

{"id":6993,"date":"2024-11-07T11:54:39","date_gmt":"2024-11-07T15:54:39","guid":{"rendered":"https:\/\/sites.temple.edu\/performingartsnews\/?p=6993"},"modified":"2024-11-07T17:28:32","modified_gmt":"2024-11-07T21:28:32","slug":"genre-pushing-sounds-from-philadelphia-a-journey-through-four-trailblazing-works","status":"publish","type":"post","link":"https:\/\/sites.temple.edu\/performingartsnews\/2024\/11\/07\/genre-pushing-sounds-from-philadelphia-a-journey-through-four-trailblazing-works\/","title":{"rendered":"Genre-Pushing Sounds from Philadelphia: A Journey Through Four Trailblazing Works"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2020\/11\/Black-Logo.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"301\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2020\/11\/Black-Logo-1024x301.jpg\" alt=\"Beyond the Notes Logo on black background with musical notes under the word &quot;the.&quot;\" class=\"wp-image-6240\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2020\/11\/Black-Logo-1024x301.jpg 1024w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2020\/11\/Black-Logo-300x88.jpg 300w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2020\/11\/Black-Logo-768x226.jpg 768w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2020\/11\/Black-Logo.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-center\"><em>Beyond the Notes presents<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Beyond the Notes: Tangled Strings<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Tuesday, November 12, 2024, 12:00 PM<\/p>\n\n\n\n<p class=\"has-text-align-center\">Charles Library Event Space<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Light refreshments served. Boyer recital credit given.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">All programs are free and open to all, and <a href=\"https:\/\/library.temple.edu\/events\/1824\" target=\"_blank\" rel=\"noreferrer noopener\">registration<\/a> is encouraged.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<p>This month, Beyond the Notes will be featuring a trio of Boyer alums showcasing an &#8220;entanglement&#8221; of numerous musical styles. The trio of bassist and composer Chris Coyle (Boyer class of 2010), renowned guitarist\/composer Matt Davis (Boyer class of 2001), and violinist and composer June Bender (Boyer class of 2009), aim to &#8220;tackle head-on the limitations of stylistic exclusivity.&#8221; Philadelphia has long been a crucible for musical innovation, producing artists who push the boundaries of genre and redefined the landscape of jazz, avant-garde, and beyond. In honor of this tradition for pushing boundaries, we will explore the work of four other daring Philadelphia-based musicians: Rufus Harley, Jamaaladeen Tacuma, Tyshawn Sorey, and the Sun Ra Arkestra.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Rufus Harley \u2013 <em>Bagpipe Blues<\/em><\/h4>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image alignleft size-full is-resized\"><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/harley2dit.png\"><img loading=\"lazy\" decoding=\"async\" width=\"770\" height=\"1005\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/harley2dit.png\" alt=\"Rufus Harley with the Liberty Bell\" class=\"wp-image-6995\" style=\"width:254px;height:auto\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/harley2dit.png 770w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/harley2dit-230x300.png 230w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/harley2dit-768x1002.png 768w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/a><figcaption class=\"wp-element-caption\">Rufus Harley with the Liberty Bell (<a href=\"https:\/\/www.last.fm\/music\/Rufus+Harley\/+images\/96267863142a448b9344e731f1122794\" target=\"_blank\" rel=\"noreferrer noopener\">source<\/a>)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rufus_Harley\" target=\"_blank\" rel=\"noreferrer noopener\">Rufus Harley<\/a>, often hailed as the first jazz bagpiper, made waves with his groundbreaking album <em>Bagpipe Blues<\/em> released