New Journal & Book Series Backfiles

We have recently added a large number of journal and book series backfiles from the following publishers:

Elsevier ScienceDirect: 70+ journal titles (list 1 / list 2) in Economics & Finance and 38 book series in the Life Sciences

Oxford Journals Online: 150+ journal titles across all disciplines

Sage Journals Online: 380+ journal titles across all disciplines

SpringerLink: 825+ journal titles across all disciplines and 14 book series in the sciences

Wiley-Blackwell (Wiley InterScience): 150+ journal titles mainly in Medicine and related disciplines

2008 Journal Citation Reports Released

The 2008 data for Journal Citation Reports was released in mid-June  Some highlights according to Thomson Reuters:

In addition to adding over 400 new titles in the Science and Social Sciences Editions, the latest release will deliver:

  • 350+ titles with their first ever Journal Impact Factor
  • First ever update to new metrics: Five Year Impact Factors and Eigenfactor™ Metrics (available only in JCR® Web)
  • More than 8,000 of the world’s most highly cited, peer-reviewed journals
        o Over 6,500 in the Science edition, and
        o Almost 2,000 in the Social Sciences edition
  • The largest time-trend analyses ever available

Journal Citation Reports includes journals from 3,300 publishers in approximately 227 disciplines, from 60 countries. Here are some other interesting facts:

  • Articles in JCR-covered titles were cited 30,991,827 times in the year 2008
  • These journals published 1,009,837 scholarly items and 475,398 editorial, correspondence, news and other items.
  • Our editorial team analyzed 44,025,768 cited references from journals and proceedings for this latest release.

Historical Newspapers Content Update 7/7/09

The following content was recently added to:

America’s Historical Newspapers

Publication

Issues

Publication Location

Date Start

Date End

Times Picayune

528

New Orleans, LA

1861-05-01

1897-04-10

Albany Evening Journal

69

Albany, NY

1854-04-22

1874-06-30

Latin American Newspapers

Publication

Issues

Publication Location

Date Start

Date End

Daily Chronicle

1778

Georgetown, Guyana

1881-11-05

1896-12-31

Diario

67

Mexico City, Mexico

1912-01-16

1912-03-31

Diario de la Marina

2803

Havana, Cuba

1899-09-01

1909-12-31

Excelsior

450

Mexico City, Mexico

1917-03-18

1921-06-30

Jornal do Commercio

1928

Rio de Janeiro, Brazil

1890-05-01

1901-06-30

Mexican Herald

61

Mexico City, Mexico

1912-05-01

1912-06-30

Monitor Republicano

137

Mexico City, Mexico

1880-02-01

1880-07-31

Nacion

177

Buenos Aires, Argentina

1916-05-01

1918-04-30

O Estado de Sao Paulo

654

Sao Paulo, Brazil

1898-01-01

1918-12-31

Port of Spain Gazette

2414

Port of Spain, Trinidad

1907-01-03

1914-12-31

Prensa

679

Buenos Aires, Argentina

1880-04-01

1920-05-30

Razon

17

Buenos Aires, Argentina

1921-05-11

1921-08-25

West Coast Leader

155

Lima, Peru

1914-01-01

1916-12-30

Alexander Street Music Update

As of July 2009, content in African American Song has now been incorporated into American Song.  African American Song will no longer be maintained as a stand-alone resource.  If desired, you can restrict results in American Song to African American content in two ways:

1. Browse by Genre – there is a broad category called "African American Music," which restricts your results, and which you can narrow further by sub-genre, ensemble, artist, etc.

2. Browse by Album/Track – there is a "restrict results to African American content only" checkbox on the upper right hand corner of both browses.

