Tag: William Moulton Marston

Wonder Woman as Feminist Icon: Two Different Perspectives by Calvin Thrall

Our class discussion about whether or not Wonder Woman truly is a feministwonderwomanimage icon really made me think about the complexity of the question – Wonder Woman was created by a man, after all, and she behaved differently under different writers and in different time periods. We know that William Marston created Wonder Woman with feminism in mind, but could a white man in the early 20th century even really grasp the concept? Is Wonder Woman a feminist icon?

I have two separate answers to this question – though they might sound like they are in opposition, I believe that they are equally true and equally important. I arrived at these answers by splitting the question into two questions, the first of which being: Is Wonder Woman a feminist icon in 2015?

My answer is a resounding no.

Analyzing past media (movies/articles/books/etc) through a feminist lens is an important practice for the furthering of modern feminist theory. It allows us to better understand the prejudices and biases of a time period, and by extension to better understand the problems in our society today. It’s also true that it’s just as important to critique past works of feminism as it is to critique non-feminist media; modern feminism is no longer the “if you educated women they’d be better wives for men” argument that Mary Wollstonecraft once wrote about. Wonder Woman can be critiqued in just the same way. Yes, it’s true that she is a woman and a superhero; it’s also true that many of the plots of her comics (at least in the 40s) aimed to teach lessons of gender equality.

But Wonder Woman was never quite allowed to be as strong or as capable as the male superheroes that she associated with – she was secretary of their league, she had to stay home when they went war. Wonder Woman is also problematic when viewed from an intersectional standpoint. As Gloria Steinem points out, the Wonder Woman comics tended to get racist and jingoistic around wartime, while she still claimed to be a supporter of human rights. One hardly has to watch the news for 5 minutes in the U.S. nowadays to understand that we still do the same thing when it comes to our depictions of Muslims. Perhaps the patriotism of the 40s simply won out over the attempts at feminism (for example, though Wonder Woman is Amazonian she’s also… a white American woman?), or perhaps a nonwhite or non war-supporting heroine just wouldn’t have sold comics at that time. Either way, Wonder Woman certainly does not pass inspection when it comes to the standards of feminism in 2015.

Question #2: Did Wonder Woman symbolize the ideals of Western feminism in the 1940s?

My answer here is yes, absolutely. Wonder Woman has a lot of flaws that are important to acknowledge and keep in mind, but in my opinion she was a positive step in the advancement of feminism in the United States. Perhaps Wonder Woman presented a slightly watered down version of the ideas that were really circulating among feminists at the time, but she offered a strong and independent female icon to a world that desperately needed them. Wonder Woman never explicitly tells her readers to dismantle the patriarchy or to use birth control, but consider what she does do: she encouraged woman to earn their own living, to join the WAVEs or WAACs, and she (at least originally, under Marston’s control) demonstrated to her young readers that women can be just as successful without a husband or children. Her existence alone as a female superhero allowed girls to see that world as one that they belong in too, instead of the boys’ club it used to be (and mostly still is, sadly).

The image I’ve included, the closing panel from 1944’s All-Star Comics #22, is an example of Wonder Woman’s progressive nature relative to her time period. Does she follow this creed unfailingly? No, she doesn’t; but she played an important role in bringing feminist ideas to the general public, and inspired many women (like Steinem) to defy the patriarchic order and learn about feminist theories. 70 Years from now, that which we believe to be progressive now will probably be considered conservative and problematic, as it should be. There is merit both in acknowledgment of Wonder Woman’s faults and her successes, and though she’s lost her status as a feminist icon, her American iconicity is undebatable.

Rolling a Natural One: Wonder Woman and the Weighted Dice by Elizabeth A Yazvac

In Dungeons & Dragons, players roll dice to accomplish actions. Simply put,Wonder Woman breaking the chains! rolling a higher number increases the chances of success. On a 20-sided dice, rolling a natural 20 (a 20 is displayed on the die) means instant success! Not only success, but really awesome things happen. On the other hand, rolling a natural 1 means instant failure. And not only failure, but bad things happen to your character, too. Reading about Wonder Woman, her origins, and her evolution made me think about the role that women play in comics and the Fantasy genre, and how it so often feels like we are constantly rolling a natural one.

