{"id":316,"date":"2022-12-01T08:00:57","date_gmt":"2022-12-01T13:00:57","guid":{"rendered":"https:\/\/sites.temple.edu\/stories\/?p=316"},"modified":"2022-12-18T22:44:11","modified_gmt":"2022-12-19T03:44:11","slug":"fall-2022","status":"publish","type":"post","link":"https:\/\/sites.temple.edu\/stories\/2022\/12\/01\/fall-2022\/","title":{"rendered":"The Fall 2022 Line-Up"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Here is our Fall 2022 critical-creative blog schedule:<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Week 1: Narrative Structure (Scriptwriting)&nbsp;<\/strong><br>Article: Keating, P. (2006). Emotional curves and linear narratives. <em>The Velvet Light Trap &#8211; A Critical Journal of Film and Television<\/em>, 4-15.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/09\/11\/week-01-narrative-strategies\/\">Critical-creative blog by Danny Vagnoni&nbsp;<\/a><\/li>\n\n\n\n<li><strong>Week 2: Character Identity and Diversity (Casting)<\/strong><br>Article: Warner, K. J. (2015). The Racial Logic of Grey\u2019s Anatomy. <em>Television &amp; New Media<\/em>, 16(7), 631\u2013647.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/09\/12\/week-5-casting\/\">Critical-creative blog by Jahz Branch&nbsp;<\/a><\/li>\n\n\n\n<li><strong>Week 3: Sound Design<\/strong><br>Article: Greene, L. (2016). The Labour of Breath. <em>Music, Sound &amp; the Moving Image<\/em>, 10(2), 109\u2013133.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-3-sound-design\/\">Critical-creative blog by Corinna Boeck<\/a><\/li>\n\n\n\n<li><strong>Week 4: Team Work and Crews&nbsp;<\/strong><br>Article: Hardin, T. (2009). Notes on collaboration: Assessing student behaviors.&nbsp;<em>Journal of Film and Video<\/em>,&nbsp;61(1), 31-50.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-4-team-work-and-crews\/\">Critical-creative blog by John Tyrrell&nbsp;<\/a><\/li>\n\n\n\n<li><strong>Week 5: Cinematic Landscape (Location Scouting)<\/strong><br>Article: Lukinbeal, C. (2009). Cinematic Landscapes.&nbsp;<em>Journal of Cultural Geography<\/em>,&nbsp;23(1).<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-5-locations\/\">Critical-creative blog by Leslie Grossman<\/a><\/li>\n\n\n\n<li><strong>Week 6: Working with Actors (Advice for First-Time Directors)&nbsp;<\/strong><br>Book chapter: Weston, J. (1996). <em>Directing Actors<\/em>. (pp.13-47). Michael Wiese Productions.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-6-directing\/\">Critical-creative blog by Aaliyah Pope<\/a><\/li>\n\n\n\n<li><strong>Week 7: Directing&nbsp;<\/strong><br>Book chapter: Weston, J. (2003). <em>The Film Director\u2019s Intuition: Script Analysis and Rehearsal Techniques<\/em>. (pp. 85-100). Michael Wiese Productions.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-7-actors\/\">Critical-creative blog by Paige DiFebbo<\/a><\/li>\n\n\n\n<li><strong>Week 8: Characters<\/strong><br>Book chapter: Mittell, J. (2015). <em>Complex TV: The Poetics of Contemporary Television Storytelling<\/em>. (pp. 118-163). NYU Press.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-8-characters\/\">Critical-creative blog by Wes Marshall&nbsp;<\/a><\/li>\n\n\n\n<li><strong>Week 9: Cinematic Time<\/strong><br>Book chapter: Mroz, M. (2012). <em>Temporality and Film Analysis<\/em>. Edinburgh University Press. (pp. 13-41)<\/li>\n\n\n\n<li><strong>Week 10: Cinematic Genre<\/strong><br>Article: Sobchack, T. (1975). Genre film: A classical experience. <em>Literature\/Film Quarterly<\/em>, 3(3), 196-204<\/li>\n\n\n\n<li><strong>Week 11: Postproduction Strategies (Editing)<\/strong><br>Article: Holt, J. (2020). Intuition in creative film editing practice: using phenomenology to explain editing as an embodied experience.&nbsp;<em>Media Practice and Education<\/em>, 21(2), 121-132.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-11-editing\/\">Critical-creative blog by Leslie Lopez&nbsp;<\/a><\/li>\n\n\n\n<li><strong>Week 12: Props<\/strong><br>Article: Sandler, K. (2013). Modern Family: Product Placement. In E. Thompson and J. Mittell,&nbsp;<em>How to Watch Television<\/em> (253-261). NYU Press.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-12-props\/\">Critical-creative blog by Zoe Sohenick&nbsp;<\/a><\/li>\n\n\n\n<li><strong>Week 13: Symbolism and Meaning<\/strong><br>Article: Sobchack, V. C. (1980). Beyond Visual Aids: American Film as American Culture.&nbsp;<em>American Quarterly<\/em>, 32(3), 280\u2013300.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-13-symbolism\/\">Critical-creative blog by Amaris Manning&nbsp;<\/a><\/li>\n\n\n\n<li><strong>Week 14: Media Industry (Next Steps)<\/strong><br>Article: Hadida, A., Lampel, J., Walls, W.D., &amp; Joshi, A. (2020). Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics. <em>Journal of cultural economics,<\/em>&nbsp;45(2), 213-238.<br><a href=\"https:\/\/sites.temple.edu\/stories\/2022\/12\/10\/week-14-next-steps\/\">Critical-creative blog by Cristina Pomales<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Here is our Fall 2022 critical-creative blog schedule:<\/p>\n","protected":false},"author":4111,"featured_media":72,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2022-fall"],"_links":{"self":[{"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/posts\/316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/users\/4111"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/comments?post=316"}],"version-history":[{"count":0,"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/posts\/316\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/media\/72"}],"wp:attachment":[{"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/media?parent=316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/categories?post=316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.temple.edu\/stories\/wp-json\/wp\/v2\/tags?post=316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}