in 1965. Blending traditional Scottish bagpipe music with jazz, Harley&#8217;s innovative style was not merely a gimmick; it was a profound exploration of cultural intersections. He was a longtime resident of Northwest Philadelphia&#8217;s <a href=\"https:\/\/en.wikipedia.org\/wiki\/Germantown,_Philadelphia\" target=\"_blank\" rel=\"noreferrer noopener\">Germantown<\/a> neighborhood and served as an <a href=\"https:\/\/www.timesherald.com\/2006\/08\/08\/jazz-bagpiper-rufus-harley-dies\/\" target=\"_blank\" rel=\"noreferrer noopener\">unofficial representative of the city<\/a>, often handing out American flags, copies of the Declaration of independence, and even miniature Liberty Bells. <\/p>\n<\/div>\n\n\n\n<p><em>Bagpipe Blues<\/em> features a collection of original compositions and improvisations, where Harley\u2019s bagpipe takes center stage, revealing its unexpected versatility. The album&#8217;s title track, \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=CaSb_RxRFsU\" target=\"_blank\" rel=\"noreferrer noopener\">Bagpipe Blues<\/a><span style=\"padding: 0;margin: 0;margin-left: 5px\"><\/span>,\u201d showcases Harley\u2019s ability to meld bluesy jazz rhythms with the distinct drone of the bagpipe, creating a sound that is both soulful and otherworldly. The interplay between Harley\u2019s bagpipe and the supporting jazz ensemble allows for a rich dialogue, inviting listeners into a space where cultural boundaries dissolve. This genre-bending work not only emphasizes the bagpipe&#8217;s musical potential beyond its traditional settings but also challenges preconceived notions of jazz instrumentation, paving the way for future artists to explore unconventional sounds.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jamaaladeen Tacuma \u2013 <em>Show Stopper<\/em><\/h4>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image alignright size-full is-resized\"><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/800px-Jamaaladeen_Tacuma_Vienna2008.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1305\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/800px-Jamaaladeen_Tacuma_Vienna2008.jpg\" alt=\"Jamaaladeen Tacuma in 2008\" class=\"wp-image-6996\" style=\"width:309px;height:auto\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/800px-Jamaaladeen_Tacuma_Vienna2008.jpg 800w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/800px-Jamaaladeen_Tacuma_Vienna2008-184x300.jpg 184w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/800px-Jamaaladeen_Tacuma_Vienna2008-628x1024.jpg 628w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/800px-Jamaaladeen_Tacuma_Vienna2008-768x1253.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption class=\"wp-element-caption\">Jamaaladeen Tacuma in 2008 (<a href=\"https:\/\/commons.wikimedia.org\/wiki\/Category:Jamaaladeen_Tacuma#\/media\/File:Jamaaladeen_Tacuma_Vienna2008.jpg\/2\" target=\"_blank\" rel=\"noreferrer noopener\">source<\/a>)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Bassist <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jamaaladeen_Tacuma\" target=\"_blank\" rel=\"noreferrer noopener\">Jamaaladeen Tacuma<\/a> grew up around the corner from Temple, near 11th and Norris street. His lifelong commitment to Philadelphia&#8217;s musical community earned him the City&#8217;s <a href=\"https:\/\/www.wrti.org\/arts-desk\/2018-04-04\/a-word-with-award-winning-jazz-bassist-jamaaladeen-tacuma\" target=\"_blank\" rel=\"noreferrer noopener\">Benny Golson Award<\/a> in 2018, named for another <a href=\"https:\/\/www.philadelphiamusicalliance.org\/walk-of-fame\/benny-golson-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Philadelphia musical legend<\/a>. He emerged from the vibrant Philadelphia jazz scene with his electrifying album <em>Show Stopper<\/em>, released in 1983. A key figure in the avant-garde jazz movement, Tacuma&#8217;s music is characterized by its eclectic influences, combining jazz, funk, rock, and experimental sounds. <em>Show Stopper<\/em> exemplifies this fusion, pushing the envelope of what jazz can be.