The shortage of labor seen after millions of young American men shipped out to the European and Pacific Theaters gave women the opportunity to transcend any sexist notions of what jobs and professions they could do. These jobs ranged not only in places like the industrial or business sectors but also in entertainment areas, like big band jazz. Sherrie Tucker explores this last point in her “When Subjects Don’t Come Out.” Although largely a piece regarding the quandaries surrounding the question of sexuality in these outfits, especially in the 40s, the article dives a bit into the fact that this void was being filled by these women, who came up out of the niche and into more mainstream demand. She states, “In the 1940s, however, they helped to fill the wartime demand for dance music and the band shortage caused by the draft vulnerability of male musicians.”  Tucker shows how widespread and prolific the issue of “wartime shortage” was, and how much women could fill these gaps.
Women were coming to the forefront in various ways, and Japanese American women were no different. Once released from the camps and relocated from the West Coast, Japanese American found jobs for themselves in industries that were cut off from the previously twofold – for gender and race. “Prior to the war, racism had excluded the Japanese Americans from most white-collar clerical and sales positions…” but by 1950, “47 percent of employed Japanese American women were clerical and sales workers and operatives; only 10 percent were in domestic service,” domestic service being their premiere pre-war profession. 
During the war, women, both of color and not, were able to assert themselves and provide in ways previously barred from them. Entertainment, business, industrial work – it was all needed, and they could do it. Japanese Americans benefited from this labor need, both in overcoming societal prejudices of their sex as well as their race, a factor that subjected them to harsh treatment in camps just months before. Although a largely destructive force for many different reasons, World War II also provided the means for women to make a chip in the wall that is societal gendered segregation.
 Valerie Matsumoto, “Japanese American Women During World War II.” In Women’s America: Refocusing the Past, 531. Oxford: Oxford University Press.
 Matsumoto, 532.
 Dorothea Lange, “Internment,” Getty Images.
 Sherrie Tucker, “When Subjects Don’t Come Out.” In Queer Episodes: In Music and Modern Identity, 294. Chicago: University of Illinois Press.
 Charles Harris, “All-Female Band,” Getty Images.
 Matsumoto, 535.