New Content:

1,988 albums (35,792 recordings) from a wide variety of labels, genres, artists, and ensembles were added to American Song recently.  Some highlights:

  • Contemporary Folk/Roots music from Appleseed Recordings, including legendary artists/ensembles such as Pete Seeger, Bruce Springsteen, Ani DiFranco, Joan Baez, Sweet Honey in the Rock, Jackson Browne, Judy Collins, Arlo Guthrie, Si Kahn, Christine Lavin, Tom Paxton, Dave Van Ronk, and more.
  • Early Rock & Roll, Motown, Doo-Wop, and Boogie-Woogie from King Records, including legendary artists and ensembles such as B.B. King, Percy Sledge, Hank Ballard and the Midnighters, Billy Ward & The Dominoes, Ike & Tina Turner, James Brown, Ray Charles, Roy Orbison, Swan Silvertone Singers, The Coasters, The Five Royales, The Ink Spots, The Platters, The Shirelles, and more.
  • Soul, Funk, R&B from Stax Records, including the complete Stax recordings of Isaac Hayes, plus legendary artists such as Shirley Brown, Gus Cannon, Steve Cropper, Al Jackson, Jr., Otis Redding, Mavis Staples, Stevie Ray Vaughan, Dionne Warwick, and more.
  • Early recordings from Biograph Records, including Scott Joplin performing ragtime piano classics, and Cole Porter tunes from rare piano rolls.
  • Blues and Jazz from Black Swan/Paramount Records, reissues of historic performances recorded on Black Swan Records, the first US record label to be owned and operated by African Americans (later owned by Paramount). Legendary artists include: Ma Rainey, Blind Blake, Johnny Dodds, Charley Patton, Ikey Robinson, Irene Scruggs, and more.
  • Gospel, Doo-Wop, R&B from Specialty Records, including artists and ensembles such as Art Neville, Little Richard, Five Blind Boys of Alabama, Percy Mayfield, Soul Stirrers, The Detroiters, The Meditation Singers, and more.
  • Disco, Funk, Soul, Blues-Rock from Fantasy Records, including artists and ensembles such as Booker T. & The MGs, Betty Everett, Jesse Fuller, Ruth Brown, The Blackbyrds, The Dramatics, and more.
  • Gospel, R&B, and Soul Blues from HighTone Records, including artists and ensembles such as Clarence Gatemouth Brown, Jessie Mae Hemphill, Otis Rush, Otis Spann, Pinetop Perkins, and The Robert Cray Band.
  • Reggae, Bluegrass, Rock from Rounder Records, including artists and ensembles such as the Austin Lounge Lizards, Burning Spear, Georgia Sea Island Singers, New Lost City Ramblers, The Heptones, Jelly Roll Morton, Bob Dylan, Lee Scratch Perry, Rosalie Sorrels, Merle Travis, and more.
  • Blues and Jazz from Arhoolie Records, including artists such as Lightning Hopkins, Johnny Young, Fred McDowell, Omar Shariff, Mercy Dee, Elizabeth Cotten, Juke Boy Bonner, Bukka White, and more.
  • Country, Rockabilly, Honky-Tonk from Nashville recording giant Sun Records, including artists and ensembles such as Jerry Lee Lewis, Ricky Scaggs, Patti Page, The Flatlanders, The Vogues, and more.
  • Spirituals and Blues from Testament Records, including artists and ensembles such as Luther Allison, Sleepy Estes, Robert Nighthawk, Mighty Joe Young, the Chicago Blues Band, and more.

4 New E-Resources from OCLC

The Libraries’ have just added the following resources from OCLC:

ArchiveGrid is an online service that provides access to detailed archival collection descriptions. It includes nearly a million descriptions of archival collections held by thousands of libraries, museums, historical societies and archives worldwide.

ArticleFirst is an index of articles from the contents pages of over 12,000 journals, from 1990 to the present. Over 20 million records are currently available.

CAMIO (Catalog of Art Museum Images Online) is a premiere resource of works of art from prominent museums around the world. Showcasing a wide range of fine and decorative art, CAMIO provides high-quality art images for education, research and enjoyment. All content is rights-cleared for educational use. Every work in CAMIO is represented by at least one high-resolution image and a description. Many have additional views of the work, sound, video and curatorial notes.

