Beyond SFFs: A Series on Evaluating Teaching – Part II: Reflective Practice

Jeff Rients and Cliff Rouder

series title card

In Part I of this series, Stephanie Fiore outlined Brookfield’s four lenses of reflective practice: an autobiographical lens, our students’ lens, our colleagues’ lens, and the lens of theoretical literature. Today we’re going to look at the first lens, our own autobiographical understanding of what is happening in our courses. Reflecting on our own practices and the behaviors of our students is an important component of evaluating our teaching for four key reasons:

  • The single instructor model of the classroom sometimes makes teaching a lonely business. We only occasionally have a qualified professional in the room to give us feedback (more on that in the next installment). If we don’t take the time to seriously interrogate our daily practices, there’s simply no one else around to do the job.
  • A huge amount of the craft of teaching takes place inside your head! Instructors are constantly evaluating and adapting to the inherently fluid situation that arises when real people wrestle with complex topics. No one else can capture this valuable data, because only you know which thoughts drove your in-the-moment decisions. The only way to make sense of it all after the fact is through reflection.
  • Although our students’ opinions and insights are invaluable, if we uncritically accept their thoughts and suggestions then we run the risk of spending our teaching careers incoherently zigzagging from one extreme to another. That does neither us nor our next group of students any good.
  • We want our students to be reflective learners, so they can apply their learning in new ways and new situations. Well, we need to practice what we preach! If we are not reflective practitioners then our efforts to teach the principles of reflective learning will come off as inauthentic, because that’s what they will be.

But developing a reflective practice can be hard. For one thing, we might wince a little when we think back on mistakes we’ve made or times when our students just didn’t connect with what we were trying to teach them. For another, we’re all busy and it can seem like a luxury to take the time needed to stop what we’re doing, think about what’s working and what’s not, and revise our future actions. But the only way to understand ourselves and grow as instructors is to invest the time in ourselves that we need to turn our past misadventures into future successes.

The key to a solid reflective practice is to develop a specific regular discipline that works for you. Ideally, you would have a few minutes after every class session to reflect on the events of the immediate past, but a time set aside at the end of each day, or certain days of the week, or even one day a week can work. The longer between the end of the class session and your formal reflection time, the more important it becomes to scribble some notes to yourself during class, so you can remind yourself later what transpired. Additionally, you should consider making an appointment with yourself in your Outlook calendar or whatever scheduling tool you use. Not only will that serve as a reminder to do the reflection, but an appointment with yourself makes the task feel “more real” to a lot of us. If you find yourself regularly canceling or moving the appointment for other things, that may be a signal that you need to choose a different time.

Once you can sit down–preferably alone and in a relatively tranquil space–you will need a reflection method. Here are a few possibilities:

Mark Up Your Lesson

In this technique you add comments directly to your lesson plan and/or slide show. This can be helpful if you teach similar material from semester to semester, provided that you review each lesson well enough in advance that you can implement changes the following semester.

Journaling

We talked about this topic in another EDvice Exchange post. One major advantage of a journal, whether ink-and-paper or electronic, is that it collects all your thoughts together in one place for easy review.

Audio/Video Options

Talking out loud to yourself may sound weird, but it can help you process what is going on in your class. For audio only you can use a voice recorder app on your phone, or something like Audacity. For a video recording, a Zoom room of one and the record feature do the job nicely. Of course, if you’re feeling brave you could publish your ongoing reflections via YouTube or SoundCloud or TikTok! Not enough of us talk publicly about what is happening in our classrooms.

Two other things you’ll want to consider as part of your reflective practice: The first is talking to somebody. A regular debrief with a colleague (or a staff member at the CAT!) can help you put your thoughts into perspective. Even getting together once a month to talk about your teaching can help. The second is that at the end of each semester you should consider a reflection session where you go over everything that has happened in your course and try to synthesize what your big takeaways are. You may even find it useful to write a memo to yourself, with a page or two of ideas of how you want to do things differently next semester.

Whichever options you choose, make sure to go back and review your reflections when you receive your SFFs and when you sit down to revise your course. The former is important because you’ll be able to compare your own insights with those of your students, while the latter ensures that all your reflective work pays off in your future teaching.

In the next installment of this series, we’ll be looking at how our colleagues can assist us in evaluating our teaching.

Cliff Rouder and Jeff Rients both work at Temple’s Center for the Advancement of Teaching.

Beyond SFFs: A Series on Evaluating Teaching – Part I: Developing a Holistic Approach to Teaching Evaluation

Stephanie Laggini Fiore, Ph.D.

