Month: April 2015

River Roads: “Proud Mary” by Kelsey Miranda

Creedence Clearwater Revival-

https://youtu.be/5hid10EgMXE

Tina Turner-

https://youtu.be/EmH4YlNdWAg

In our readings for this week the road symbolized many ideas, primarily the freedom to go anywhere if you have a car and some gas money. It also could symbolize an idea of escapism from responsibility, which can be found in movies that revolve around roads trips and driving across the country.  But before there were roads, there were riverboats and railroads that were used for transportation.  The song “Proud Mary” has a nostalgic awareness within the song that brings the idea of the riverboat as the way to find happiness and freedom. The beginning of the song starts “Left a good job in the city, working for the Man every night and day, But I never lost a minute of sleeping, Worrying about the way things might have been.” This part of the song describes the desire of the rider of the Proud Mary to escape their life from the city.  Despite losing money from leaving their job, the song explains that the rider does not regret their decision. The chorus of the song “Big wheel keep on turning, Proud Mary keep on burning” emphasizes the choice the rider made to go on the riverboat.

The next verse of the song “Proud Mary” discusses the poverty that comes along escapism of responsibility. The verse starts “Cleaned a lot of plates in Memphis, Pumped a lot of tane down in New Orleans.” This part of the song suggests the work the rider did to feed him or herself and make some money. Despite not having a lot of money, the rider in this story experiences freedom.

In the last verse of the song,  “If you come down to the River, Bet you’re gonna find some people who live, You don’t have to worry ‘cause you have no money, People on the river are happy to give.” This part of the song the rider describes the people who live around the river. The rider recognizes that the people around the river do not have a lot of money but they are happy. The song ends with the chorus solidifying the decision of riding the Proud Mary riverboat.  The song is about experiencing freedom by following your dream and living life to the fullest.

The writer of the song, John Fogerty, wrote the song after he received a honorable discharge from the Army Reserve during the Vietnam War.  Although Fogerty never took the river journey on the riverboat queen, he ideas of freedom were inspired about his newfound freedom and the riverboat served as symbol of that.  In an interview with the Wall Street Journal Fogerty admits that always loved Mark Twain’s writing, which inspired him to write the lyrics of the song about a riverboat.[1]

 

 


[1] http://www.wsj.com/articles/SB10001424127887323648304578494993596953764

“Another Travelin’ Song” – a perfect narrative of The Road’s duality by Jenelle M Janci

https://youtu.be/fvj2OzKnpVM

While it may be painfully obvious, a song that has always captured the spirit of The Road for me is “Another Travelin’ Song” by Bright Eyes. The song’s bumping country bassline propels you through the song, and I can’t help but to see tires spinning while I listen to it. Bright Eyes’ frontman (and my lifelong obsession) Conor Oberst makes his intention clear from the song’s first stanza.

“Well I’m changing all my strings/

I’m gonna write another traveling song/

About all the billion highways and the cities at the break of dawn/

Well I guess the best that I can do now is pretend that I’ve done nothing wrong/

And to dream about a train that’s gonna take me back where I belong”

In this, Oberst sees the road as both a way to a destination and a destination itself, a duality J.B. Jackson notes in “Roads Belong in the Landscape.” Andrew F. Wood speaks to this too, but specifically in relation to Route 66. In that particular case, The Road itself has become a tourist attraction.

Oberst alludes to some mistakes he’s made, and hints that perhaps The Road could be an escape from them. However, there’s still a purpose of returning home.

 The next two lines echo the problems Oberst just introduced us to.

 “Well now the ocean speaks and spits and I can hear it from the interstate/

And I’m screaming at my brother on a cell phone he’s far away”

Oberst sets the scene here – we can clearly see the type of road he is traveling on. I always loved the image of him yelling at his brother, perhaps because I can relate, having three older ones myself. However, after reading Jackson’s piece and seeing the road as a destination itself, this line has new meaning for me. Oberst was trying to use the road to get away from his problems, but modern technology makes it impossible for him to fully escape them. Even on the road, he’s not away from his issues.

