Skip to content

Tag: art history

Emma P. Holter (PhD candidate) and Dr. Noah Randolph (’26) presented at the annual Association for Art History conference in Cambridge, UK

Emma presented the paper “Isabella Piccini: A Nun-Printmaker in 17th-Century Venice” in the panel titled ‘Women in Print before 1800.’ This paper stemmed from Emma’s Research Fellowship with Save Venice Inc. where she supported the Women Artists of Venice initiative, which seeks to recover the history of female artists in early modern Venice and the Veneto. Noah presented the paper “Claiming Independence/Claiming Columbus” in the session titled ‘Unstable Monuments: Nation, States, Spaces, and Conflicts in Public Sculpture 1811-1947.’ His paper stemmed from his Ph.D. dissertation, which he defended the week prior.

TylerTyler Art History Department at SUNY New Paltz Undergraduate Art History SymposiumTyler

We’re proud that a number of Tyler Art History students presented at the 8th Annual SUNY New Paltz Undergraduate Art History Symposium, which took place April 8–12, 2026. Congratulations to these undergraduates for representing our department with such a strong showing!

Griffin Cutler (BA ’26)
“Tough Act to Follow: The Access Behind Albrecht Dürer’s Self Portraits”

Molly Melissen (BA ’25)
“Ọ̀ṣun to La Virgen de la Caridad del Cobre: Cross-Cultural Reflections on Iconography”

Alexis Rago (BA ’26)
What is it?: Proletariat Photographic Arts in the Soviet Union and Japan”

Jay DaCruz (BA ’27)
“Constructions of Empire: Maximilian I’s Monumental Arch on Paper”

Molly Mapstone’s (PhD candidate) paper recognized

Molly’s paper was awarded the runner-up prize for the best paper on American history at the 31st Annual James A. Barnes Graduate History Conference at Temple University, one of the largest and longest running graduate student conferences in the region, drawing participants from across the nation and around the world.

Emma Holter (Ph.D. candidate) presentation at the annual Renaissance Society of America conference

Emma Holter (Ph.D. candidate) recently presented at the annual Renaissance Society of America conference in San Francisco. Her paper was titled “Isabella Piccini (1644-1734): A Cloistered Female Printmaker” and highlighted the work of an understudied nun-printmaker in seventeenth-century Venice. This paper stemmed from Emma’s Research Fellowship with Save Venice Inc. where she supported the Women Artists of Venice initiative, which seeks to recover the history of female artists in early modern Venice and the Veneto. She presented her research in a panel sponsored by Save Venice, alongside Temple professor Dr. Tracy Cooper, and their respondent was Dr. Peter Lukehart, Temple alumnus and Associate Dean of CASVA. Emma will be presenting a version of her paper on Isabella Piccini at the upcoming Association for Art History conference in Cambridge, UK.

Link to Jessica Braum’s (PhD candidate) workshop at CAA

Jessica let us know about a recent blog post about a workshop Meghan Kelly and she co-led at CAA: Grids Across Borders: Art, Craft, and the Global Context. The workshop extended, in part, from a section of her dissertation research, particularly her interest in reframing the grid not only as a formal device but as a cross-cultural and methodological framework. She tells us “It was rewarding to see those ideas translated into a collaborative, hands-on pedagogical setting.”

The blog is linked here: https://jeffersonaspire.com/grids-across-borders-workshop-at-caa-2026/

Emily Schollenberger (PhD candidate) to present research from her dissertation at two venues.

This coming week, Emily will present “Earth and Extraction: Sammy Baloji and Léonard Pongo’s Photographs of Congolese Landscapes” at the annual CAA meetings. 

And at the Barnes Graduate Symposium on the History of Art in March, she will present “Connective Memory and Colonial Cartographies in Emma Nishimura’s Japanese Canadian Internment Landscapes.”