<\/p>\n\n\n\n<p>The title track, \u201c<a href=\"https:\/\/jamaaladeentacuma.bandcamp.com\/album\/show-stopper\" target=\"_blank\" rel=\"noreferrer noopener\">Show Stopper<\/a>,\u201d is a high-energy explosion of rhythm and sound. Featuring a dynamic blend of electric bass, keyboards, and drums, the piece highlights Tacuma\u2019s virtuosic playing and innovative compositional style. His ability to infuse funk grooves with jazz improvisation creates a lively atmosphere that invites the audience to dance. By redefining the boundaries of jazz, Tacuma set the stage for a generation of musicians who continue to blur genre lines.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Tyshawn Sorey Trio \u2013 <em>Verisimilitude<\/em><\/h4>\n\n\n\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Tyshawn_Sorey\" target=\"_blank\" rel=\"noreferrer noopener\">Tyshawn Sorey<\/a>, a prolific drummer, composer, and bandleader, has gained acclaim for his boundary-defying work in the contemporary jazz scene. A <a href=\"https:\/\/www.npr.org\/2024\/05\/07\/1249559785\/tyshawn-sorey-wins-2024-pulitzer-prize-in-music-for-adagio-for-wadada-leo-smith\" target=\"_blank\" rel=\"noreferrer noopener\">Pulitzer Prize winner<\/a> and <a href=\"https:\/\/www.macfound.org\/fellows\/class-of-2017\/tyshawn-sorey\" target=\"_blank\" rel=\"noreferrer noopener\">MacArthur Fellow<\/a>, Sorey has also been a <a href=\"https:\/\/music.sas.upenn.edu\/people\/tyshawn-sorey\" target=\"_blank\" rel=\"noreferrer noopener\">Professor of Music at the University of Pennsylvania<\/a> since 2020. of His album <em><a href=\"https:\/\/tyshawn-sorey.bandcamp.com\/album\/verisimilitude\" target=\"_blank\" rel=\"noreferrer noopener\">Verisimilitude<\/a><\/em>, released in 2020, stands as a testament to his innovative approach to rhythm, structure, and improvisation. The trio, featuring Sorey on drums, <a href=\"https:\/\/corysmythe.com\/bio\" target=\"_blank\" rel=\"noreferrer noopener\">Cory Smythe<\/a> on piano, and <a href=\"https:\/\/www.allaboutjazz.com\/musicians\/chris-tordini\" target=\"_blank\" rel=\"noreferrer noopener\">Chris Tordini<\/a> on bass, explores the depths of sound and silence, challenging listeners\u2019 perceptions of time and musical narrative.<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/sorey-trio.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/sorey-trio.jpg\" alt=\"The Tyshawn Sorey Trio in 2014\" class=\"wp-image-6997\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/sorey-trio.jpg 1024w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/sorey-trio-300x200.jpg 300w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/sorey-trio-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">The Tyshawn Sorey Trio in 2014 (<a href=\"https:\/\/www.flickr.com\/photos\/pete_m\/15974942296\/in\/album-72157649301116749\" target=\"_blank\" rel=\"noreferrer noopener\">source<\/a>)<\/figcaption><\/figure>\n\n\n\n<p><em>Verisimilitude<\/em> is a masterclass in textural and timbral contrast. The album&#8217;s opening track, \u201cCascade in Slow Motion\u201d begins with a serene piano motif, gradually building tension through Sorey\u2019s intricate drumming and Anderson\u2019s melodic bass lines. Sorey&#8217;s nuanced approach to rhythm creates a palpable sense of anticipation, drawing listeners into an immersive sonic landscape. Throughout the album, the trio navigates complex textures, moving between moments of quiet introspection and explosive crescendos. This interplay of restraint and intensity invites audiences to reconsider the nature of improvisation and composition, making <em>Verisimilitude <\/em>a vital contribution to the evolving jazz canon.