 Fast forward to the end of the song, and Oberst realizes this.

 “So I will find my fears and face them/

Or I will cower like a dog/

I will kick and scream or kneel and plead/

I’ll fight like hell to hide that I’ve given up”

Just like how the road offers two options – taking you to a destination or being the destination itself – Oberst sees that he too has “two paths diverged in the yellow wood”: to face his problems, or to run away from them.

 While our in-class discussions have given new depth to this song, my history with it goes way back. I’ve put this on nearly every traveling playlist I can remember. Most memorably, I remember driving home from Ohio on I-80 during Spring Break 2014. My boyfriend and I went to visit my brother, and as with any road trip, it’s a big step to see if you can handle being in each other’s vicinity for that long of a time.

On our way there, my boyfriend got a speeding ticket – our first ever – and he was pretty sour about it for a bit. However, like Oberst had to in the song, he made the choice to let it not ruin our trip and to deal with it when we got home.

I-80 is a straight shot through Pennsylvania, and is pretty monotonous. However, on our way back, we drove through a mountainous area with a beautiful view. I remember putting on this song as we entered that stretch. While we were definitely headed home, in that moment, The Road was its own destination.

 

Road Building: The Board Game by Elizabeth A Yazvac

In class, I was prompted to describe an important or meaningful road in my life. I wrote about a literal road important in my childhood (because this made for a more appropriate writing assignment), but what I discussed in my essay was not the first road I thought about.

The first road I thought about is the one that I build in the board game Settlers of Catan.

catan

 

I laughed to myself and shook off the thought. But after class I was still struck by the idea and importance of roads in Settlers of Catan. Naturally, this led me to think about another board game, Carcassonne, and another board game, Ticket to Ride, and, finally, I ended up where all of my thoughts usually end up – thinking about the video game Skyrim.

In Settlers of Catan, players build settlements on terrain hexes that produce resources when players roll the dice. All settlements must be connected by roads, and, thus, road-building is necessary for expansion and, in turn, victory!

Carcassonne is a tile-laying game during which players construct unique layouts of the medieval French town Carcassonne, with monasteries, cities, and farms all connected by road tiles.

carcassonne

In Ticket to Ride, players build railroad segments connecting cities across the United States. I argue that the railroad holds the same importance as roads discussed in class, and brings about the same notions of journey, travel, and freedom.

Finally, in Skyrim, players can travel from hold to hold along roads and pathways. Straying too far from the road increases the likelihood of running into an aggressive bear, thief, or dragon.

skyrim roads

J.B. Jackson’s chapter “Roads Belong in the Landscape” discusses two roles of roads. First, “as promoters of growth and dispersion”, and, second, “as magnets around which new kinds of development can cluster” (Jackson 190). Roads in the above mentioned games fulfill both of these roles, and through these games we can examine the importance of roads in (sometimes imaginary) worlds other than our own.

First, the role of “promoters of growth and dispersion” is the easiest to understand and examine. In both Settlers of Catan and Ticket to Ride, the roads are literally the only way of expanding. Roads must connect settlements, and railways must connect cities, respectively. On the second point of roads as “magnets around which new kinds of development can cluster,” a similar argument can be made, especially for Settlers. Settlements and cities can only be built along your own road segments.

Road building doesn’t immediately strike me as great board game material. Neither does resource production or laying railway tracks, but all of the board games mentioned in this blog post are incredibly fun. And it has a lot to do with the road as a symbol of freedom and expansion. These games specifically deal with road themes that invoke ideas of romantic Americana, even if they may not take place in America.

