Tag Archives: Rare Books

“Who Lives, Who Dies, Who Tells Your Story?” Hamilton in the Special Collections Research Center

In the Broadway musical Hamilton, George Washington tells Alexander Hamilton, “You have no control … who tells your story.” In archives and special collections, stories are preserved and told every day, whether they are the stories of presidents and politicians or those of everyday people. While the Special Collections Research Center is better known for its collections documenting modern day people and events, we do hold some materials related to our founding fathers, including those represented in Hamilton.

Alexander Hamilton. Order on First Bank of United States, May 16, 1794. Cochran History of Business Collection

Alexander Hamilton’s own handwriting can be seen in the original 1794 document “Order on First Bank of United States,” which shows Hamilton in his capacity as Secretary of the Treasury authorizing the Secretary of State, Edmund Randolph, to be paid $900 for “certain expenses which have occurred in the West Indies in relation to public service.” His work is also represented by his publication The Soundness of the Policy of Protecting Domestic Manufactures (Philadelphia: printed by J. R. A. Skerrett, 1817).

Eighteenth century printed materials in SCRC demonstrate that the personal attacks shown in the musical were just as vindictive in real life: the pamphlet Letters to Alexander Hamilton, King of the Feds (New York: orinted by Richard Reynolds, 1802), attributed to expert scandalmonger James Thomson Callender (the man credited with revealing Hamilton’s affair with Maria Reynolds), attacks Hamilton for 64 pages.

Cover of An American Colonel: A Story of Thrilling Times During the Revolution and the Great Rivalry of Aaron Burr and Alexander Hamilton, by Jeremiah Clemens (Akron, Ohio: Wolfe Pub. Co., 1900)

Multiple books in SCRC detail the life and death of Hamilton, including Gertrude Franklin Horn Atherton’s The Conqueror: Being the True and Romantic Story of Alexander Hamilton (New York: Macmillan, 1902) and William Coleman’s 1804 publication A Collection of the Facts and Documents, Relative to the Death of Major-General Alexander Hamilton (Boston: Reprinted by Houghton, Mifflin and Company, 1904).

Aaron Burr’s troubles did not end after he killed Alexander Hamilton in an 1804 duel. In 1807 he was arrested for treason at the behest of President Jefferson. The trial is extensively detailed in the two volumes of Reports of the Trials of Colonel Aaron Burr (Philadelphia: published by Hopkins and Earle. Fry and Kammerer, printers, 1808). For Burr apologists, the book An American Colonel: A Story of Thrilling Times During the Revolution and the Great Rivalry of Aaron Burr and Alexander Hamilton, by Jeremiah Clemens (Akron, Ohio: Wolfe Pub. Co., 1900) tells the story of Hamilton and Burr’s rivalry in pro-Burr fashion.

Marquis de Lafayette letter to “My dear sir,” December 19, 1784. Jay Edwin Sturgis Nagle Papers.

Marquis de Lafayette is represented in SCRC collections by a handwritten 1784 letter from the Jay Edwin Sturgis Nagle Collection, as well as multiple printed eulogies given upon his death in 1834. An unusual take on the Marquis is given in Walt Whitman’s short publication, Lafayette in Brooklyn (New York: George D. Smith, 1905), in which he describes being picked up and kissed by Lafayette as a small child.

Thomas Jefferson, of course, is well documented in many resources, including two letters from the Alexander James and George Mifflin Dallas Papers. SCRC also holds an early edition of Jefferson’s only full-length book, Notes on the State of Virginia (Philadelphia: R.T. Rawle, publisher, John Thompson, printer, June, 1801). The Dallas Papers also contain one letter by James Madison.

Letter, James Madison to George Mifflin Dallas, June 23, 1821. Alexander James and George Mifflin Dallas Papers

George Washington, like Jefferson, is extensively documented. One particularly beautiful Washington-related book is an 1858 publication of his farewell address upon his retirement from the presidency–the basis for the song “One Last Time” (Washington’s Farewell Address to the People of the United States: Embellished with Arabesque Designs & Illuminations. Philadelphia: Devereux & Company, 1858).

–Katy Rawdon, Coordinator of Technical Services, SCRC

Undergraduate Instruction in the SCRC: Engaging Historically and Artistically with the Book as Object

 

Mosaic seminar

One of the ongoing missions of the Special Collections Research Center is to use our collections to enhance the teaching, learning, and research activities in the undergraduate curriculum at Temple. Over the course of spring semester 2016, the SCRC has hosted over twenty five classes representing a variety of departments and programs on campus.

