sustainable and RGS was still struggling to balance her monthly budget, now on an adjunct’s wages. It’s tough to be a scholar in the twenty-first century.  

This interview occurred almost three years to the day from the first time RGS and I spoke about the journey awaiting her. In my first blog post of this series, I described the dissertation as a “ritual initiation in which the student is dropped deep into an unfamiliar wilderness area with nothing but a compass and asked to find her way out.” Having now completed my seventh and final interview with RGS, I am thrilled to know that RGS found her way out of the wilderness. She has now entered the world of scholars. I congratulate RGS on her achievement and thank her for allowing me to share in the journey.     

(Listen to previous interviews: Part 1, Part 2, Part 3, Part 4, Part 5, Part 6

—Fred Rowland  

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So you’re writing a dissertation, Part 6 https://sites.temple.edu/humansciences/2019/03/01/so-youre-writing-a-dissertation-part-6/?utm_source=rss&utm_medium=rss&utm_campaign=so-youre-writing-a-dissertation-part-6 https://sites.temple.edu/humansciences/2019/03/01/so-youre-writing-a-dissertation-part-6/#respond Fri, 01 Mar 2019 12:00:06 +0000 https://sites.temple.edu/humansciences/?p=13013 Continue reading ]]>

Good news! The Religion Graduate Student (RGS) handed her committee the final rough draft of her dissertation! We met on October 17, 2012 for our sixth interview (and, boy, was I relieved to hear about this). Her defense was set for November 14. I was surprised to learn that she felt “one part relieved and nine parts nervous” because she was not exactly sure as to what constitutes a dissertation. Hers contained some personal narrative and first-person usage and she wondered whether this was consistent with the stereotyped notion of scholarly objectivity. This highlighted the ambiguous and solitary nature of dissertation research and writing.

Since we met in February, she explained that she had been doing nothing but writing. Her reader-friend, Susan, kept telling her to stop working on the introduction! You’re stalling! Plough ahead, write, write, write. In addition to the archival sources from the AFSC’s Nationwide Women’s Program (NWP), most of her other sources came from previous course readings and recommendations from advisors and committee members. With the exception of family life, she emphasized that she had ZERO social life during this latest interval. Did I mention that she had ZERO social life? 

Surprisingly, RGS wrote her chapter 4 on religion, which had been causing her the most anxiety, faster than any other chapter. She argues that Quaker positions on authority and personal testimony infused the NWP long after its early Quaker members had been succeeded by more secular feminist ones. This Quaker perspective allowed the NWP to register the voices of women in far off places (South Korea, South Africa, Taiwan, Mexico, Philippines) who were subjected to the early phases of globalization.

Finally entering the last mile of her dissertation run, we talked about the alchemical nature of the writing process and the fragile nature of memory as one moves through the confusing and foggy middle part of the journey.

(Listen to previous interviews: Part 1, Part 2, Part 3, Part 4, Part 5

—Fred Rowland

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So you’re writing a dissertation, Part 5 https://sites.temple.edu/humansciences/2019/02/01/so-youre-writing-a-dissertation-part-5/?utm_source=rss&utm_medium=rss&utm_campaign=so-youre-writing-a-dissertation-part-5 https://sites.temple.edu/humansciences/2019/02/01/so-youre-writing-a-dissertation-part-5/#respond Fri, 01 Feb 2019 12:00:54 +0000 https://sites.temple.edu/humansciences/?p=13009 Continue reading ]]>

The Religion Graduate Student (RGS) and I got together on February 24, 2012 for our fifth interview. She was now entering the third year of her project and she appeared a bit more upbeat than the last time we met. During the fall break she had written productively every day and she subsequently sent advisor John Raines some work that he liked. RGS spent a lot of time reworking her introduction so she could properly frame her second chapter on globalization and her third on the sources at the Nationwide Women’s Program (NWP). She worried that this might not be the best way to go about writing (according to some advice that had filtered through to her) but she now accepted that this was the way that she worked.

Among her sources RGS was struck by the disconnect between masculinist and feminist narratives of globalization. From a masculinist (economic) perspective, it’s all about corporations, institutions, trade agreements, and finance, while the feminist perspective produces primarily ethnographies, highlighting the effects of globalization on women’s bodies. The NWP, as RGS was now seeing, served to bring together these universal and local perspectives, functioning as a clearinghouse of sorts. It’s a reminder that international communications did not start with the Internet. She would be handing in her third chapter a few days after our interview.

As is inevitable, life intervened as RGS was writing in the fall. The Occupy movement broke out spontaneously in September 2011 and Occupy Philly grew up around Dilworth Plaza. When RGS attended a few Occupy Philly general assemblies, she was surprised by the ahistorical nature of the conversations. She realized that her work provided historical context to the issues discussed at Occupy Philly and this strengthened her sense of purpose. References to Occupy Philly would find their way into her dissertation.

Though tempted to do more reading — always more reading — she was now focused on writing, writing, writing. We talked about emotional blocks, the struggle to establish a routine, the messy details of life, and the way the dissertation just hangs around her neck and, according to a friend, is like an abusive relationship. Sounds like fun, huh?

(Listen to previous interviews: Part 1, Part 2, Part 3, Part 4

—Fred Rowland

 

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So you’re writing a dissertation, Part 4 https://sites.temple.edu/humansciences/2019/01/04/so-youre-writing-a-dissertation-part-4/?utm_source=rss&utm_medium=rss&utm_campaign=so-youre-writing-a-dissertation-part-4 https://sites.temple.edu/humansciences/2019/01/04/so-youre-writing-a-dissertation-part-4/#respond Fri, 04 Jan 2019 12:00:43 +0000 https://sites.temple.edu/humansciences/?p=12998 Continue reading ]]>

On October 14, 2011 I interviewed the Religion Graduate Student (RGS) for the fourth time, so she had now been working on her dissertation for a year and a half. Her project was still moving in fits and starts. Over the summer she had gone through a rather rough stretch, in which she entertained a lot of doubt and uncertainty about the overarching theme of her work. After reading her 50 page first chapter in the middle of the summer, her advisor John Raines suggested that she was not “writing where her passion is”.

Acknowledging this, RGS went back to texts on globalization that she was most interested in — by Stiglitz, Sachs, Sen, and Wallerstein — and began reexamining her ideas. The chapter had looked at the second wave women’s movement from which religion had been expunged, but it included no references to globalization. The books on globalization made no reference to feminism and religion. She began “looking for the gaps” in the conversations on feminism, religion, and globalization and she returned to the Nationwide Women’s Program (NWP) archive to see if these sources might provide some explanation. She found that the notion of progress seemed to be embedded into each of these narratives in important ways.

By the time we met RGS had realized that she would probably end up using very little of the 50 pages she had submitted during the summer. On the other hand, she had a good fall schedule that left her free on Tuesdays and Thursdays and she was getting up each and every morning to work on her dissertation between 6 and 8. Though she had not written a lot since the summer, she was ready to push ahead. The “full body dissertation” routine she had tried to establish when she began in early 2010 had flagged a little: for exercise, she was walking now instead of running because, as she explained, it was harder to talk herself out of walking. She was now hoping to finish her dissertation within the next six months.   

(I found myself wondering if she had passed through that “dark night of the soul” that all seekers of knowledge encounter just before the dawn.)

(Listen to previous interviews: Part 1, Part 2, Part 3

—Fred Rowland

 

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