{"id":5660,"date":"2017-11-15T15:11:08","date_gmt":"2017-11-15T19:11:08","guid":{"rendered":"https:\/\/sites.temple.edu\/performingartsnews\/?p=5660"},"modified":"2017-11-18T10:07:39","modified_gmt":"2017-11-18T14:07:39","slug":"she-persisted-women-in-music-then-and-now","status":"publish","type":"post","link":"https:\/\/sites.temple.edu\/performingartsnews\/2017\/11\/15\/she-persisted-women-in-music-then-and-now\/","title":{"rendered":"She Persisted: Women in Music, Then and Now"},"content":{"rendered":"<p style=\"text-align: left\"><span style=\"color: #800000\"><i><span style=\"font-weight: 400\">Emiko Edwards, Olena Havyuk-Sheremet, and Benjamin Katz contributed to this post.<\/span><\/i><\/span><\/p>\n<p><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2017\/11\/She-Persisted-Final-D-Basics.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5684\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2017\/11\/She-Persisted-Final-D-Basics.jpg\" alt=\"\" width=\"6800\" height=\"4400\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400\">On December 6, 2017, Paley Library will host \u201cShe Persisted: Women in Music Then and Now,\u201d a symposium celebrating women\u2019s contributions to music. Despite women\u2019s deep engagement in\u00a0<\/span><span style=\"font-weight: 400\">music from antiquity to the present day, their accomplishments have too often been neglected or glossed over in received narratives of music history. This conference aspires to counter this trend by giving serious consideration to the women musicians whose work will be featured\u2014and not just as women-composers or women-performers, but as individual artists in their own right.\u00a0Paley Library music librarian <\/span><a href=\"https:\/\/library.temple.edu\/about\/staff\/anne-harlow\"><b>Anne Harlow<\/b><\/a><span style=\"font-weight: 400\"> will host the event, and <\/span><a href=\"https:\/\/www.cla.temple.edu\/gender-sexuality-and-womens-studies\/\"><span style=\"font-weight: 400\">Gender, Sexuality, and Women\u2019s Studies<\/span><\/a><span style=\"font-weight: 400\"> liaison <\/span><a href=\"https:\/\/library.temple.edu\/about\/staff\/caitlin-shanley\"><b>Caitlin Shanley<\/b><\/a><span style=\"font-weight: 400\"> will lead a workshop on contributing to Wikipedia on underrepresented topics (i.e. women in music).<\/span><\/p>\n<p><span style=\"font-weight: 400\">This one-day conference is an outgrowth of \u201cFemale Keyboard Composers,\u201d a doctoral keyboard literature seminar created and taught by Professor <\/span><strong><a href=\"https:\/\/www.temple.edu\/boyer\/about\/people\/joycelindorff.asp\">Joyce Lindorff<\/a><\/strong><span style=\"font-weight: 400\">. Speakers will include the conveners, doctoral students Emiko Edwards, Olena Havyuk-Sheremet, and Benjamin Katz, and professors from Temple University and the greater Philadelphia area. The day\u2019s events will conclude in Rock Hall with a 7.30 PM concert given by students, faculty, and guest artists.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Invited local scholars include:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/finearts.camden.rutgers.edu\/music-program\/music-faculty\/julianne-baird-ph-d\/\"><b>Julianne Baird<\/b><\/a><span style=\"font-weight: 400\">, an internationally renowned soprano, scholar and, Distinguished Professor of Music at Rutgers\u2013Camden; <\/span><\/li>\n<li style=\"font-weight: 400\"><a href=\"http:\/\/www.masongross.rutgers.edu\/music\/faculty\/rebecca-cypess\"><b>Rebecca Cypess<\/b><\/a><span style=\"font-weight: 400\">, harpsichordist, fortepianist, and Associate Professor of Musicology at the Mason Gross School of the Arts (Rutgers), who is presently \u201cengaged in long-term publication, performance, and recording projects related to the German-Jewish patron and\u00a0keyboardist\u00a0<\/span><a href=\"http:\/\/www.theavidlistener.com\/2015\/09\/silence-from-the-salon-in-search-of-sara-levy.html\"><span style=\"font-weight: 400\">Sara Levy<\/span><\/a><span style=\"font-weight: 400\"> (1761\u20131854) and her place in Enlightenment culture\u201d; <\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">and <\/span><b>Martha Schleifer<\/b><span style=\"font-weight: 400\">, retired Boyer College faculty member and co-editor of\u00a0the multivolume anthology <\/span><a href=\"https:\/\/temple-primo.hosted.exlibrisgroup.com\/primo-explore\/fulldisplay?docid=01TULI_ALMA21264625900003811&amp;context=L&amp;vid=TULI&amp;search_scope=default_scope&amp;tab=default_tab&amp;lang=en_US\"><i><span style=\"font-weight: 400\">Women Composers: Music through the Ages<\/span><\/i><\/a><span style=\"font-weight: 400\">.