To quote 1984’s Spinal Tap: “Now, Philly, that’s a real rock and roll town.” Taken out of the context of the movie, this quote means little more than a compliment to Philadelphia’s music scene. However, like the majority of Spinal Tap, the quote is a joke. Philadelphia had a famous music scene, but it had almost nothing to do with rock and roll; the sound of Philadelphia was soul music, R&B by the likes of Patti Labell, Teddy Pendergrass, and the Dellfonics. The only major rock and roll artist produced out of Philadelphia before Spinal Tap was Todd Rundgren, and he’s not exactly an international superstar. Yet, this lack of prominent, well-known rock and roll acts does something interesting: if a band achieves even a small amount of national or regional success, they become heroes within the music scene. The other factor in creating this heroism is the tendency for most Philadelphia artists to stay loyal and local, even with increased success. In Dr. Dog, we see a Philadelphia artist who have commanded the most rock and roll respect since Todd Rundgren or the Hooters — whom many people of my parent’s generation will cite as the most impressive Philadelphia band. Dr. Dog’s influence has been so vital to the area that a new wave of distinguished artists have been following their path for the past ten years.
Dr. Dog has typical origins, beginning with the two band leaders, Scott McMicken and Toby Leaman, discovering their musical similarities on an eighth-grade field trip. Their first album to be widely distributed was 2005’s, Easy Beat, which coincided with a tour alongside Jim James’ My Morning Jacket. Over the past ten years, Dr. Dog has released four other studio albums, along with a few EP’s and rarities albums. They have not garnered especially favorable reviews from magazines like Pitchfork, and they have only in the past five years been earning major spots at festivals outside Philadelphia, but what makes them so critical is their importance in Philadelphia.
Growing up in the Philadelphia suburbs, I did not know there was any good modern music being made. I was raised on the classic rock my dad showed me, which I devoured as my only musical sustenance because I did not have older brothers or older friends who were hip to what was going on. But luck shined on me one Sunday morning as I read the Inquirer’s review of Dr. Dog’s 2008 album, Fate. I bought it off iTunes that day because it was so amazing to me that music, supposedly worth listening to, was being made in my backyard. I shared the band with every one of my friends who would listen to me, and I arrived at college a few years later to discover hundreds of others kids that loved Dr. Dog like I did. This little thing that I loved, that I admired and revered, was being loved and admired by a greater audience than I ever knew existed. I would go to their concerts when they returned to Philly and strike conversations with people who have been seeing Dr. Dog live since they released their first album. There was a secret world built on the backs of this band. But everyone was in on the secret, and since attending Temple I’ve watched the number of signature Dr. Dog hats and t-shirts soar, as the community has spread.
Since Dr. Dog’s small appearance on the national scene, with songs in movie trailers and spots in the nation’s top music festivals, other noticable rock and roll acts have put Philadelphia on the music map. The War on Drugs, Kurt Vile, and Clap Your Hands Say Yeah are the biggest artists to ride in Dr. Dog’s indie wake. Though I’m sure these bands would have made a name for themselves out in the world, gaining as much national notoriety as they have, even without Dr. Dog to preceed them, it was essential for their long-term success as Philadelphia bands for Dr. Dog to set the stage and plant the seeds in the scene. Dr. Dog’s DIY attitude works perfectly in a blue-collar city that lives in the shadow of New York City, but is determined not to be percieved through that shadow.
http://www.awesomefilm.com/script/thisisspinaltap.txt
http://pitchfork.com/reviews/albums/2608-easy-beat/

careers since her creation in 1959, in addition to spending considerable amounts of time in her Dream House, cruising around in her Glam Convertible, and swimming under the sea as a mermaid. To celebrate her 125th career in 2010, Mattel offered Barbie fans a chance to vote on what career they wanted to see Barbie have next! The choices were “architect, computer engineer, environmentalist, news anchor or surgeon,” and computer engineer came out on top (Gaudin).

Barbie: I Can Be A Computer Engineer. It didn’t take long after the release of CE Barbie for the backlash to begin. And the blessed people of The Internet took it upon themselves to “fix” CE Barbie. Thus, The Greatest Barbie To Exist That Doesn’t Really Exist was born – Feminist Hacker Barbie.
at coding, so, in the end, she just quit.
take in your surroundings. Are you in a bedroom? Now it’s the Barbie Fantasy Bedroom. Are you watching TV? Well, now you’re watching a Barbie commercial on a pink, plastic couch. Cooking? Your timer has a cute little voice tell you when the food’s done in the oven, and your Barbie apron keeps you looking fashionable as you put the meal on the table for your hunky significant other. You can Barbiefy any activity, and it’s actually fun to think of all the ridiculous ways you can do so.
from a few months ago regarding the 2010 Barbie book, I Can Be…A Computer Engineer. The controversy arose when a journalist for Gizmodo, Pamela Ribon, published an article dissecting the book, entitled “Barbie F*cks It Up Again,” on November 18, 2014.
While the articles we read in class depicted Barbie as a grown adult modeled after the “Bild Lilli,” a “sort of three-dimensional pinup,” the Barbie portrayed in books from 2004 to the present, show a teen Barbie in high school, who, disconcertingly, owns her own Dreamhouse with her younger sister Skipper, and the occasional friend, or a teen princess Barbie (Lord 7-8). The two main series of books in production in 2014 and 2015 are Barbie in Princess Power and Barbie: Life in the Dreamhouse. The Princess Power series appears the most promising, as it depicts Barbie as a modern day princess with powers that allow her to “save the day,” but Life in the Dreamhouse highly values domesticity, with titles like “Cupcake Challenge!” “Barbie Loves Parties!” and “Dream Closet”. However, there is one book in the series that focuses on Barbie’s independence – in “Licensed to Drive” Barbie receives her drivers’ license and gains mobility and the responsibility of driving Skipper and her friends around the town.