Students, faculty, researchers, museum professionals and library visitors will find CAMIO to be a valuable tool. CAMIO provides images for art history and studio art programs, course Web sites, lectures, presentations, class projects and research resources. It is a single point of entry to many collections, providing unlimited and powerful, Web-based searching.

The scope of the CAMIO collection ranges from 3000 BC to the present. The content includes about 95,000 works of art – photographs,paintings, sculpture, decorative and utilitarian objects, prints, drawings and watercolors, jewelry and costumes, textiles and architecture – plus audio, video and mixed media. Difficult-to-find contemporary art is one of its strengths.

CAMIO art images span the following categories:
* Photographs
* Prints
* Sculptures
* Paintings
* Decorative Arts
* Posters
* Costumes
* Utilitarian Objects
* Jewelry

OAIster is a union catalog of digital records that began at the University of Michigan, built by harvesting records using the Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH). Today, OAIster is one of the world’s largest aggregators of records, boasting more than 19 million items from more than 1,000 contributors. Records contain a digital object link allowing users access to the object in a single click.
Digital resources in OAister include:
–Digitized (scanned) books and articles
–Digital text
–Audio fles (WAV, MP3)
–Video fles (MP4, Quicktime)
–Photographic images (JPEG, TIFF, GIF)
–Data sets (downloadable statistical information

Michael Jackson, 1958-2009: Primary Resources, Historical Perspectives, Scholarly Insights

Michael Jackson, known as “King of Pop”, died unexpectedly Thursday, June 25th in Los Angeles at age 50. His career began when he was 11 as part of the group the “Jackson Five”, the youngest of five brothers. He is known for his extraordinary talent in music and dance, and as a gifted entertainer. He was an innovator, most notably in the music video medium and early MTV. Jackson’s career was marred by controversy caused by allegations of personal sexual misconduct. In addition to being a musician, dancer, and entertainer, Michael Jackson was known for his philanthropy, particularly his work to help South Africa, and his composing and organizing the production of the song “We Are the World”, with proceeds going to African aid. Michael Jackson will always be known as a trailblazer in the field of pop music, and his recordings continue to break sales records.

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Following are selected resources for more information about Michael Jackson. In addition to sources readily available through news media, also included are books in the library, encyclopedia articles, and scholarly articles, resources that most people may not have thought about in regards to a popular music figure. These resources give scholarly, insightful, and analytical perspectives of Michael Jackson such as the meanings of his dance movements, the sociological aspects of his music videos, the religious significance in “Earth Song”, and more. Articles in languages other than English are a testimony to Jackson’s worldwide fame and appeal. Here you will also find primary resources such as books by Michael Jackson, and interviews that he gave when he was in his teens. These in-depth perspectives you would not find anywhere else, but @ your library! Enjoy.

Books and More


Jackson, Michael. Moonwalk. New York : Doubleday, c1988. Blockson Collection ML420.J175A3 1988
 
Jackson, Michael.Number ones [videorecording]. New York : Epic Music Video, c2003. Paley Media Services ML420.J175 N863x 2003

 


Jackson, Michael. Thriller [sound recording] Library Depository EPIC QE 38112

 

 

 


Lull, James, and Stephen Hinerman, eds.Media scandals : morality and desire in the popular culture marketplace. New York : Columbia University Press, 1997.
Paley Stacks P96.S29M43 1997


Jefferson, Margo. On Michael Jackson. New York : Pantheon Books, c2006.
Paley Stacks ML420.J175 J44 2006

 

 

 

 

 

Taraborrelli, J. Randy.Michael Jackson : the magic and the madness.Secaucus, N.J. : Carol Pub. Group, 1991. Blockson Collection ML420.J175T3 1991

Online Encyclopedia Articles
*****Restricted to Temple University users only. Enter your AccessNet username and password.*****

“Michael Jackson.” Contemporary Musicians, Volume 44. G
ale Group, 2004. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale,   2009.
“Michael Jackson.” Contemporary Black Biography. Vol. 53. Thomson Gale, 2006.
Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2009.
“Michael Jackson.” St. James Encyclopedia of Popular Culture. 5 vols. St. James Press, 2000. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2009.
“Michael Jackson.” Notable Black American Men. Gale Research, 1998.
Reproduced in Biography Resource Center. Farmington Hills, Mich.: Gale, 2009.