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400\">Participating Temple faculty include:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.temple.edu\/boyer\/about\/people\/SaraBuechner.asp\"><b>Sara Davis Buechner<\/b><\/a><span style=\"font-weight: 400\">, a critically acclaimed concert pianist whose album \u201c<\/span><a href=\"http:\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=250992\"><span style=\"font-weight: 400\">Jazz Nocturne: The Collected Piano music of Dana Suesse<\/span><\/a><span style=\"font-weight: 400\">\u201d is the only recording fully dedicated to this twentieth-century composer\u2019s works;<\/span><\/li>\n<li><a href=\"https:\/\/www.temple.edu\/boyer\/about\/people\/cynthiafolio.asp\"><strong>Cynthia Folio<\/strong><\/a>, composer and Professor of Music Theory, who traveled to Cuba in November 2017 for the premiere of a new work for women&#8217;s chorus;<\/li>\n<li style=\"font-weight: 400\"><a href=\"https:\/\/www.temple.edu\/boyer\/about\/people\/stevenzohn.asp\"><b>Steven Zohn<\/b><\/a><span style=\"font-weight: 400\">, the Laura H. Carnell Professor of Music History, is a Baroque flautist, scholar of eighteenth-century music, and leading expert on the music of Georg Philipp Telemann; <\/span><\/li>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\">and <\/span><b>Joyce Lindorff<\/b><span style=\"font-weight: 400\">, scholar of historical keyboards and their repertoires whose playing has been lauded by the <\/span><i><span style=\"font-weight: 400\">Philadelphia Inquirer<\/span><\/i><span style=\"font-weight: 400\"> for her \u201csterling clarity, insight, and dazzling technical mastery.\u201d She has recorded both early and contemporary harpsichord music for the Titanic, Centaur, CRI, Serenus, Digitech, and Paladino labels. Her most recent album,\u00a0\u201cMusic from the Harpsichord Miscellany,\u201d was recorded on the 1758 Jacob Kirckman harpsichord at Colonial Williamsburg.<\/span><\/li>\n<\/ul>\n<figure id=\"attachment_5662\" aria-describedby=\"caption-attachment-5662\" style=\"width: 231px\" class=\"wp-caption alignright\"><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2017\/11\/Sara-Levy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5662 size-medium\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2017\/11\/Sara-Levy-231x300.jpg\" alt=\"Sara Levy portrait\" width=\"231\" height=\"300\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2017\/11\/Sara-Levy-231x300.jpg 231w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2017\/11\/Sara-Levy.jpg 733w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><\/a><figcaption id=\"caption-attachment-5662\" class=\"wp-caption-text\">Portrait of Sara Levy, daughter of Daniel Itzig (1723\u20131799), from Otto Waser\u2019s \u201cAnton Graff von Winterthur: Bildnisse des Meisters,\u201d Winterthur Kunstverein, 1903. Public domain.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">The symposium, which begins at 10:00 AM and ending at 5:00 PM, will feature the following presentations:<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">\u201cAgency and Authorship in the Late Eighteenth-Century Salon: Two Case Studies (Sara Levy and Anne-Louise Brillon)\u201d |\u00a0<\/span><span style=\"color: #333333\"><i><span style=\"font-weight: 400\">Dr. Rebecca Cypess<\/span><\/i><\/span><\/li>\n<li><i><\/i>\u201cNelly Custis at the Keyboard: The Musical World of George Washington\u2019s Living Room\u201d |\u00a0<i>Dr. Joyce Lindorff<\/i><\/li>\n<li><i><\/i>\u201cDana Suesse: Female Gershwin\u201d |\u00a0<i>Emiko Edwards, DMA candidate<\/i><\/li>\n<li><i><\/i>\u201cThe Sociability of Salon Culture and Carl Philipp Emanuel Bach\u2019s Quartets\u201d |\u00a0<i>Dr. Steven Zohn<\/i><\/li>\n<li><i><\/i>\u201cIntroducing Two Living Ukrainian Composers: Bohdana Frolyak and Lyubava Sydorenko\u201d |\u00a0<i>Olena Havyuk-Sheremet, DMA candidate<\/i><\/li>\n<li><i><\/i>\u201cL\u2019audacieuse: Keyboard works of Madame Ravissa of Turin\u201d |\u00a0<i>Benjamin Katz, DMA candidate<\/i><\/li>\n<li><i><\/i>\u201cSacred Music by Women in the Middle Ages and Renaissance\u201d |\u00a0<i>Dr. Martha Schleifer<\/i><\/li>\n<li><i><\/i>\u201cContributing to Wikipedia on Underrepresented Topics\u201d |\u00a0<i>Caitlin Shanley, Instruction Librarian<\/i><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400\">All presentations will be given in the Paley Library lecture hall, 1210 West Berks Street. The program is free and open to the public.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Further Reading<\/b><\/p>\n<p><span style=\"font-weight: 400\">Blackburn, Bonnie J. \u201cProfessional Women Singers in the Fifteenth Century: A Tale of Two Annas.\u201d In <\/span><i><span style=\"font-weight: 400\">The Cambridge History of Fifteenth-Century Music<\/span><\/i><span style=\"font-weight: 400\">, edited by Anna Maria Busse Berger and Jesse Rodin, 476\u2013485. Cambridge: Cambridge University Press, 2015.