The Ticket to Ride board is a map of the United States. The board, pieces, and characters that players assume are taken from a generic early 1900-caricature of the US, at the height of railway construction and travel. Nostalgia for the Frontier and the way in which railroads allowed Americans to conquer the Wild West are apparent in the design of the game. The game makes you superficially happy as you cover the country in tiny train pieces, but, on a deeper level, the game satisfies our inner-American dream. (Even though that dream may be representative of a romanticised version of the past. For example, the way modern day imitation found on Route 66 in the form of 50s diners and old gas stations allows people to experience an “authentic” version of the glory days.) This American dream that lives within us all, that hungers to expand and travel and be free, has an outlet when playing Ticket to Ride, making it addicting and enjoyable.

ticket to ride

In Settlers of Catan, one of the gameplay strategies is to expand across as much of the board as possible with your roads. Players are awarded a bonus for having the Longest Road, so its importance to the game is initially very obvious. But much in the same way that Ticket to Ride is a more accessible way to experience westward travel, Catan is more accessible way for the expression of the entrepreneurial spirit that is a hallmark of the American dream. The explosion of road building as a result from automobile production played a large part in shaping what the road as icon represents. And one thing it certainly represents is the ability to travel wherever you want to go, work hard, and be successful. In Catan, players build roads to connect settlements and cities that produce natural resources used to build said roads, settlements, and cities. It is satisfying to lay down your road segments, construct your own settlement out of resources that you earned for yourself, and watch that settlement flourish into a city. As exciting as it is to watch your pretend cities on the island of Catan produce a lot of wheat, it is more exciting for players because they feel a connection between their gameplay and the opportunity that the road allows – the opportunity to rise from nothing into something.

longest road

There is a reason that these games have roads at the center of their gameplay, and that reason is because the road speaks to our underlying desire to expand and be free. Even if those desires happen at subconscious level, the road evokes a sense of nostalgia for a time when it was easier to travel across country and start life anew. Today, most of us can’t do that. But we can play Settlers of Catan, and that seems to do the trick just fine, too.

Images:

http://kelseykjeldsen.com/game-report-settlers-catan/

http://missgeeky.com/2009/03/18/game-review-carcassonne/

http://www.daysofwonder.com/tickettoride/en/usa/

https://tametheboardgame.files.wordpress.com/2014/03/img_0552.jpg

Life is a Highway by Carlee Cantwell

From the earliest stages of childhood, I was exposed to the idea of the road. At just a few months old, I took my very first road trip to the Jersey Shore. Ever since then, every road trip I’ve ever taken has represented a different milestone. Whether it was the first vacation I took without my parents, the first time I drove a car, or my travels across Ireland and Europe, the road has always represented more than just a journey between physical destinations, but more so a journey in my personal growth. A song that immediately jumps into my head when I think about my journeys is “Life is a Highway”. Although originally a Tom Cochrane song, the version I connect most with is the one done by Rascal Flatts for the movie, “Cars”. In particular the lyrics, “Life’s like a road that you travel on…”, and “Life is a highway, I wanna ride it all night long”, speak to the connections I find between the road and its representation of journey and personal growth.

I believe that many people see the road as a representation of a pathway to achieving their goals. They’ll “hit the road” and get out of their town to achieve bigger and better things. In the movie “Cars”, which draws a lot of its imagery from the stereotypical ideas of Route 66, Lightening McQueen, a young race car is traveling across the country to get to California for a big race. However, he runs into the town of Radiator Springs, an old town that lost all its visitors when the new highway was built. From traveling this stretch of road, McQueen learns that life isn’t just about all his shiny trophies, but about enjoying the road you’re on and embracing the journey itself. In the movie, some of the secondary characters like Mater the Tow Truck and Doc Hudson fondly reminisce on the old times in Radiator Springs. While the road holds old memories for them, like many roads do for people today, they also recognize that their memories aren’t how things will be forever. In the end of the movie, the town recieves a revival after McQueen brings his crew through it, providing the typical children’s movie happy ending, just as Route 66 has achieved its own “happy ending” as a tourist attraction. While the people who travel the roads are on physically and personal journeys, the roads themselves take journeys as well. Route 66 for example went from being the route to get you places to being THE place to visit. Old popular roads are replaced with bigger, newer highways. Towns whole landscapes shift because of the use of one road or another. Some people may say a road is just a road, but I think the roads we travel play an integral part in our own stories and experiences. As we travel along the fast-paced highway of life, the exits we choose to get off at dictate our direction, and when old places and memories are replaced it can feel like a part of our journey is gone forever.
Image: Original Cars Movie Poster (2006)