 
Selected Journal Articles and Book Chapters

*****Many are restricted to Temple University users only.  Enter your AccessNet username and password.*****

Baker, Danny.  The great Greenland mystery: Michael Jackson. Meaty beaty big & bouncy!” Classic rock and pop writing from Elvis to Oasis. London: Sceptre, 1997. 157-178 pp.
Abstract: An interview with Michael Jackson and his brothers first published in New musical express on 4 April 1981.

Burnett, Robert and Bert Deivert. Black or White: Michael Jackson’s Video as a Mirror of Popular Culture. Popular Music and Society 19:3 (Fall 1995) p.19-40. Paley Stacks ML1 .P69457

Buschmann, Gerd. Der Sturm Gottes zur Neuschöpfung: Biblische Symboldidaktik in  Michael Jacksons Mega-Video-Hit Earth Song. Katechetische Blätter. Vol. 121, no. 3, pp.187-196. 1996.
Abstract: Jackson’s 1995 video Earth song plays with central biblical themes including creation, the fall from grace, the prayer of lamentation, theophany, prophecy, and resurrection. In terms of form and content,the video corresponds to a psalm of lamentation, with three parts: lament, plea, and help. Jackson appears as a prophet and modern Christ-like figure.

Campbell, Melissa. Saying the Unsayable: The Non-Verbal Vocalisations of Michael Jackson. Context 26 (Spring 2003) p.17-26.

Dyson, Michael Eric. A postmodern Afro-American secular spirituality: Michael Jackson. The theology of American popular music: Proceedings of the first conference in theomusicology, 7-8 April 1989
Abstract: The achievements of Michael Jackson are viewed as representing a postmodern form of black American secular spirituality that is primarily televisual and performance-oriented in its medium of expression, and that wrestles in poignant fashion with moral themes that reflect black cultural and religious consciousness.

Dyson, Michael Eric. Wanna Be Startin’ Something? Two Sharp Minds Contemplate the Significance of the Michael Jackson Trial. VIBE 13:10 (October 2005) p.128-131.
Early, Gerald. Three notes on the roots of rhythm. Conjunctions. Vol. 16, pp.197-208. 1991
Abstract: The success of Chubby Checker’s The twist with white audiences and the role of music in Shirley Temple’s and Michael Jackson’s films help to explain the cultural context of American rhythm and blues.

Epstein, Debbie and Deborah Lynn Steinberg. The Face of Ruin: Evidentiary Spectacle and the Trial of Michael Jackson. Social Semiotics; Dec2007, Vol. 17 Issue 4, p441-458, 18p

Garry, George. At home with Michael Jackson. Very Seventies: A cultural history of the 1970s, from the pages of Crawdaddy New York, NY: Fireside/Simon &Schuster, 1995. 87-92 pp.
Abstract: Interview with a 13-year-old Michael Jackson originally published in
September 1972.

Harvey, Lisa St. Clari.Temporary insanity: Fun, games, and transformational ritual in American music video. Journal of popular culture. Vol. 24, no. 1, pp.39-64. (summer 1990)Abstract: Music video relies heavily on viewer reactions and perceptions. Video may be related to the masked ball, in which excess and indulgence in the usually forbidden are expected. Music video allows viewer participation at a vicarious level. The dream world of video may represent a collage of aspects of society. Videos of Michael Jackson, Lionel Richie, Tina Turner, Cyndi Lauper, and Duran Duran are summarized.