A recent visit by Professor John Dern’s Intellectual Heritage Honors Mosaic Humanities Seminar, a required general education course in the College of Liberal Arts, gave us the opportunity to highlight some treasures from our rare book collections and gave the students an opportunity to see and turn the pages of first editions of Galileo and Mary Wollstonecraft.

Mosaic seminar

The goal of the Seminar is to “introduce students to philosophical, political and scientific texts that are challenging in at least one of several ways: rhetorically, historically or culturally.” In Professor Dern’s section, students read Galileo’s Sidereus Nuncius (Starry Messenger), Mary Wollstonecraft’s A Vindication of the Rights of Women, and Thucydides’ On Justice, Power and Human Nature, among other assigned texts. When the students visited in early April, we pulled Temple’s first editions of Galileo’s final work, Discorsi e Dimostrazioni Matematiche, intorno à due nuoue scienze, printed in 1638 in Leiden, and the first edition of Mary Wollstonecraft’s seminal proto-feminist work, A Vindication of the Rights of Women, printed in London in 1792. Connecting their class reading of Galileo’s most famous work to how his later works appeared in the European marketplace in the early 17th century provides an invaluable lesson in early modern scientific discovery, censorship, and the dissemination of information across the European continent.

In addition to the first edition of Mary Wollstonecraft’s landmark text advocating equal education opportunities and related 18th century texts, the students also engaged with a 15th century manuscript on the lives of the ancient philosophers, a 16th century edition in Greek of the Roman historian Appian, and an 1804 illustrated volume depicting the punishment of criminals in China according to the Qing penal code. Students were encouraged to turn the pages of these texts, ask questions, and even snap pictures with their always-handy smartphones. Exposure to the physical artifacts of the texts they’re studying in class brings the students closer to an understanding of how the texts entered the cultural marketplace, the historical record, and our collective, intellectual heritage.


Another of our late semester class visits provided a different kind of connection to the physical book format for the  students. In mid-April, Professor Marianne Dages brought her Tyler School of Art Foundation program class in 2D Foundation Principles to the SCRC to view a selection from our large artists’ books collection. For their own final book-making projects in the class, students were asked to incorporate both a strong use of color and interesting book structures. The selections pulled from the collection provided both examples of strong color technique and unique structures, as well as inspiration for the students’ own work. Just as in the Humanities Seminar, the smartphones were put to good use documenting what they saw for future reference!

Tyler students with artists’ books

Whether a class visit to see the SCRC’s print collection enhances the contextual understanding of class readings or directly influences student work, it does prove that the physical book form is still an integral part of undergraduate teaching and learning at Temple.

— Kimberly Tully, Curator of Rare Books, SCRC

Temple Classes Visiting the Special Collections Research Center

One of our primary missions at the Special Collections Research Center (SCRC) is to support research, teaching, and learning through the use of the materials in our collection. This semester we’ve had over two dozen classes and hundreds of students pass through the doors of our reading room, and many more have come on their own to conduct further research on a diverse array of topics and disciplines such as architecture, history, urban studies, visual studies, education, dance, film and media arts, criminal justice, and journalism.

Students working with zines

This semester J. Pascoe, a Philadelphia-based artists and instructor at Tyler School of Art, brought her Visual Studies and Graphic Art and Design classes into the SCRC, so that her students could interact with and explore some of our artists’ books and zine holdings.

When asked what value she placed in class visits to the SCRC, Pascoe says that “I bring my students to the SCRC because as an artist, an educator, and–frankly–as a human moving through this world, it behooves me to know what other people around me are making and doing. It’s not enough to pay attention to only what your friends or colleagues are doing. As artists, it’s important to know what’s being made out there and why.”

Zines at the SCRC

“More specifically, students come to my class wanting to make books and zines. They want to make things with their hands and they, ideally, want other people to hold finished work in their hands. We talk a lot about hand skills and hand work in my classes, so it’s no surprise I champion taking opportunities with my students to put our hands on other people’s work, too. To be able to hold books and zines and spend time with them–that’s where some real learning happens. I see more ‘light bulbs’ moments happen in collections and archives than in studio spaces.”