Evaluation without development is punitive, and development without evaluation is guesswork. (Theall, 2017)

Lee Shulman, past president of the Carnegie Foundation for the Advancement of Teaching and professor emeritus at Stanford University, recounts his surprise that his vision of faculty life as a combination of quiet, solitary scholarly activity and vibrant, collegial interactions with a community of teachers was backward. Says Shulman (1993), “We close the classroom door and experience pedagogical solitude, whereas in our life as scholars, we are members of active communities: communities of conversation, communities of evaluation, communities in which we gather with others in our invisible colleges to exchange our findings, our methods, and our excuses.” In fact, when I speak with faculty about the possibility of implementing new methods of teaching evaluation (such as peer review) that will break down that isolation and begin to develop synergies among faculty for development in teaching and learning, they may fall prey to imposter syndrome, claiming not to be expert enough to provide feedback to colleagues. At the same time, they reveal a sense of vulnerability at the idea of having others observe their teaching.  

But a remarkable thing happened during the shift to remote learning during COVID-19. Faculty began to emerge from their isolation, connect with each other to talk about teaching and brainstorm together solutions to teaching challenges. New Facebook pages dedicated to pedagogy sprang up (the Pandemic Pedagogy group has 31K followers), national disciplinary organizations put information on their websites and circulated it through listservs, department meetings were dedicated to teaching and learning, faculty spoke with students about what worked. In short, because we were pushed into the deep end without a lifejacket, we focused our attention on teaching. And we grew by learning from each other and from our students!

Evaluation of teaching has long been practiced as a mechanism for summative decisions regarding promotion or contract renewal, and faculty will complain (often rightfully so) that it can be either a checkbox exercise devoid of real meaning or based heavily on student feedback. Evaluation of teaching should be so much more! It should create the kind of community that the pandemic briefly afforded us, one in which we as professionals reflect on our own teaching, discuss our practices with colleagues, learn from each other, from our students, and from how well students meet our learning goals, and move towards continual, formative improvement. Stephen Brookfield (2005) suggests that we look at our teaching through four lenses: an autobiographical lens, our students’ lens, our colleagues’ lens, and the lens of theoretical literature. We might also think about how we assess whether our students are reaching the learning goals we’ve set out for them, and what changes we might make to try to improve their ability to succeed in our courses. As Berk (2018) points out, multiple sources can be both more accurate and more comprehensive in evaluating a professional activity as complex as teaching. These multiple sources can be deployed for summative purposes, of course, but more importantly, they can be useful as a holistic tool to help us continue our growth as educators, and our effectiveness in supporting student learning.

We already have a long history of employing the student lens through student feedback forms (SFFs) so this series will not separately discuss this method of evaluation. However, I will mention here how important it is to be mindful of best practices in using SFF data in order for it to provide helpful information towards improvement of teaching. The Temple University Assessment of Instruction Committee has just put out a very helpful guide to using SFF data, Recommendations for the Use of Student Feedback Form (SFF) Data at Temple University. This comprehensive guidance includes a good overview on the purpose of SFFs, what they are and are not, advice for instructors on how to use SFF data, and advice for evaluators on how to use SFFs responsibly and effectively for evaluation purposes. See also How to Read Those SFFs and Flip the Switch: Making the Most of Student Feedback Forms for guidance on the best ways for faculty to use student feedback to improve teachingAnd, of course, you can make an appointment with a faculty developer at the CAT to discuss your SFFs.

Remember also that SFFs are not the only way to receive student feedback. I strongly recommend gathering mid-semester feedback as a check-in with your students while there is still time to make changes in the semester. It has the added bonus of having students reflect on their learning and consider changes they may want to make in order to achieve better results. You can also ask the CAT to perform a mid-semester small (or large) group instructional diagnosis

This blog series will continue throughout the fall semester with an exploration into the other teaching evaluation methods that can be used to both assess teaching practices and grow teaching excellence. Stay tuned for the following upcoming topics:

Part II: Reflective Practice

Part III: Peer Review of Teaching

Part IV: Assessment of Learning Outcomes

Part V:  Literature on Teaching and Learning

At the end of this series, my sincerest wish for you is that you find new ways to think about your teaching practices, that you engage with your colleagues (and with the CAT!) in productive and enlightening conversations about teaching, that you find a favorite resource on teaching, and that you connect with your students in ways that help them to learn deeply.

Stephanie Fiore serves as Assistant Vice Provost of Temple’s Center for the Advancement of Teaching. 

Houston, We Have Liftoff! Successfully Implementing Your Course Design

Cliff Rouder

Congratulations! You’ve put in the time and hard work to think meaningfully about course design for significant learning. You’ve considered your course’s unique situational factors and then developed meaningful learning goals, authentic assessments that measure students’ achievement of those goals, and learning activities that enable them to get practice and feedback to prepare them for your assessments. Everything is in perfect alignment. You’re totally psyched to begin the semester now that you’re armed with, if you do say so yourself, a course designed to help learning take off. Nothing much left to do except hit autopilot and watch the magic unfold. Well…not so fast.

