Tag Archives: History News

Visions in Motion: The Eva Gholson Papers, 1975-1999. Philadelphia Dance Collection

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This month’s pop-up exhibit in the SCRC Reading Room recognizes Black History Month by highlighting the Papers of Eva Gholson, the first Black women to train at the Merce Cunningham studio in the 1960’s. The Eva Gholson Papers provide a glimpse into Gholson’s career as a professor of dance studies at Temple University, her years with Sybil Dance Company, and the Philadelphia dance scene for a small modern dance troupe during the mid-1970s to the early-1990s.

Gholson earned a Bachelor of Arts in dance from Bard College and an MFA in dance education at Sarah Lawrence College. Gholson also trained as a pianist, graduating from the Peabody Conservatory of Music with a focus on piano theory and violin. She was a professor of dance studies at Temple University from 1972 to 2011. Gholson was also a founding member, artistic director, and choreographer for Sybil Dance Company. Gholson’s choreography was performed not only by Sybil Dance Company but also PHILADANCO!, Philadelphia Civic Ballet, Temple University dance students, various other college dance programs dance companies around the world.

During her career in choreography Gholson created over fifty original works in the modern dance style.  Her choreography has been described by various critics as flowing, natural, lyrical, earthy, spiritual, intense, passionate, and formal. As an educator, artistic director, and choreographer, Gholson was recognized for her work in dance with a 1988 award from the Afro-American Historical and Cultural Museum. In 2004, Gholson published Image of the Singing Air: Presence and Conscience in Dance and Music Collaboration, which combined her personal perspective with her knowledge of music and dance theory.

A selection of ephemera from performances Gholson choreographed is on display in the SCRC Reading room this month.

Portraits of Philadelphia: Photographs by Joseph V. Labolito and Jim MacMillan, 1981-2023

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This year’s fall exhibit explores the images of two photographers, Joseph V. Labolito Photographic Prints and Collections – Joseph V. Labolito and Jim MacMillan Jim MacMillan – Journalist, educator and social innovator in Philadelphia, as they travelled around Philadelphia, photographing unique human experiences and fleeting moments in the city. This exhibit runs from November 13, 2023 to March 2024 in the exhibit space of Temple University’s Charles Library. More information about an opening reception is to follow.

Joseph V. Lobalito

Joseph V. Labolito’s career in photography began in 1977. For the past 27 years he has worked at Temple University as a senior photographer. Labolito documented the areas where he grew up and the places he frequented, capturing a deeply personal and authentic representation of Philadelphia, from the 1980s through the 2000s. Labolito describes his work as,

“a tribute to the city that has shaped me, the people who call it home, and the enduring spirit of Philadelphia. Through these photographs, I hope to share the beauty and resilience of this city with the world, inviting viewers to journey through time and celebrate the progress and evolution of Philadelphia.”

3644 North Broad Street
May 25, 1986
Photo by Joseph V. Labolito

Jim MacMillan is the founder and director of the Philadelphia Center for Gun Violence Reporting and its parent organization, the Initiative for Better Gun Violence Reporting, as well as assistant direct of the Logan Center for Urban Investigative Reporting at Klein College. During his photojournalism career, MacMillan spent 17 years at the Philadelphia Daily News and worked for The Associated Press in Boston and in Baghdad during the war in Iraq, for which his team was awarded The Pulitzer Prize. MacMillan says of his work,

Jim MacMillan

“every opportunity to take pictures on the streets of Philadelphia and tell the stories of our neighbors and neighborhoods has felt like an incredible privilege. Photographing activists in action during street-level protests and demonstrations has always felt like a special honor as we exercise our First Amendment rights together in the city where our nation was born.”

Peace protesters march down North Broad Street Saturday. Police estimated that ten thousand demonstrators marched in Philadelphia Saturday against war with Iraq.  
February 15, 2003
Philadelphia Daily News photo by Jim MacMillan

You can register to attend this event here.

-–Ann Mosher, BA II, SCRC

Popup Exhibit: The Life and Times of Hooter T. Owl and the Temple T.

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On August 1, Temple unveiled a new athletics logo to replace the former mark created over 30 years ago. Acknowledging the university’s mascot, athletic traditions, and the legacy of Temple, the new logo draws its inspiration from the past while looking toward the future.