Student work inspired by their visits to the SCRC can be found on a class blog for Visual Studies 4554.  This is just one example of how the SCRC continues to support teaching and learning on the Temple campus and beyond.
-Josué Hurtado, Coordinator of Public Services & Outreach

The Art of the Commonplace Book: An Exhibition of Student Work

“In conjunction with their reading of Meditations by Marcus Aurelius, I asked my students in the Spring 2015 Mosaic I: Humanities Seminar to keep a commonplace book of quotations primarily from the assigned texts and ancillary readings in our Mosaic class, but also from their other classes and any outside reading they may have done during the semester.  This could include novels, newspapers, magazines, Twitter, Facebook, or other social media postings, and even popular mediums, such as music, movies, and television.–Richard Orodenker, Assistant Professor, Intellectual Heritage Program

Students from Richard Orodenker’s Mosaic I: Humanities Seminar course in the Intellectual Heritage program visited Temple University Libraries’ Special Collections Research Center in March 2015 to learn more about the tradition of keeping a commonplace book.  A commonplace book is any book in which extracts from other works, quotations, and comments are written.  Designed to be both a compilation of knowledge based on its creator’s interests and a memory aid, a commonplace book often includes a wide range of information on a variety of topics, such as politics, religion, and literature.

“I felt that the assignment was an interesting historical correlation to the current trend of tweeting or ‘facebooking’ famous quotes. In my commonplace book I tried to incorporate text and visuals because the quotes that I chose were those that drew pictures with the beauty of their language. I find that a writer’s ability to translate words into mental images creates a wide range of interpretations and emotions for different readers and I wanted to express those images and emotions.”–Keeland Bowers, student.

Frank McGlinn’s college commonplace book, circa 1935

 

Several of the commonplace books kept by students in the class, along with a selection of SCRC commonplace books and related materials, are on display during the Fall 2015 semester in three cases in the lobby of Paley Library. Please stop in and see how a visit to the Special Collections Research Center helped to shape this class project, by making the traditional commonplace book the jumping off point for rewarding student projects that incorporate both the old and the new.

-Kim Tully, Curator of Rare Books, SCRC

 

Collecting the Puritans…and Their Contemporaries

Fans of the Special Collections Research Center likely know that letters, photographs, newspaper clippings, and other archival materials usually come to us in collections – large and small groups of materials either created or collected by a person or organization. Often, the histories behind the gathering together of these primary source materials, and the long road from creation to their final home in SCRC, is as interesting as the content of the materials themselves.

Less well known is that we also frequently receive our rare books in the form of a collection, as well. While books tend to be rather individual in nature, as collections they have personalities and histories as unique as any archival collection.

One of SCRC’s book collections is the Philip Gardiner Nordell Collection, which consists of over 250 books, primarily rare British imprints on religion from the 17th and 18th centuries. The collection documents the different predominant and often conflicting ideas during this period, particularly related to religion, religious liberty, and rationalism in England and the New England colonies. Included in the collection are many books on “fringe” groups such as Anabaptists, Ranters, and atheists, as well as many works on witchcraft. Authors represented include Francis Bacon, John Cotton, Thomas Hobbes, and Cotton Mather.

Frontispiece from a first edition of Leviathan; Or, The Matter, Forme, and Power of a Commonwealth, Ecclesiasticall and Civill, by Thomas Hobbes (London: Printed for Andrew Crooke, 1651).
Philip Gardiner Nordell (1894-1976) was a man of many talents and interests. He graduated from Dartmouth College in 1916, and was an All American in the running broad jump. He claimed to have invented the predecessor to boxed cake mixes in the 1920s, founding a business that combined the dry ingredients for muffins, allowing the baker to simply add water. Nordell’s primary research interest was early American lotteries, which he studied for over 30 years. His personal collection of early lottery tickets and related newspaper announcements, brochures, and broadsides, is now at Princeton University.

Philip Gardiner Nordell (1894-1976) was a man of many talents and interests. He graduated from Dartmouth College in 1916, and was an All American in the running broad jump. He claimed to have invented the predecessor to boxed cake mixes in the 1920s, founding a business that combined the dry ingredients for muffins, allowing the baker to simply add water. Nordell’s primary research interest was early American lotteries, which he studied for over 30 years. His personal collection of early lottery tickets and related newspaper announcements, brochures, and broadsides, is now at Princeton University.

Map from Tobias Swinden’s An Enquiry into the Nature and Place of Hell (London: Printed by W. Bowyer, for W. Taylor [etc.], 1714).

 

Nordell also assembled his extraordinary collection of books documenting religion in Britain and New England in the 17th and 18th centuries. In a 1965 letter, he said: “My central aim in gathering the collection has been to furnish important source material helpful in appraising the comparative mental patterns in old and New England.… In different words, the collection furnishes much of the basic source material to form a sound judgment as to the truth of an observation made in the 1640’s, that while New England was becoming old, old England was becoming new.”

Katy Rawdon, Coordinator of Technical Services, SCRC