In this last blog post of the Course Design Summer Series, we now look at how to implement the design for maximum impact. To keep your course humming smoothly, here are four key ways to successfully implement your course design.

1. COMMUNICATE, COMMUNICATE, COMMUNICATE. 

We want students to be excited about the course, realize its value, and feel like they can meet your high expectations. One way we can do this is by making transparent why you’ve selected the learning activities and assessments, and how both align to the learning goals.

Communication is key. When and how should we do this? Early and often is the mantra, and here are some ways to do it:

  • Send a pre-semester welcome email or video. Start piquing students’ interest by telling them why you’re passionate about the course, your hopes and goals for them, and how you’ll support their learning.
  • Include messaging throughout the syllabus. Take that (usually) boring course description that is required on the syllabus and give it a face-lift. Whet your students’ appetite by telling them what big and meaningful questions this course will answer, what important ideas or issues they’ll grapple with, and what valuable skills they’ll be equipped with for future courses (and for life)! Explain their role as active learners in the course and why that’s of value. Be transparent with your high expectations as well as the things you will do to support their learning. 
  • Include messaging throughout the semester. At every class period, you can articulate the value of what they’re learning and the purpose of the activities they’re doing in and out of class to aid their learning. Better yet, ask them to articulate the value! Same goes for why you’ve chosen the types of assessments you’re giving them. Keep connecting the activities and assessments to the course goals so students can see the big picture.

2. KEEP A LOG.

Take a moment right after class (or as soon as possible) to reflect on how the day’s activity or assessment went. “Was it a hero or a zero?” as Laurie Grenier from the TV show Shark Tank asks. If it was a zero, don’t let that dissuade you from trying again next semester. See if you can determine what went awry and find ways to tweak it. Were students adequately prepared for the activity? Were the directions and prompts clear and did they hit that sweet spot of being challenging without being too far above your students ability? Was there a tech fail? If you do notice something not working in the moment and aren’t sure why, remember that you could always ask your students.  

3. SOLICIT COURSE FEEDBACK. 

After students get their grades on the first major assessment, think about getting formative course feedback from them. What elements of the course are working or not working for them? What can you be doing differently to help support their learning? What could they be doing differently to support their learning? Be sure to address the feedback in your next class session. Tell them what you’re going to keep doing and what you’re going to change (and why!) and be sure to follow through. If you’d prefer to call in an educational developer from the CAT, we can do a mid-semester instructional diagnosis. We would meet with your class without you present to get consensus feedback and then prepare a report to review with you and discuss strategies for implementing any changes you’d like to make to the course.

4. TAKE A TRIP DOWN MEMORY LANE. 

At semester’s end, incorporate an activity that asks students to review their body of work and let them self-assess whether they believe they’ve met the course goals (and why or why not). You could also ask them to write a letter to future students about the design of the course and what advice they might have for maximizing their success in the course.

* * *
So, take pride in the work you’ve done to design (or redesign) your course, make the design elements transparent for your students from the start, be open to self-reflection and student feedback on the design, and have the best fall semester ever! And remember that you are not alone. As always, the CAT is here to help you design and implement your course via 1-1 consultations, teaching observations, and mid-semester instructional diagnoses.

Cliff Rouder, Ed.D., is Pedagogy and Design Specialist at Temple’s Center for the Advancement of Teaching.

The Heart of the Course: Learning Activities!

Jeff Rients

Along with a set of significant learning goals for your students to achieve and an array of assessments that allow you (and they!) to know they’ve met them, you also need to develop what the students actually are going to do in your course. These learning activities include anything that prepares the students to succeed at the assessments and gain the practice (and feedback) needed to achieve the learning goals.

We often think about learning activities in terms of  ‘delivering content’, e.g. lectures, readings, videos, etc. But instead of thinking about these items as the things we the teachers deliver to students, it helps to flip the script and start thinking about what students will do in the course to learn more deeply.  This shift in thinking about learning matters–because once you take the emphasis off of you delivering the content and put it on them interacting with it, you are then in a position to ask yourself this key question: what else can the students do (besides consume more content) in order to achieve the goals of the course?

That’s where active learning techniques often come into play. These techniques give students an opportunity to engage with course material directly and authentically while affording them a chance to practice the skills they will need to succeed at your assessments. Some courses come with readymade activities that you may already be using, such as students working on problem sets in a math course, group critiques in an art course, or role-played client interactions in a therapy course. However, a wide variety of active learning techniques exist that will work in nearly any classroom. These techniques are designed to go beyond the flawed idea that students will simply absorb the content like sponges (which we humans aren’t really that good at, cognitively). Rather they put students into the position of interacting with the content, and each other, in order to gain a deeper understanding of course concepts and content.