The owl has been Temple’s symbol and mascot since its founding in 1884, when it was still a night school, thus the “night owl” moniker. In 1977, the university held a “Name the Owl Contest.” Victor E. Owl I, was the winner selected among over 1000 entries. Stephany Gustauskas, secretary to the associate provost, won the contest and the prize included an autographed football signed by the team and coaches, tickets to the last game played at Veterans Stadium and an invitation to the Football Banquet Dinner. In 1983, Temple held another contest to name the new mascot, Victor’s descendent, with the winner receiving a 19” portable color television. The winning name, Hooter, was introduced during a Temple vs. Dayton basketball game on January 17, 1984. Hooter was joined briefly in the mid-2000’s by T-Bird and Baby Owl.

Just as the Temple “T”, created by graphic design students in Tyler’s School of Art and Architecture in 1983 was Temple made, so was the new owl logo designed by Joe Basack, a former Tyler graduate.  Basack collaborated with students Associate Professor Bryan Satalino’s senior capstone course in graphic and interactive design to create the new branding. The diamond shape, an iconic symbol recalling Temple founder Russell Conwell’s “Acres of Diamonds” speech, has been added to the Temple T along with the updated owl.

In this month’s Pop-Up exhibit are displayed some of the past logos, and various adaptations of Hooter T. Owl, and the Temple T.

-–Ann Mosher, BA II, SCRC

Advertising the Bicentennial: The Martin Ezra Papers

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In 1976, Philadelphia’s Bicentennial celebration, celebrating the 200th Anniversary of the signing of the Declaration of Independence, showcased all the city had to offer.

Image of Ortlieb’s Beer Welcome Map
Cans of Ortlieb’s Beer, brewed in Philadelphia, were illustrated by national artists depicting scenes from Revolutionary times and sold at the Bicentennial.

On December 31, 1975, New Year’s Eve, the first of the Bicentennial-themed events occurred when thousands came out to watch the Liberty Bell be transported from Independence Hall to a new pavilion on Independence Mall. Daily events from January to October, included street performers, concerts, and puppet shows. The week leading up to July 4 was renamed ‘Freedom Week’ and featured even more celebrations throughout the streets of Philadelphia, including a 2076 time capsule buried at Second and Chestnut Streets, a 50,000 pound Sara Lee birthday cake served at Memorial Hall, and numerous fireworks displays.

Photograh of 7" record and cover "Voices of '76"
Voices of ’76 Record

The ceremonies on Indpendence Mall opened On July 4, 1976, with actor Charlton Heston serving as master of ceremonies, and attended by President Gerald Ford, Pennsylvania Governor Milton Shapp, and Mayor Frank Rizzo. A five-hour parade followed which featured floats from every state. On July 6, Queen Elizabeth II and Prince Philip presented to the city a Bicentennial Bell produced in the same foundry as the original Liberty Bell. In total, an estimated two million visitors attended the events.

Publisher Martin Ezra’s Bicentennial Newsletter created to publicize regional plans for the bicentennial, and to raise interest and involvement in the various programs and celebrations. Among this collection of papers, held in the Special Collections Research Center (SCRC), are files of information from each state delegation describing their involvement in the Bicentennial, as well as photographs and ephemera related to the festivities. A plethora of souvenirs and other items were also created to sell during the festivities, which Ezra also collected. A selection of the advertisements, merchandise, and other materials from this collection are on display in the exhibit case in the SCRC reading room during the month of July.

Image of "The Fourth of July Bicentennial Coloring Book"
The Fourth of July Bicentennial Coloring Book

-–Ann Mosher, BA II, SCRC

Samuel R. Joyner, Cartoonist

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This month’s pop-up exhibit in the Special Collections Research Center features the work of Samuel R. Joyner, an editorial cartoonist and teacher. He is among the small number of African American cartoonists in the United States. Born in 1924, Joyner graduated from the Philadelphia Museum School of Industrial Arts (now the University of the Arts) in 1948. He attended the Teacher Certification program at Temple University and taught graphics communications/silk screening at Rhodes Middle School and Edward Bok Vocational High Schools from 1971 to 1990. Samuel R. Joyner died on March 24, 2020.

March 20, 1998



This exhibit features historical documents and original cartoons from the Joyner Artwork Collection in the Special Collections Research Center and displays both his talent and his views about popular issue such as the civil rights struggle, social commentary, and black achievement. In addition to the Philadelphia Tribune, his cartoons appeared in major periodicals such as The Houston Sun, The Milwaukee Times, and the Messenger Magazine.

–Brenda Galloway-Wright, Associate Archivist, SCRC

National Poetry Month: A Selection of Poetry from the Special Collections Research Center

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Hosted by the Academy of American Poets since 1996, the National Poetry Month celebration is one of the largest of its kind with poetry lovers, educators, and librarians around the world participating in its various activities and initiatives. Every year the AAP produces a special poster, and this year’s poster is designed by Arthur illustrator Marc Brown and features a line of poetry from the U.S. Poet Laureate Ada Limón. For more information, check out the Academy’s website.