In the same way that Dungeons & Dragons characters are appealing, superheros are popular because of their power; they can accomplish things that the audiences cannot, and that makes them cool! Wonder Woman’s creator, William Marston, made her powerful but also a model of “strong, free, courageous womanhood”, making her even cooler! (Lepore 1). Yes, she has Amazonian super strength, but she also has to be talented enough to successfully execute her plans (Steinem 204), so no rolling natural ones allowed!

When talking about the appeal of comics, Martson brings up the concept of “wish fulfillment,” claiming that wish fulfillment is tied to human emotion, and emotions are exactly what comics play at (Martson 39). While reading that passage, all I could think about was how true it was for my own experiences with my Dungeons and Dragons character.

I started playing Dungeons & Dragons in high school. I had given up attempts to stifle my inner nerd (I planned my senior prom… and made the theme outer space) and decided that not only did I want to play D&D, but I wanted to chop as many imaginary goblins in half with my imaginary enchanted two-handed battle axe as possible. But as I got to creating my character – Ellywick Silverleaf, half-elf, fighter class – I realized that I didn’t want to make her a one-dimensional killing machine. I wanted her to be a complex and multi-faceted killing machine.

Much like my own struggle to find balance between femininity and the Fantasy genre, I wanted Ellywick to have all the power that I don’t (wish fulfillment!) but still be a relatable female who wants a husband, children, and a modest castle in the hills. So, I created Ellywick to be a symbol of “strong, free, courageous womanhood”, because other symbols like her were, and still are, so lacking.

Sexy Woman D&Dd and d

Wish fulfillment is not something that only appeals to men. Just as much as my brother liked video games, so did I. Wonder Woman, obviously, appealed to female audiences, but female audiences were also reading Superman and Batman, and they continue to do so today. Yet, despite large numbers of female comic book fans, women continue to hit a glass ceiling (keeping in line with the theme of this article, I am imagining women like lasers unable to penetrate the Gungan deflector shields at The Battle of Naboo).

Gloria Steinem discusses the importance of Wonder Woman in her own formative years, reading about a character that (“Great Hera!”) was a woman with an active role (Steinem 204). But, today, Wonder Woman fails to achieve the fame of her male counterparts, instead being tossed into the background of a Superman/Batman mashup movie and being subjected to fashion critics looking at her outfit more than anything else.

Early on in my creation process of Ellywick, I almost made her a man. I wanted her to be as strong as possible, and that seemed to better fit a male persona. But this, I realize, is exactly Martson’s point. That “not even girls want to be girls so long as our feminine archetype lacks force, strength, power” (Marston 42). We need to stop rolling natural ones for ourselves, stop accepting worn-out, sexist roles for our female characters, and demand that the efforts of early Wonder Woman not be in jest.

wonder woman

 

Photo credits

Woman Woman breaking chains: Gardner, Dwight. “Her Past Unchained.” The New York Times. 23 October 2014. http://www.nytimes.com/2014/10/24/books/the-secret-history-of-wonder-woman-by-jill-lepore.html

D&D Character 1: Dungeons and Dragons, armour and underwear.http://blog.rhiannonlassiter.com/2012/09/12/dungeons-and-dragons-armour-and-underwear/

D&D Character 2: DeviantArt. http://www.deviantart.com/morelikethis/artists/149223458?view_mode=2

Wonder Woman comic: Asselin, Janelle. The ‘F’ Word: Wonder Woman’s Feminism Shouldn’t Be Covered Up. Comics Alliance. 2 July 2014. http://comicsalliance.com/wonder-woman-feminism-meredith-finch-david-finch-dc/

Wonder Woman’s Costume Woes by Jenelle Janci

Throughout our classroom discussions of Wonder Woman, there’s one thing that continues to bother me: the irony of her skimpy, sexualized costume.

While Wonder Woman is a model for feminism, I can’t get past the icky feeling of knowing the male gaze was upon her before she even hit the page. Her creator, William Moulton Marston, and her original illustrator, Harry G. Peter, were both male.

“The obvious remedy is to create a feminine character with all the strength of a Superman plus all the allure of a good and beautiful woman,” Marston wrote in “Why 100,000,000 Americans Read Comics.” It’s as if Marston couldn’t think of a way to show Wonder Woman was, well, a woman without baring her thighs and giving her an ample bosom. This quote from Marston also worries me, because it suggests that a woman must be beautiful in order to be good and liked by readers.