Here’s a simple active learning technique that we love at the Center for the Advancement of Teaching:

Think-Pair-Share

  • Students are given a prompt (a question or problem) relevant to the learning goal and course for the day. Students silently think (and perhaps write) individual responses to the prompt for a minute or two. Then the students pair up for five or ten minutes to compare their responses. Finally, the instructor facilitates a whole class discussion as pairs share their results, such as any insights they discovered or areas where they got stuck. This last phase typically takes between ten and twenty minutes.

Among other things, the Think-Pair-Share helps make space for students who would otherwise be reluctant to speak up in class. The period of individual reflections followed by the comparative discussion with a peer gives them the opportunity to test their own understanding and hone their ideas with peers, helping the students to feel more confident in sharing their own thoughts to the whole class. It also gives students a chance to help them solidify their own understanding by requiring them to articulate it to a classmate.

Many, many other techniques exist for students to wrangle with content in your class. You can get started with this CAT handout, but you might also want to check out Elizabeth F. Barkley’s Student Engagement Techniques (Jossey-Bass 2010) and Discussion as a Way of Teaching by Brookfield and Preskill (Jossey-Bass 2005). Both books cover a variety of classroom learning activities (and we have them available for Temple faculty to borrow at the CAT).

As you plan your learning activities–whether they be classroom activities, homework, readings or whatever else the students need to succeed–it can be useful to plot out the activities using a three-column table, and how they align with the learning goals and assessments. Below is a sample excerpted from a literature class course design, with the readings omitted from the Activities column for brevity.

Learning GoalAssessment(s)Activities
Demonstrate the ability to build an evidence-based argument about a text (Application Goal)Textual annotation, using comments feature on Google DocsTraditional literary explication paperSocial annotation using PerusallReverse engineering a reading: find the evidence cited in the original context, look for contradictory evidence.
Relate a work of literature to the context of its composition (Integration Goal)Knowledge Grid (Barkley & Major, Learning Assessment Techniques, 208-13)Chalk Talk activity (Brookfield, The Skillful Teacher, 94-5)
Value themselves as participants in the joint adventure of world literature. (Caring Goal)Student-created zineWrite Literary Autobiographies (as per “Autobiographical Reflections” in Barkley, Student Engagement Techniques, 301-4)

With all of the elements of a sound course redesign – goals, assessments, and learning activities – thus aligned, your course will make sense to your students in a new way. As a result, they’ll be far less likely to assume that any task you ask them to perform is mere busy work. Instead, your students will be able to see that you want them to achieve great things and you are providing the practice and support they need to achieve them.

Don’t miss our last installment in the Summer Course Design Series: Pulling It All Together!

Jeff Rients is an Assistant Director at Temple’s Center for the Advancement of Teaching.

Looking for Evidence in all the Right Places: Aligning Assessments with Goals

Dana Dawson

You’ve written the learning goals for your course and are now ready to design learning assessments that align with your course goals, offer opportunities for formative feedback and are educative. Well-designed learning assessments will:

  • Provide evidence that students have met your learning goals;
  • Support students in progressing toward accomplishing your learning goals;
  • Allow students to assess their learning process and progress; and
  • Help you discern whether your learning materials and activities are effective.

Learning assessments are often described as formative or summative. Formative assessments are designed to give students feedback they can use for future work and are most commonly low stakes and assigned early and often in a unit or course. Summative assessments provide a snapshot of a student’s learning at a point in time (at the end of a unit or course, for example). Another way to frame this is using Dee Fink’s description of Auditive versus Educative Assessments. Auditive assessments are backward looking and are used to determine whether students “got it.” Educative assessments have clear criteria and standards (through the use of rubrics, for example), help us ascertain whether students are ready for a future activity, and provide opportunities for high quality feedback from the instructor and self-assessment on behalf of the student.

Here are some things to keep in mind as you design your assessments.

Start with your goals

You have determined what you want students to be able to do or to know by the end of your course and articulated those ambitions as learning goals. Now you must determine the activity or product that would provide the best evidence as to whether your students have reached a particular goal? What can your students do or create to demonstrate they have gained facility with the content or skills the course promises to deliver?

The previous post in this series outlined the six categories of goals that constitute Fink’s Taxonomy of Significant Learning (see the table below). The type of assessment you select will depend on the nature of the learning goal it is designed to address. For example, while a multiple choice quiz may be a good option for assessing foundational knowledge, it may not be a good fit for integration or caring goals. Here are some suggestions for types of assessments or assessment strategies that align with the dimensions of Fink’s Taxonomy of Learning. Note that many of the suggestions listed below will address more than one dimension. For example, a carefully constructed research poster assignment might assess how students define key concepts or methods (foundational knowledge), use communication skills (application), articulate the significance of the project (caring), consider their audience in designing the poster (human dimension) and pull together research skills taught and practiced throughout the semester into a coherent whole (integration).