In celebration of National Poetry Month, we are featuring a few poetry books and manuscripts that represent the myriad ways that poetry can be found in the Special Collections Research Center’s collections. The selections can be found in a single case, pop-up exhibit in the SCRC Reading Room on the 1st floor of Charles Library, and can be viewed in April, Monday through Friday, 8:30-5:30.

The exhibit includes an 1836 volume of John Milton’s poetical works from Temple’s rare book collection with striking mezzotint engravings by John Martin. From our Contemporary Culture Collection, there are three volumes of poetry by Black women published by an important Black Arts publishing house, Third World Press, based in Chicago. The selection includes a volume by Philadelphia native and Third World Press founder, Johari Amini. Also exhibited are examples of an illustrated fine press edition of nature poems from our extensive fine press/private press book collection. An artist book that incorporates poetry by Philadelphia book artist Alice Austin and two examples of poetry zines round out the various representative examples of poetry in print.

In addition to these published examples, we are also highlighting two manuscripts by poets Ree Dragonette and Galway Kinnell from our extensive manuscript and archival collections relating to poetry and poets. Ree Dragonette (1918-1979) was a New York-based poet in the 1960s and 1970s who regularly performed with musical accompaniment. The typed manuscript with manuscript additions of her “Concerto for Bass and Poet” is featured. The SCRC also has a small collection of drafts of a poem entitled “The pen,” a work by Galway Kinnell (1927-2014), and the first page of these collected drafts is exhibited demonstrating the creative process of a poet.

Photograph of Ree Dragonette’s “Concerto for bass and poet”


Happy National Poetry Month and please do stop in to learn more about the SCRC’s poetry collections.

–Kimberly Tully
Curator of Rare Books, SCRC

New Accession Spotlight: the John Dowlin Papers

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“Bike for a Better City”

John Dowlin used the bicycle as a means of political, diplomatic, and environmental activism. In 1974, after recently relocating to Philadelphia, he co-founded the Greater Philadelphia Bicycle Coalition. Dowlin and the Coalition saw the bicycle as a viable, cheaper alternative to the car and the answer to environmental concerns, as well as traffic and congestion issues in the City. With a goal to increase bicycle ridership, they pushed for accommodations for bicycles on all public transit, including buses, trains and even planes, and safe bicycle lanes on city streets and even the Benjamin Franklin Bridge.

Dowlin was director of the Bicycle Parking Foundation, founder of the international Bicycle Network, and editor of Network News and the Cycle and Recycle reusable wall calendar. Internationally, Dowlin led Tour de Cana, bicycle touring in Cuba and Latin America, and was president of Citizen Diplomats, ‘people-to-people’ diplomacy in Cuba. In the 1980s, Dowlin participated in Bike for Peace, during which he and other bikers rode together from Leningrad to Washington, DC. He was also an active neighbor in West Philadelphia’s Powelton Village. Together with Drexel University and the Powelton Village Neighbors Association, he worked on the Westbank Greenway Project to improve the Schuylkill River banks in West Philadelphia.

A small selection of John Dowlin’s papers documenting his work is on display in the Greenfield Special Collections Research Center Reading Room, Charles Library, for the month of December 2022.

Dowlin, with the assistance of his daughter Debby, donated his papers to the SCRC in Summer 2020. Staff are preparing the collection for research use. Among his many projects, Dowlin also worked with Rick Shnitzler on Taillight Diplomacy, promoting the preservation and restoration of Cuba’s old cars. Shnitzler’s papers, also in the SCRC, were recently opened to research use.

–Courtney Smerz, Collection Management Archivist, SCRC

Dog Days of Summer in Philadelphia, 1928-1981

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1981, Philadelphia Evening Bulletin


The Special Collections Research Center is pleased to present our latest pop-up exhibit “Dog Days of Summer in Philadelphia, 1928-1981.” This fun and whimsical exhibit features items from the Philadelphia Evening Bulletin Photograph and News Clipping collections, the Urban Archives Pamphlet Collection, and the Newspaper Illustration Collection documenting how Philadelphians keep cool and have fun in the summer months. This exhibit was curated by student intern Abigail Boyer and will be on display in the SCRC reading room through August.