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">The Sun Ra Arkestra \u2013 <em>Living Sky<\/em><\/h4>\n\n\n\n<p>No exploration of genre-pushing Philadelphia music would be complete without mentioning the legendary <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Sun_Ra_Arkestra\" target=\"_blank\" rel=\"noreferrer noopener\">Sun Ra Arkestra<\/a>. Founded by the visionary composer and bandleader <a href=\"https:\/\/en.wikipedia.org\/wiki\/Sun_Ra\" target=\"_blank\" rel=\"noreferrer noopener\">Sun Ra<\/a>, the ensemble has continually defied categorization since its inception in the 1950s. After Sun Ra and the Arkestra relocated to Philadelphia in the late 1960s, they set up residence in a <a href=\"https:\/\/resolvephilly.org\/gih\/sounds-of-joy-sun-ra-house-now-officially-historic\/\" target=\"_blank\" rel=\"noreferrer noopener\">row house in Germantown<\/a>, which became both a communal living space and a center for their rehearsals and philosophical discussions. This home, affectionately known as the \u201cArkestra House,\u201d remains a focal point for the band, symbolizing their commitment to their communal and cosmic ideals, and was added to the <a href=\"https:\/\/www.phila.gov\/2022-05-19-historic-spotlight-sun-ra-house-added-to-the-register\/\" target=\"_blank\" rel=\"noreferrer noopener\">Philadelphia Register of Historic Places<\/a> in 2022.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/arkestra-marshall-allen.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1023\" height=\"683\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/arkestra-marshall-allen.jpg\" alt=\"Marshall Allen with the Sun Ra Arkestra in 2017\" class=\"wp-image-6998\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/arkestra-marshall-allen.jpg 1023w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/arkestra-marshall-allen-300x200.jpg 300w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2024\/10\/arkestra-marshall-allen-768x513.jpg 768w\" sizes=\"auto, (max-width: 1023px) 100vw, 1023px\" \/><\/a><figcaption class=\"wp-element-caption\">Legendary Saxophonist Marshall Allen with the Sun Ra Arkestra in 2017 (<a href=\"https:\/\/www.flickr.com\/photos\/merlijnhoek\/36619183353\" target=\"_blank\" rel=\"noreferrer noopener\">source<\/a>)<\/figcaption><\/figure>\n\n\n\n<p>Their album <em><a href=\"https:\/\/sunrastrut.bandcamp.com\/album\/living-sky\" target=\"_blank\" rel=\"noreferrer noopener\">Living Sky<\/a><\/em>, released in 2022, contains a fascinating homage to the classical composer Fr\u00e9d\u00e9ric Chopin, reinterpreted through a cosmic jazz lens. The album\u2019s opening track, \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=jiFLgCAhv3M\" target=\"_blank\" rel=\"noreferrer noopener\">Chopin<\/a><span style=\"padding: 0;margin: 0;margin-left: 5px\"><\/span>,\u201d is the first studio version of Sun Ra\u2019s rendition of the <a href=\"https:\/\/www.youtube.com\/watch?v=0hcF2AAE7sc\" target=\"_blank\" rel=\"noreferrer noopener\">Prelude in A Major, Op. 28 #7<\/a><span style=\"padding: 0;margin: 0;margin-left: 5px\"><\/span>, by the eponymous composer. Ra performed his own take on the piece several times, an homage to his early piano studies, transforming it into an entirely novel fusion of jazz and classical ideas. Led by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Marshall_Allen\" target=\"_blank\" rel=\"noreferrer noopener\">Marshall Allen<\/a> in this recording, the Arkestra carries on this tradition, transforming the piece into a sprawling, improvisational journey, where the band\u2019s collective creativity shines. The piece not only honors Chopin\u2019s genius but also illustrates how jazz can serve as a vehicle for reinterpretation and innovation, inviting listeners to experience familiar melodies in a new light.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">A Tradition of Challenging Tradition<\/h4>\n\n\n\n<p>The contributions of Rufus Harley, Jamaaladeen Tacuma, Tyshawn Sorey, and the Sun Ra Arkestra exemplify the spirit of innovation that defines Philadelphia\u2019s musical landscape. Each of these artists has not only pushed the boundaries of their respective genres but has also invited audiences to explore the rich tapestry of sounds that emerge when diverse musical influences converge. As we continue to celebrate and support artists who challenge the status quo, we honor the legacy of Philadelphia as a hub of creativity and musical exploration. The works of these musicians serve as a reminder that the future of music lies in the hands of those who dare to experiment, innovate, and inspire.