Elements of Fink’s Taxonomy of Significant LearningExamples of Assessments
Foundational Knowledge
What key information is important for students to understand in this course or in the future?
Multiple choice quiz, guided notes, classroom polling, quotation summaries
ApplicationWhat kinds of thinking are important for students to learn? What important skills do they need to gain?Briefing paperdyadic essaylab reportannotated bibliographyproblem-based learning
IntegrationWhat connections (similarities and interactions) should students recognize and make in this course and with other courses or areas of learning? Or within their own personal lives?Reading prompts, learning portfoliocase studyresearch poster
Human DimensionWhat could or should students learn about themselves and others?Asset-mapping, role playtest-taking teamsstudent peer reviewdyadic interviews
CaringWhat changes/values/passions do you hope your students will adopt?Positive projects, contemporary issues journal“what, so what, now what” journal, class participation, critiquesWikipedia assignment
Learning How to LearnWhat would you like for your students to learn about how to be a good student, learn in this subject, and become self-directed learners, and develop skills for lifelong learning?Ask students to prioritize areas of feedback, advance organizers, self-reflection assignmentstwo-stage exams

Use this worksheet to reflect on assessments that align with your goals and whether your goals and assessments address all six elements of the Taxonomy of Significant Learning.

Don’t forget those situational factors

Assessments designed for first-semester undergraduates ought to differ from those assigned to graduate students. When designing your assessments, you will need to put on your own Human Dimension hat and transport yourself back into the shoes of a learner taking their first lab, completing their BFA exit portfolio, doing rotations, and so forth. You may need to design assessments that also align with department, program or accreditor goals and assessment efforts. Factors such as the number of students in your section and instructional modality will influence assessment decisions.

Use assessment to support student learning

If assessments are infrequent or completed only at the end of a unit or course, they will not give students an opportunity to practice prior to summative assessments or to use your feedback. Remember that learning assessments do not have to be graded. There may be times that the primary purpose of an assessment activity is to help students gauge their own understanding or for you to get a big-picture sense of whether students are following you. In-class or low stakes Learning Assessment Techniques can be used throughout the semester to give students immediate feedback. Consider whether there are opportunities to build revision into your assignment design.

Assessments give you information – use it!

A classroom polling activity may tell you that your lecture on a topic didn’t land with a significant number of your students and that you need to spend a bit more time on it in the next session. A series of ineffectual peer reviews or critiques may tell you that you need to provide more guidance on how to conduct peer reviews or critiques. Learning assessments provide feedback on our students’ progress and on our own work as educators. Take time to reflect on what assessment results tell you not only about your students’ learning but also about your instructional strategies.

When aligned to your learning goals and designed to accommodate situational factors, address the six elements of Fink’s Taxonomy and guide future effort, your assessments will be an essential component of successful course delivery.

For support in designing learning assessments, don’t hesitate to book a consultation with a CAT specialist.

Dana Dawson is Associate Director of Temple’s Center for the Advancement of Teaching.

Learning Goals: Dream Big!

Linda Hasunuma, Ph.D.

Take a close look at your syllabus. What do your learning goals (if you have them) say about what students are going to learn and achieve in your course? Often, our goals or course descriptions focus entirely on foundational knowledge and some application of that knowledge, but what about learning goals that go beyond facts, concepts, formulas, and theories? In this blog post, the third in our summer series on course design, we focus on how we can articulate learning goals that integrate our highest aspirations for learning and what Dee Fink calls our Big Dream for our students. What do we want students to take away, do, and remember years later from their time with us? Fink reminds us in his guide to creating courses for significant learning that we should lead our course design not with the content we will cover but instead with the goals we are hoping our students will reach.

So, what is your Big Dream and how can you craft that into a learning goal? Fink created a taxonomy to help you do just that. Fink’s Taxonomy of Significant Learning encourages instructors to think broadly about their goals for their students. A course goal might be focused on basic information you need students to know or on applying that foundational knowledge (the right side of the taxonomy), but goals focused on learning about oneself or others, or learning how to learn are equally important (the left side of the taxonomy). See below and think about where your current course learning goals are versus where you could go if you dared to dream big and include more of what is on the left side of his taxonomy. Most of us build goals in the foundational knowledge and application areas, but what can we do to include integration, the human dimensions, and caring into the learning experiences we create for our students?

By articulating goals that include more pieces of this pie, we can challenge ourselves to develop new and creative activities, assignments, and assessments that help our students make connections to one another and to the world. We can make our course content more meaningful to our students and their lives and can intentionally and thoughtfully build transformative and significant learning experiences.