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Bowers, Jane, and Judith Tick, eds. <\/span><i><span style=\"font-weight: 400\">Women Making Music: The Western Art Tradition, 1150\u20131950<\/span><\/i><span style=\"font-weight: 400\">. Urbana and Chicago: University of Illinois Press, 1987.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Cyrus, Cynthia J., and Olivia Carter Mather. \u201cRereading Absence: Women in Medieval and Renaissance Music.\u201d <\/span><i><span style=\"font-weight: 400\">College Music Symposium<\/span><\/i><span style=\"font-weight: 400\"> 38 (1998): 101\u2013117.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Dunbar, Julie C. <\/span><i><span style=\"font-weight: 400\">Women, Music, Culture: An Introduction<\/span><\/i><span style=\"font-weight: 400\">. New York: Routledge, 2011.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Haemig, Mary Jane. \u201cElisabeth Cruciger (1500?\u20131535): The Case of the Disappearing Hymn Writer.\u201d <\/span><i><span style=\"font-weight: 400\">The Sixteenth-Century Journal<\/span><\/i><span style=\"font-weight: 400\"> 32.1 (Spring 2001): 21\u201344.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Hayes, Eileen M., and Linda F. Williams, eds. <\/span><i><span style=\"font-weight: 400\">Black Women and Music: More than the Blues<\/span><\/i><span style=\"font-weight: 400\">. Urbana: University of Illinois Press, 2007.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Jezic, Diana Peacock, and Elizabeth Wood. <\/span><i><span style=\"font-weight: 400\">Women Composers: The Lost Tradition Found, Second Edition<\/span><\/i><span style=\"font-weight: 400\">. New York: The Feminist Press, 1994.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Marshall, Kimberly, ed. <\/span><i><span style=\"font-weight: 400\">Rediscovering the Muses: Women\u2019s Musical Traditions<\/span><\/i><span style=\"font-weight: 400\">. Boston: Northeastern University Press, 1993.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Pendle, Karin. <\/span><i><span style=\"font-weight: 400\">Women and Music: A History, Second Edition<\/span><\/i><span style=\"font-weight: 400\">. Bloomington: Indiana University Press, 2001.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Solie, Ruth A., ed. <\/span><i><span style=\"font-weight: 400\">Musicology and Difference: Gender and Sexuality in Music Scholarship<\/span><\/i><span style=\"font-weight: 400\">. Berkeley and Los Angeles: University of California Press, 1993.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Walton, Janet. \u201cWomen\u2019s Ritual Music.\u201d In <\/span><i><span style=\"font-weight: 400\">Music in American Religious Experience<\/span><\/i><span style=\"font-weight: 400\">, edited by Philip V. Bohlman, Edith Blumhofer, and Maria Chow, 255\u2013268. Oxford and New York: Oxford University Press, 2005.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"font-weight: 400\">The series <\/span><i><span style=\"font-weight: 400\">Beyond the Notes<\/span><\/i><span style=\"font-weight: 400\"> is supported by Temple University Libraries and Temple University\u2019s Boyer College of Music and Dance.<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Emiko Edwards, Olena Havyuk-Sheremet, and Benjamin Katz contributed to this post. On December 6, 2017, Paley Library will host \u201cShe Persisted: Women in Music Then and Now,\u201d a symposium celebrating women\u2019s contributions to music. Despite women\u2019s deep engagement in\u00a0music from antiquity to the present day, their accomplishments have too often been neglected or glossed over [&hellip;]<\/p>\n","protected":false},"author":12735,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[100,5],"tags":[87,9,4,72],"coauthors":[116],"class_list":["post-5660","post","type-post","status-publish","format-standard","hentry","category-beyond-the-notes","category-performing-arts-news","tag-beyond-the-notes","tag-music","tag-performing-arts","tag-top-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>She Persisted: Women in Music, Then and Now - Performing Arts News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.temple.edu\/performingartsnews\/2017\/11\/15\/she-persisted-women-in-music-then-and-now\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"She Persisted: Women in Music, Then and Now - Performing Arts News\" \/>\n<meta property=\"og:description\" content=\"Emiko Edwards, Olena Havyuk-Sheremet, and Benjamin Katz contributed to this post. On December 6, 2017, Paley Library will host \u201cShe Persisted: Women in Music Then and Now,\u201d a symposium celebrating women\u2019s contributions to music. 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