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" \/>\n\n\n\n<p><strong>Suggested Reading:<\/strong>&nbsp;<\/p>\n\n\n\n<p>Cloud, Suzanne Tapper, Diane Delores Turner, and Terell Stafford. <em>Philadelphia Jazz<\/em>. Charleston: Arcadia Publishing, 2022. <a href=\"https:\/\/librarysearch.temple.edu\/catalog\/991038749256903811\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/librarysearch.temple.edu\/catalog\/991038749256903811<\/a><\/p>\n\n\n\n<p>Dzubinski, David, and Suzanne Cloud, eds. <em>The Real Philadelphia Book<\/em>. Temple University Press, 2022. <a href=\"https:\/\/librarysearch.temple.edu\/catalog\/991038213452403811\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/librarysearch.temple.edu\/catalog\/991038213452403811<\/a><\/p>\n\n\n\n<p>Glantz, Joseph. <em>Philadelphia Originals<\/em>. Atglen, PA\u202f: Schiffer, 2009. <a href=\"https:\/\/librarysearch.temple.edu\/catalog\/991000706249703811\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/librarysearch.temple.edu\/catalog\/991000706249703811<\/a><\/p>\n\n\n\n<p>Rosin, James. <em>Philadelphia, City of Music<\/em>. Philadelphia: Camino Books, 2006. <a href=\"https:\/\/librarysearch.temple.edu\/catalog\/991032013159703811\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/librarysearch.temple.edu\/catalog\/991032013159703811<\/a><\/p>\n\n\n\n<p>Saffron, Inga. <em>Becoming Philadelphia: How an Old American City Made Itself New Again<\/em>. New Brunswick: Rutgers University Press, 2020. <a href=\"https:\/\/librarysearch.temple.edu\/catalog\/991037847515403811\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/librarysearch.temple.edu\/catalog\/991037847515403811<\/a><\/p>\n\n\n\n<p>Youngquist, Paul. <em>A Pure Solar World: Sun Ra and the Birth of Afrofuturism<\/em>. Austin: University of Texas Press, 2016. <a href=\"https:\/\/librarysearch.temple.edu\/catalog\/991037895841503811\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/librarysearch.temple.edu\/catalog\/991037895841503811<\/a><\/p>\n\n\n\n<p><em>By Dan Maguire<\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beyond the Notes presents Beyond the Notes: Tangled Strings Tuesday, November 12, 2024, 12:00 PM Charles Library Event Space Light refreshments served. Boyer recital credit given. All programs are free and open to all, and registration is encouraged. This month, Beyond the Notes will be featuring a trio of Boyer alums showcasing an &#8220;entanglement&#8221; of [&hellip;]<\/p>\n","protected":false},"author":35940,"featured_media":6998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"yes","footnotes":""},"categories":[100,5],"tags":[87,88,200,82,198,9,83,4,197,199,204,201,203],"coauthors":[160],"class_list":["post-6993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beyond-the-notes","category-performing-arts-news","tag-beyond-the-notes","tag-concerts","tag-jamaaladeen-tacuma","tag-jazz","tag-jazz-fusion","tag-music","tag-noontime-concert-series","tag-performing-arts","tag-philadelphia","tag-rufus-harley","tag-sun-ra-arkestra","tag-tyshawn-sorey","tag-tyshawn-sorey-trio"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Genre-Pushing Sounds from Philadelphia: A Journey Through Four Trailblazing Works - Performing Arts News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.temple.edu\/performingartsnews\/2024\/11\/07\/genre-pushing-sounds-from-philadelphia-a-journey-through-four-trailblazing-works\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Genre-Pushing Sounds from Philadelphia: A Journey Through Four Trailblazing Works - Performing Arts News\" \/>\n<meta property=\"og:description\" content=\"Beyond the Notes presents Beyond the Notes: Tangled Strings Tuesday, November 12, 2024, 12:00 PM Charles Library Event Space Light refreshments served. Boyer recital credit given. All programs are free and open to all, and registration is encouraged. 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