The following questions can also help you brainstorm and draft learning goals so that we can aim to have students try to reach more of the goals on the left side of the pie:

  • Big Dream: A year or more after this course is over, what do you want and hope your students will do?
  • Foundational Knowledge: What key information (facts, formula, terms, concepts, relationships, etc.) is/are important for students to understand in this course or in the future?
  • Application Goals: What kinds of thinking are important for students to learn (critical thinking, in which students analyze and evaluate; creative thinking, in which students imagine and create; and practical thinking, in which students solve problems and make decisions)? What important skills do they need to gain?
  • Integration Goals: What connections (similarities and interactions) should students recognize and make in this course and with other courses or areas of learning? Or within their own personal lives?
  • Human Dimension Goals: What could or should students learn about themselves and others?
  • Caring Goals: What changes/values/passions do you hope your students will adopt?
  • Learn how to learn goals: What would you like for your students to learn about how to be a good student, learn in this subject, and become self-directed learners, and develop skills for lifelong learning?

As we expand our understanding of learning goals to make them more ambitious and think about what we want students to actually DO, the verbs we choose to write the goals make all the difference in helping to create an authentic, transformative and significant learning experience. At the CAT, we suggest using Noyd’s 2008 table of verbs based on Fink’s Taxonomy as you think about developing, revising, or refining your own learning goals for your classes and students.

After brainstorming some draft goals, you may want to review them with a colleague to make sure they are effective and clear. Are your draft goals too narrow? Are they written in language your students will understand? Do they motivate and challenge your students? Which areas of the pie are represented in that learning goal? We don’t just teach content; we teach human beings. Though we may not have been encouraged to include the human and caring dimensions in our syllabi and courses during our own education and training, this framework and taxonomy remind us to keep the bigger picture in mind and to be bold in  articulating our dreams for our students. Those dreams and hopes can be part of your learning goals!

Now that we have provided a framework for thinking about and designing your course and learning goals, we turn to assessments for the next post in this series. Working backwards from that Big Dream and our more ambitious learning goals, how can you evaluate learning and progress toward those goals?

References:

  • Fink, Dee L. Creating Significant Learning Experiences: An Integrated Approach to Designing College Courses. San Francisco, Jossey-Bass, 2013 (pp.83-84).
  • Noyd, Robert K. and the Staff of the Center for Educational Excellence, (white paper 08-01), Primer on Writing Effective Learning-Centered Course Goals, 2008. Colorado Springs, CO. US Air Force Academy.

Linda Hasunuma serves as an Assistant Director at Temple’s Center for the Advancement of Teaching.

Context Matters: Considering Situational Factors in Course Design

H. Naomie Nyanungo

Imagine trying to plan a trip with limited knowledge of your destination. Maybe you know dates of your departure and return and that you will have some travel companions but not much else. You don’t know the weather at your destination, or even how you will get there? You don’t know how many travel companions you will have or anything about them. If you are like me, who likes to feel prepared before embarking on any adventure, this sounds like a nightmare situation. I hope you can see where I am going with this – it is hard to plan for something without considering the context. This is true for planning a trip as it is for designing a course.

The courses we design and teach take place in specific contexts, they do not happen in a vacuum. The situational factors in our context should inform the decisions we make about our learning goals, activities, assessments and feedback strategies. For example, the types of teaching and learning activities that I use in an asynchronous online course will be different from those in an in-person course. A well-designed course is one that takes into consideration relevant contextual factors. When we fail to consider the situational factors in the process of designing courses, we run the risk of setting unrealistic expectations of student performance and alienating our students. It could also result in poor alignment with standards set by departments, programs or accrediting agencies. Ultimately, it leads to frustration for both instructors and students.

Consideration of situational factors is the first step of Dee Fink’s Integrated Course Design Model. The model identifies five categories of contextual factors listed below (with examples of questions for each category):

  • Specific context factors: E.g. what classroom will be used for the course, how many students, how often will the class meet, how instruction will be delivered?
  • Expectations of others: E.g. what are the expectations placed on this course by the university, department, accreditation agencies, and the students?
  • Nature of the subject: E.g. is the subject primarily theoretical, practical, applied, or some combination?
  • Characteristics of the students: E.g. what are the characteristics of students who take this class? Are they working professionals? Are they majors in this field?
  • Characteristics of the teacher: E.g. what are the factors about your approach to teaching that are relevant to this course? What is your level of knowledge or familiarity with the subject? What is your level of comfort teaching in the specific modality?

It is important to note that not all of these factors are relevant to all teaching situations. You will need to determine which of these are relevant for you. As teachers we usually don’t determine which students will enroll in our class, the classrooms we will teach in, or the expectations of accrediting agencies. The challenge for us is to design good courses knowing the parameters beyond our control in the teaching context.

We encourage you to think about issues of equity and inclusion when assessing the situational factors of your course. In Inclusion by Design: Tool Helps Faculty Examine Their Teaching PracticesMoore and his colleagues share some helpful questions to guide our thinking about equity and inclusion in situational factors.