Hills, Mattl. Michael Jackson Fans on Trial? “Documenting” Emotivism and Fandom in Wacko About JackoSocial Semiotics; Dec2007, Vol. 17 Issue 4, p459-477, 19p

Ihlemann, Lisbeth. Michael Jackson: Monster, maskine, myte, menneske? Musik & forskning. Vol. 23, pp.110-25. Abstract: The pop star Michael Jackson draws attention not only to his music, but also to himself as a star and a person. Jackson’s image is explored in relation to star theories developed by media studies scholars. In contrast to most stars, Jackson’s persona seems to exhibit only the extraordinar
y: He is most often perceived as a freak or an alien. Jackson’s save-the-world attitude and obvious attraction to aggressive masculinity are explored.

Lau, Thomas. Idole, Ikonen und andere Menschen: Madonna, Michael Jackson und die Fans. “Alles so schön bunt hier”: Die Geschichte der Popkultur von den Fünfzigern bis heute. Stuttgart, Germany: Reclam, 1999. 241-253 pp. Abstract: In pop culture, the idol relies on the fan as much as the fan relies on the idol. Still, the relationship between the two has changed considerably in the past 20 years, also in light of the advent of techno culture.

Mayfield, Geoff. Over the Counter: Jackson Set Still Thrilling after All These Years. Billboard – The International Newsweekly of Music, Video and Home Entertainment 120:9 (1 March 2008) p.37.

Mittel,Jason. A Cultural Approach to Television Genre Theory Cinema Journal; Spring2001, Vol. 40 Issue 3, p3, 22p.
Abstract: Argues that genres are cultural categories that surpass the boundaries of media texts and operate within the industry, audience and cultural practices. Obstacle to the development of television-specific genre theory; Types of discursive practices; Goal in analyzing generic discourses; Genre analysis with Michael Jackson’s music videos; Principles of cultural genre analysis.

Nathan, David. Feature: Michael Jackson; A “Thriller” of a Career. Blues & Soul 1004 (6 March 2008)

Olligs, Ursula. Die rhythmisch-energetische Struktur von Michael Jacksons Tanz. Musik-, Tanz- und Kunsttherapie. Vol. 9, no. 2, pp.72-86. 1998.
Abstract: As no other pop idol, Michael Jackson bases his success on dance. By means of three video-tapes, the dance-psychological research of his dancing and body language tracks sources and characteristics of this way of movement. Reference to the dance therapeutically aspects are made.

Paoletta, Michael. UpFront: Music – Michael Jackson: Now What? Billboard – The International Newsweekly of Music, Video and Home Entertainment 117:26 (25 June 2005) p.7-8.

Silberman, Seth Clark. Presenting Michael Jackson™. Social Semiotics; Dec2007, Vol. 17 Issue 4, p417-440.

Sonnega, William. Morphing borders: The remanence of MTV. TDR: The drama review. Vol. 39, no. 1, pp.45-61. spring 1995.
Abstract:World beat, a musical genre combining melodic and rhythmic features from various world cultures into a single form, has become commonplace in contemporary popular music, and has worked to break down cultural barriers. Implicit in its multilayered culturalism is the Futurist notion of a technologically generated utopia. In the past decade Music Television (MTV) has successfully capitalized on incorporating world beat into its programming, becoming a model that other artistic agencies have followed, as exemplified in the Michael Jackson music video Black and white and a recent theatrical production of Thornton Wilder’s play The skin of our teeth.

Stewart, Elizabeth and Theresa Buckland. Dance; music video. Parallel lines: Media representations of dance. London, England: Arts Council of Great Britain, 1993. 51-79 pp.
Abstract: The role of dance in music video extends across a spectrum. At one end of the spectrum is the dramatic mode, where dance operates prominently s an expressive tool; at the other end is the fragmentary dance mage, nondiegetic, unconnected to the musical producers, and perhaps nly flitting briefly across the scene. Here the moving body interacts ith video technology to form abstract visual and rhythmic patterning. his style is rarely used to present the dancing pop star, since ilmic treatment of the star is constrained primarily by the onstructive techniques of stardom. Videos featuring Kate Bush, Paula bdul, Michael Jackson, and Janet Jackson are analyzed.