Even in modern depictions of Wonder Woman, her breasts seem to be the most prevalent thing about her. In this collection of Wonder Woman art, a few (like the image I’ve embedded from the collection) even feel a bit pornographic to me. While it’s not fair to judge the original based on later depictions of her, these sexualized images show how these artists think of Wonder Woman today. Those meanings are attached to her status as an American Icon.

 

There’s a clear double standard when it comes to the worth of a superhero and his or her body. Spiderman seems kind of scrawny to me, and Superman gets to enjoy the modesty of his muscles being covered up. The only instance I can recall of male superheroes’ body parts being hyper sexualized, the characters were “ambiguously gay.”

An article published on pop culture news site “AV Club” suggests Wonder Woman’s costume was inspired by pin-up girls in the 1940s (the time of Wonder Woman’s creation), and that any oddly kinky comic strip scenes of her being tied up and escaping them was a metaphor for women escaping social injustices. That’s all fine and good, by why do I have to see the top of her breasts for that metaphor to work? The answer is: I don’t. I’m more likely to believe a second explanation offered by the same article: by making her sexual and attractive, male readers will feel positively toward a female superhero. Gag.

While it’s not hard to argue the stupidity of wearing a skimpy costume as temperatures begin to drop in late October, our discussion of Wonder Woman will surely have new meaning when I see women dressed up in less-than-modest costumes depicting her on Halloween. While becoming a recognizable Halloween costume is one of my personal benchmarks of what makes something an American icon, it’s hard to ignore the irony of women dressing in skimpier versions of an already scantily clad female superhero who was meant to represent feminism.

Mhy She Reabs Cowics (Don’t worry, you read that correctly) – by Alisha Evelisse Rivera

The article that stuck out the most for me this week was the one written by IMG_2789 (1)William Moulton Marston himself.  What interested me in “Why 100,000,000 Americans Read Comics” was where Marston discusses how comics help students improve in school, more specifically in English. In his research he explains how “Excerpts from superman have been used successfully in teaching English in public schools” (Marston 42). This interests me because I have used graphic novels and comic books to help my sister.

IMG_2790 (1)My little sister was diagnosed with dyslexia when she was in first grade. People don’t really understand what it means to have dyslexia. Even today it’s kind of hard trying to wrap my head around the difficulties that she has to go through. Dyslexia itself is such a fluid concept and it means something different for every person that has it. For my sister, it means that the she confuses her d’s, p’s and b’s, w’s and m’s. It also means that when she reads, words will flip and letters will move around when they aren’t supposed to. She’s had moments in her life were people, especially kids, have made fun of the way she spells or reads. When she was in middle school, her teacher belittled her in front of her entire class because of her disability.

So my sister worked harder than I’ve seen anybody work to get amazing grades, but it still wasn’t enough to stop those negative comments. People can kind of be evil that way. Plus, dyslexia doesn’t really go away. People just learn to work around it. My sister carried this negativity everywhere, and like Gloria Steinem expressed in her article, she needed something or someone to empower her. So, I did some research, and I read an article that explained that graphic novels and comics help dyslexics read faster and comprehend more. It’s because, like Marston points out, all comics are visual: if a dyslexic can’t understand what they’re reading, they have pictures to help them along.

gNKAeUrWe were both pretty apprehensive about trying it out, because she’s not the comic book type. She honestly didn’t think it would work, and I was afraid the “pinup” female superheroes would have a negative effect on her (Lepore). But it actually worked. I ended up getting her about six graphic novels, and one of them, Injustice, contained Wonder Woman. Not only did the visual aspect of the graphic novel greatly improve her reading, but she also noticed that she could read faster because every letter was capitalized and the words had different fonts. The pages seemed “cleaner” because they contained color so the letters weren’t as confusing compared to a black and white page.


IGAU9_16As I was preparing for this blog, I asked her how she felt about Wonder Woman and her reply was that she really liked Wonder Woman in Injustice, despite thinking she would hate her. She like her because she would try to talk things out with the bad guys before fighting, and only resulted in fighting as a last resort. My sister also felt as though she could be equal to anyone, despite being dyslexic and being female, because Wonder Woman is in a team full of guys and she was still considered their equal.