With some knowledge of the contextual factors in our teaching situation, we can be more confident about the decisions we will make when designing our courses, starting with the next step in this process – Setting Learning Goals.

H. Naomie Nyanungo is Director of Educational Technology at Temple’s Center for the Advancement of Teaching.

Design Your Course for Significant Learning! A Step-By-Step Guide

Stephanie Fiore

The first time I taught, I was a first-year graduate student assigned to teach a section of an upper-level multi-section Italian Cinema course. I had never taught before, and certainly didn’t feel that I possessed the expertise to teach upperclassmen about the subject. The faculty fed me notes from their lectures and handed me the syllabus I would need to follow. It was the usual syllabus with a list of policies, a schedule of topics—i.e. the list of films that we would discuss—and the dates of two midterms and the final exam. There was no explanation about why the course was structured in this particular way (except that it was chronologically organized by date of film) nor was there any instruction on how to teach it effectively. I muddled through as so many do when we begin teaching in higher ed, but I must admit that I had little idea what the overarching goals of the course were and what I was hoping my students would achieve by the end of it. I knew only that I needed to do a lot of research on each film and then ask interesting questions to get a discussion going, focusing on some of the salient points from my research. 

My experience is not unusual. The truth is that very few of us are provided guidance in graduate school about designing courses that will lead our students to what L. Dee Fink calls “significant learning.” As Fink explains it, “for learning to occur, there has to be some kind of change in the learner. No change, no learning. And significant learning requires that there be some kind of lasting change that is important in terms of the learner’s life” (Fink, 2013). But how to achieve that significant learning? This summer’s EdVice Exchange Course Design Blog Series offers a step by step guide to Fink’s Integrated Course Design model in order to lead you and your students towards that significant learning experience we all wish for. 

In Fink’s model, we begin by considering the situational factors that define the learning environment in which we are teaching. Then we start designing our course, starting with learning goals. This is a meaningful change from the content-first way we often plan our courses (What content do we have to cover? What order is the textbook in?), shifting our focus instead towards the learning goals we hope our students will achieve. We then identify assessments that provide evidence students have reached the learning goals, and activities that provide the practice students need to achieve mastery. This is not a linear process but instead an integrated one in which goals, assessments and activities work together to provide the significant learning we seek. We will discuss each of these elements of course design in greater depth as we move through the series, providing time between each piece for you to apply what you are learning to your course(s)

EdVice Exchange Course Design Series:

Part 2: Considering Situational Factors  

Part 3: Articulating Meaningful Goals

Part 4: Aligning Assessments with Goals

Part 5: Developing Teaching Activities

Part 6: Implementing Your Course Design  

This year, I taught a similar course to the one taught years ago. Using Fink’s model, I designed the course by focusing on the goals I wanted my students to achieve. Of course, I wanted them to develop an appreciation for Italian culture and film. But I also wanted them to develop analytical skills for critically discussing and writing about film. I wanted them to explore the complex interactions between film and its historical, cultural, and political context. I also wanted them to learn how to build new knowledge through productive and collaborative discussions. By clarifying for myself exactly what the learning goals were for the course, I was able to design learning activities that would get them there and assessments that would provide evidence that they had indeed achieved those goals. Student self-assessments at the end of the semester reflected their own awareness of having experienced significant learning. They spoke about formulating new ways of thinking that challenged their previous perspectives, looking at stories as an expression of culture, and learning to critically analyze film through an understanding of historical, cultural, and political factors. One commented, “discussions allowed us to practice analyzing these films, and hearing what other people noticed broadened our perspectives of not only the film itself, but the director, their choices, and the process of filmmaking.” The important thing to notice here is that designing our courses for significant learning means both we and our students understand where the learning journey is taking us and how it will fundamentally change us along the way. That is a powerful outcome for any one of us!


Interested in reading more about designing courses for significant learning? See L. Dee Fink’s Self-Directed Guide to Significant Learning.

Stephanie Fiore, Ph.D., is Assistant Vice Provost at Temple’s Center for the Advancement of Teaching.

To Do Next Year: Build a Teaching Community

Stephanie Fiore

When I speak with faculty about the importance of creating community around teaching, I often reference a wonderful essay by Lee Shulman, professor emeritus at Stanford University and past president of the Carnegie Foundation for the Advancement of Teaching. In the essay, Shulman talks about his belief as a junior faculty member that he would conduct research in solitude, but enjoy a vibrant community in his teaching life. He quickly realized his mistake: “What I didn’t understand as a new Phd was that I had it backwards! We experience isolation not in the stacks but in the classroom. We close the classroom door and experience pedagogical solitude, whereas in our life as scholars, we are members of active communities: communities of conversation, communities of evaluation, communities in which we gather with others in our invisible colleges to exchange our findings, our methods, and our excuses.” In fact, we often teach our classes without any collegial input, feedback, or intervention. When a class doesn’t go well, we may complain about it to a trusted colleague at the proverbial water cooler, but we don’t evaluate our beliefs about teaching or the teaching methods we use in any real way. Even peer review of teaching is often a checkbox exercise devoid of meaningful feedback or plans for improvement, especially when done as a required element of promotion or contract renewal.