Tischer, Rolf. “Heal the World”: Religion in der kommerziellen Rock- und Popmusik am  Beispiel von Michael Jackson.Gotteslob im Klang der Zeit: Rolf Schweizer zum 65. Geburtstag München: Strube, 2001. 122-142 pp. Abstract: The process of secularization would seem to be unstoppable in modern society, and yet there is a constant need for religiousness. This is reflected in contemporary pop and rock music. This is exemplified by a song and video clip by Michael Jackson: In Heal the world, he appears as a messiah. Such phenomena within supposedly superficial pop culture should be taken seriously.

Tucker, Mark. Behind the beat: Michael Jackson and Prince. ISAM newsletter. Vol. 14, no. 1, pp.12-14. Nov 1984 Abstract: An examination of recent songs performed by Michael Jackson and Prince (Prince Rogers Nelson), including Billie Jean (from Michael Jackson’s 1982 album Thriller) and When doves cry (from Prince’s 1984 release Purple rain).
RL: Resource Locationhttp://depthome.brooklyn.cuny.edu/isam/NewsF84.pdf

Walls, Richard C. Bruce Springsteen; Michael Jackson: Through time and space with the changeling gods. Creem. Vol. 19, no. 6. Feb 1988

Wenzel, Ulrich. Pawlows Panther: Zu Rezeption von Musikvideos zwischen bedingtem; Reflex und zeichentheoretischer Reflexion. VIVA MTV! Popmusik im Fernsehen.Frankfurt am Main, Germany: Suhrkamp, 1999. 45-73 pp.
Abstract: A discussion of the poststructuralist debate, which has been intensely connected with videos and music television, drawing on the description of Michael Jackson’s video Black or White.

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Trial: Local & Regional History Online

We have a trial to Local & Regional History Online from Alexander Street Press thru 8/16/09.  The publisher describes it as follows:

Local and Regional History Online: A History of American Life in Images in Texts presents the everyday people, places, and events that have shaped American history and culture. The collection, drawn from Arcadia Publishing’s award-winning line of local history books, features images and texts assembled by thousands of local experts with unparalleled knowledge of their community’s history. Individually, each title represents a small slice of American history; collectively, they offer a massive tapestry documenting every aspect of the American Story.

Local and Regional History Online is continually updated with more and more titles, and will grow to include more than 500,000 pages and 1 million images. Currently, the collection contains approximately 100,000 pages and 175,000 images, all indexed to allow for easy browsing and searching across contents.

Once you have tried it out please be sure to let us know what you think!

ARTstor Update 7/2/09

ARTstor has announced the following:

Collection agreement: Images from the National Gallery of Art
ARTstor is collaborating with the National Gallery of Art in Washington, DC, to share more than 600 images of European paintings, sculpture, and decorative arts from the Samuel H. Kress Collection.

Now available in ARTstor: Renaissance and Baroque book illustrations from the Warburg Institute
Approximately 1,200 images from the Warburg Institute are now available in the ARTstor Digital Library. This first release includes images of European book illustrations from the 16th through 18th centuries.

Bryn Mawr College Plans of Ancient and Medieval Buildings and Archaeological Sites Collection now in ARTstor
More than 2,700 images of Ancient Near East archaeological sites and monuments from Bryn Mawr College are now available in the Digital Library.

Oxford Reference Content Update 7/2/09

New Titles in Oxford Reference Online:

  • A-Z of Plastic Surgery
  • Oxford Companion to the American Musical
  • Magic Universe: A Tour of Modern Science

New Editions/Revisions:

  • Concise Oxford Dictionary of Mathematics
  • Dictionary of British History
  • Dictionary of Geography
  • Dictionary of Law
  • Dictionary of Political Biography
  • Dictionary of the Internet
  • Oxford Companion to British History