Author: Hilary Lowe

John Henry and The Walking Dead – by Alexander Matthew Cabrey

I’m a fan of the show and graphic novel The Walking Dead, and there is a walking-dead-comic-con-2013-banner-tyreese-hammercharacter who appears in the both who harkens back to some ideas of John Henry. The character is Tyreese, a burly African American man who brandishes his weapon of choice: the hammer.

His character in the comic and show are somewhat different but have very similar characteristics. He is a strong and reliable in moments of danger. I’ve inclhan image of Tyreese from the show (played by Chad Coleman, who I think looks a bit like a John Henry figure).

I’ve also included an image of the Tyreese character portrayed in the comic, who I find to be very similar to some of the John Henry images we viewed in class. I would compare him to some of the images created by the Gellert brothers during the 1930s for posters.

Within both forms of The Walking Dead (TWD), Walking_Dead_Tyreese_SpecialTyreese has a moment where the audience/readers expect him to perish. John Henry’s death at the end of his legend is unexpected.  In TWD the audience is led to believe Tyreese has died while saving the rest of the group.  But eventually we learn of his survival.  Looking at Tyreese, I find he has some connections to John Henry and the legend then I had noticed before.

Shifting gears to the Nelson piece, I think they connect well to Tyreese’s image. Nelson points out how the John Henry image is used, almost repurposed, to fit a group’s agenda or position. American Communist Party used him as a way to bring in African American members into the Party in the 1930s.  And since then  his image has changed more and more.  Nelson even attempts to make a connection to some of the original superheroes.

I feel the John Henry image and idea has created a basis for many African American protagonists that you might find in any media. The John Henry image is a strong, hard-working individual who may not choose to be in his current situation but proves his effort by persevering through impossible odds—only to die later. Perhaps we’ll find that Tyreese fits the John Henry story even more closely once we learn his fate.

John Henry Irons and the LA Riots – by Alison M. McCarron

John Henry Irons is the full name of the DC Comics superhero Steel. In this illustration, Steel is depicted in his iron suit of armor carrying the iconic sledgehammer. On his right arm is a weapon that shoots out large metal spikes, similar to the ones John Henry laid as railroad tracks. Just as in the Benton illustration found in Scott Nelson’s book, Steel is depicted as larger-than-life, with exaggerated musculature that still fits proportionally with the rest of his body. The red cape is reminiscent of Superman and Captain America, the first superheroes designed overtly with the John Henry in mind.

steelIn searching for my image, I learned a bit about the character of John Henry Irons from the DC Comics. In the DC Comics world, there are many multiverses in which the characters exist. In the universe I have researched, Steel replaces Superman upon his death. Steel has no true superhuman skills, like the ability to fly or regenerate after being injured; he is simply an extremely large, strong, man with amazing athletic ability, much like the man upon which he is based. Steel is a skilled craftsman, and he crafted his steel uniform and weaponry himself. According to his backstory, his great-grandfather had worked with the original steel-driving John Henry, and he was likely named after the hero.[1]  While the superhero is not outright political, his backstory does liken him to Henry.  Irons was raised by his grandparents, two prominent members of the Civil Rights Movement in the 1950s and 60s. This speaks to the how the image of John Henry was used by union organizers and the Black Power movement as a tool to illustrate problems in the South during this period and with race relations throughout the country.

However, DC Comics includes women in their version of John Henry legend, while Nelson explains the difficulties the Communist Party had in including women in their work, and points out that the Party seemed to devalue the contributions of women to the worker’s movement (Nelson 159). However, within the story of Steel, women are an important part of the story. Irons’ niece, Natasha, is prominently featured in the plot, as an intelligent student who worked at one point for a U.S. Senator. The role of Steel is even passed on to Natasha when he becomes injured.

During WWII, John Henry was used as an American icon to combat the racialization of America and find “a common nationalism that transcended race,” distancing the country from German Nazis and the Japanese (Nelson 163). Interestingly, the character of John Henry Steel was introduced in The Adventures of Superman #500 in June 1993. This was similarly a time of extreme racial tension in the United States. The Los Angeles Riots following the Rodney King verdict occurred in late April and early May of 1992, and the federal grand jury trial of the officers ended in April of 1993. Perhaps the introduction of this ingenious, powerful, black superhero, was an attempt by artists and writers to do, in the name of nationalism, as the generation before them did, to quell or simply obscure racial unrest.

[1] Andrivet, Sébastien Alexandre. “Steel – Man of Steel – DC Comics – John Henry Irons.” Write Ups. Ed. Joshua D. Marqua. N.p., n.d. Web. 22 Jan. 2015. <http://www.writeups.org/fiche.php?id=4489#>.

A Darker John Henry – by Alisha Evelissa Rivera

The John Henry I found appears in issues 3 and 4 of “DC: The New Frontier” John_Henry_New_Frontiercreated by Darwyn Cooke. When I first looked at the picture, I noticed that like the other forms of art observed in the Nelson readings, the John Henry depicted in this picture carries with him the strength and hammer that is synonymous with in his name and story. Also, like many superheroes drawn for comic books, John Henry is imaged as “a balloon-muscled strongman” to emphasis his power and strength (Nelson 161).

However, unlike the many other recreations of John Henry, Cook’s Henry is created to look like a menacing character. The combination of the black mask on his head, with a rope around his neck, and the lyrics to those specific lyrics to his ballad, is unsettling. This picture looks like the opposite of the Communist/Black Power/American hero that Nelson talks about in his book. In fact, he looks like the villain of this piece. In order to understand this intensity, the picture forced me to read more on the comic book character version of John Henry.

I found out that in “The New Frontier” he isn’t introduced as John Henry at first. Actually, his name was initially John Wilson. In this version of the John Henry tale, John Wilson is a respectable man and a veteran of the Korean War. After returning home, he became a steel worker. Things changed when the Ku Klux Klan murdered his entire family while also lynching him.

Having survived his lynching, John Wilson avenges his family by using his signature hammer and by changing his name to John Henry. The only words that fill the page of the comic come from the song, and provide the background while he terrorizes the Klan.  He does this for three months before falling over and dying himself. There are two ways of reading this: either John Wilson is the reimagining of the John Henry story or John Wilson, having been presumably brought up on the John Henry story took up his identity, much like V took Guy Fawkes’s identity in V for Vendetta. I believe that legend of John Henry exists and is known within the DC Universe, and so the legend that a man strong enough to drill further and faster than a steam drill would be known. Much like the Communist Party used Henry as the poster child for hard work of a human verses the work done by machine (Nelson 152), Wilson is using the “strong, determined” version of Henry to strike fear into Klan.

Whichever way you view it, this John Henry leans closer towards the image of John Henry that was used to entice a “new kind of multiracial America” (Nelson 164).  By snuffing out the Klan with his hammer, he is simultaneously striking down the injustices created by racism.

Welcome to American Icons

Welcome to American Icons.  In this class, we’ll be writing every week about the icons we examine.  Here, I will share the best blog entries from class, the articles, and web mentions of these icons that we come across, and we’ll start a discussion about the work and meaning of Icons in the United States and beyond.