Perhaps we like it this way. It’s uncomfortable to receive feedback that might require us to consider alternative ways of teaching, or realize that what we have been doing for years needs to be refreshed. And, by the way, it’s not super comfortable to give feedback to colleagues either. The upshot is that we may struggle alone with lessons or whole semesters that don’t go as planned, with students that we are having trouble inspiring, or with SFFs that are less than stellar. It can be a lonely place.

One of the most positive developments that came out of the pandemic was a renewed surge of professional development in which faculty were able to examine their own practices and, together with colleagues, imagine new strategies for teaching. Faculty in our workshops engaged with each other, hungry to get information and learn new methods for reaching their students in this new, unfamiliar online world. While discussing any number of teaching questions in breakout room activities, faculty got involved in such deep conversations and engaged in such generative support of each other that they didn’t want to come back when we closed the breakout rooms. We joked that Zoom should create a “reject” button so faculty could refuse to return if they didn’t want to leave those rich conversations behind. For some faculty, this was the first time they had had an opportunity to really think about their teaching with colleagues, other professionals who also wanted to discuss teaching. As one participant wrote in our post-workshop survey, it “blew my mind.” In fact, we often hear that participants found some of the most meaningful aspects of our workshops to be hearing from other faculty about their own experiences, and discussing specific examples related to the teaching question at hand.

As we’ve begun slowly to return to in-person teaching and a more normalized routine, it is so easy to fall back again into pre-pandemic isolation. But it doesn’t have to be that way. Just as Lee Shulman calls us to make teaching “community property,” I urge you to put on your fall to-do list the establishment of intentional ways to continue to connect with colleagues in order to discuss teaching, unravel sticky problems, and celebrate the triumphs along the way. That might mean setting aside a “talking about teaching” hour every month over coffee with a trusted colleague, carving out a piece of your departmental meetings to share interesting teaching ideas or to ask for feedback on an innovation you are planning to implement. It can also mean creating a constellation of like-minded colleagues that can act as a cohort of support for each other or organizing a structured peer review of teaching protocol to ensure you get periodic feedback on direct observation of your teaching. It can also mean attending CAT workshops and events where you’ll have the opportunity to engage with an interdisciplinary group of faculty to delve into pedagogical explorations that will enrich your teaching.

Community is way better than isolation. So put on your to-do list for fall that you will take a first step towards finding a community of teachers committed to teaching excellence. And remember, as always, that the CAT is part of that community.

Stephanie Fiore is Assistant Vice Provost at Temple’s Center for the Advancement of Teaching.

Jumpstart Student Engagement and Curiosity with ABC

Meg Van Baalen-Wood

Early in my first semester of grad school, a mentor introduced what was then a counterintuitive teaching strategy: Activity Before Content, or ABC. The strategy is simple: have students explore concepts and ideas before presenting them with new content. For example, before introducing a new concept, ask students to define it, drawing from their experiences and expectations: What do they think it means? What does it remind them of? How have they encountered it in previous situations?

ABC can be used with equal impact in both face-to-face and virtual learning environments.

Why use ABC?

ABC has many advantages. Among them, it

  • Engages students in active learning 
  • Enables students to retrieve existing information and make predictions about new information
  • Provides opportunities for students to review what they know, or think they know, before piling on new information 
  • Creates a preliminary foundation for new content
  • Encourages students to share both knowledge and questions with their peers
  • Fosters a classroom community that values socially constructed knowledge
  • Positions you as a collaborator and member of the classroom community, rather than a sage on the stage 

How does it work?

Many familiar teaching strategies lend themselves to ABC, for example, 

  • Write or project a question on the board for students to answer before class begins. Using a polling application (e.g., PollEverywhere), share responses as they accrue in real-time or immediately after everyone has responded, so students can see what their classmates are thinking. As a class, discuss the responses; be sure to explore any misconceptions/outliers as well as correct responses.
  • Start class with a one- or two-minute freewrite. Discuss students’ responses as a class or in small groups before sharing them out with the entire class. In online classes, leverage asynchronous discussion threads for these small group explorations.
  • Create a low-stakes quiz that students complete in small groups at the beginning of class. Provide a few minutes at the end of class for groups to revisit/revise their answers after you’ve presented and discussed the content.

Once you get started, you’ll think of many more ways to pique your students’ curiosity, engage them in active learning, and create a vibrant classroom community with ABC. 

Meg Van Baalen-Wood is from the Elbogen Center for Teaching and Learning at the University of Wyoming.

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