–Brenda Galloway-Wright, Associate Archivist, SCRC

Jumping into the Delaware River, 9/23/1955, Newspaper Illustrations Collection

The Horse that Likes Vanilla, July 31, 1975, Philadelphia Evening Bulletin

LGBTQ+ PRIDE MONTH: Pride in the Archives

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Pride month began in 1970 and is celebrated every June. It honors the 1969 Stonewall Uprising, when members of the LGBTQ+ community responded to a June 18, 1969, police raid at Stonewall Inn, a gay club in Greenwich Village, New York City, with a series of demonstrations. The demonstrations lasted six days, with many people arrested.

On June 28, 1970, the first Pride March occurred in New York City on the uprising’s one-year anniversary, with up to 5,000 marchers demonstrating against centuries of abuse and discrimination. Celebrations in the years afterward include parades, picnics, parties, concerts, workshops, and other events to recognize the impact LGBTQ+ individuals and organizations have had on history. Memorials are also held for those members of the community who have been lost to hate crimes or HIV/AIDS.

The first gay pride demonstration in Philadelphia took place on June 11, 1972, with over 10,000 people marching from Rittenhouse Square to Independence Park. While pride events took place every year, the parades would only continue for the next three years due to the more popular New York City parades. However, on June 18, 1989, the city resumed its gay pride parade and rally with over 1,000 people marching from 10th and Spruce Streets to JFK Plaza. The parades and rallies have continued in the city ever since. This year’s parade, scheduled for June 5, will look a little different, however, with a community march instead of a parade. It will be followed by a pride festival in the Gayborhood.

The Special Collections Research Center commemorates Gay Pride Month 2022 with a pop-up exhibit in our reading room featuring selections from collections that focus on the LGBTQ+ community and their coverage of pride events around the city through the years. The exhibit includes material from the AIDS Library (Philadelphia, Pa.) Records, the Philadelphia Lesbian and Gay Task Force Records, the Philadelphia Gay News, and the Scott Wilds Papers.

–Ann Mosher, BA II, Special Collections Research Center

Celebrating Grace Baptist Church’s 150th Anniversary

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Temple University Libraries was pleased to be a part of the celebration of the 150th anniversary of the founding of Grace Baptist Church (now of Blue Bell), recognizing the deep connections the University has with that congregation.

In the 1870s, the fledgling congregation pitched its tent and then built its first building at the corner of Berks and Marvine—now under Temple’s Gladfelter Hall. In 1882, they called the Rev. Russell Conwell from a small congregation in Lexington, Massachusetts, to become their pastor and changed the history of Philadelphia.  Conwell’s ability to inspire, to build, and to create and recreate institutions included not only Temple University, but also Greatheart and Samaritan hospitals and the Samaritan Aid Society, among others. Starting in 1884, Grace Baptist Church facilities hosted the first night classes of what would eventually become Temple University.

Russell Conwell, 1882

Shortly after Conwell and his family arrived, he and the congregation determined to build a larger building, and in a leap of faith, bought the land at the corner of Berks and Broad sts in 1886. Faith was also required to raise the funds to build the Temple. Groundbreaking took place in 1889, the building, an example of the Victorian Romanesque-revival style, was designed by architect Thomas P. Lonsdale, and Grace Baptist Church dedicated the building for worship on March 1, 1891.

Baptist Temple, 1890s

With a seating capacity of 4600, it was at the time one of the largest Protestant church buildings in the United States. The Temple served as the congregation’s home for the next eight decades, until they sold the building to Temple University in 1974 for a little over a half-million dollars. It hosted worship services, baptisms, weddings, funerals, Sunday School classes, community meals and events. At the same time, Temple celebrated scores of commencement ceremonies there–and Russell Conwell’s life at legacy during his funeral in 1925. The Rev. Martin Luther King, Jr., spoke at the Temple in 1965 in support of the desegregation of Girard College.

The building was certified by the Philadelphia Historical Commission as an historic building in 1984, and in 2003 it was designated by the American Institute of Architects as a Landmark Building. The University renovated the Temple to become its performing arts center, opening in 2010. Restored by the architectural firm RMJM in Philadelphia, it includes Lew Klein Hall, the main-stage space, in what had been the church sanctuary, featuring a thrust stage with seating for about 2,000 on three sides. Most of the building’s 140 stained-glass windows can be seen from the theater.

Sixty congregation members and friends visited Temple campus on May 1, 2022, to tour the Temple, visit Rev. Conwell’s grave, attend a reception and self-guided tour in Charles Library, and view an extensive pop-up exhibit featuring primary source material from the University Archives documenting Conwell’s life and the congregation’s early history. A selection from the exhibit remains on display in the Special Collections Research Center reading room through May.

Grace Baptist Church members, May 2022 (May 2022 photographs courtesy of Heidi Roland Photography)

Margery Sly, Director, Special Collections Research Center