{"id":5257,"date":"2016-09-21T14:45:24","date_gmt":"2016-09-21T18:45:24","guid":{"rendered":"https:\/\/sites.temple.edu\/performingartsnews\/?p=5257"},"modified":"2023-03-01T18:15:44","modified_gmt":"2023-03-01T22:15:44","slug":"weelkesrossi","status":"publish","type":"post","link":"https:\/\/sites.temple.edu\/performingartsnews\/2016\/09\/21\/weelkesrossi\/","title":{"rendered":"A Concert 420 Years in the Making!"},"content":{"rendered":"<p style=\"text-align: center\"><strong><em>Beyond the Notes<\/em> : Temple Library\u2019s Noontime Concert Series<\/strong><\/p>\n<p style=\"text-align: center\"><em>presents<\/em><\/p>\n<p style=\"text-align: center\"><em><strong>A Concert 420 Years in the Making<\/strong><\/em><\/p>\n<div class=\"wp-caption aligncenter\">\n<figure id=\"attachment_5161\" aria-describedby=\"caption-attachment-5161\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5161 size-medium\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/08\/wfitorgweelkes-300x200.jpg\" alt=\"Thomas Weelkes\" width=\"300\" height=\"200\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/08\/wfitorgweelkes-300x200.jpg 300w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/08\/wfitorgweelkes-600x400.jpg 600w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/08\/wfitorgweelkes.jpg 736w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-5161\" class=\"wp-caption-text\">Thomas Weelkes, 1575-1623.<\/figcaption><\/figure>\n<\/div>\n<div style=\"text-align: center\">\u00a0<strong>Madrigals of Thomas Weelkes and Salamone Rossi<\/strong><br \/>\n<em>featuring <\/em><br \/>\n<strong>Edward Latham, Mitos Andaya Hart,<\/strong><br \/>\n<em>the<\/em><br \/>\n<strong>Temple Ten<\/strong><\/div>\n<div style=\"text-align: center\"><em> and the <\/em><\/div>\n<div style=\"text-align: center\"><strong>Graduate Choral Literature Singers!<\/strong><\/div>\n<div style=\"text-align: center\"><\/div>\n<div style=\"text-align: center\">Wednesday, October 12th<\/div>\n<div style=\"text-align: center\">12:00 &#8211; 1:00pm<\/div>\n<div style=\"text-align: center\">Paley Library Lecture Hall<\/div>\n<hr \/>\n<p><iframe loading=\"lazy\" src=\"https:\/\/temple.hosted.panopto.com\/Panopto\/Pages\/Embed.aspx?id=453f7381-3f48-4644-8e8b-aeae01730dc2&#038;autoplay=false&#038;offerviewer=true&#038;showtitle=true&#038;showbrand=true&#038;captions=false&#038;interactivity=all\" height=\"405\" width=\"720\" style=\"border: 1px solid #464646;\" allowfullscreen allow=\"autoplay\"><\/iframe><\/p>\n<p>In<em> A Concert 420 Years in the Making<\/em>, Edward Latham, professor of music theory, Mitos Andaya Hart, professor of choral activities, the\u00a0Temple Ten, an elite group of Boyer College singers, and the Graduate Choral Literature Singers collaborate in a historic performance of English madrigals by Thomas Weelkes and corresponding Italian madrigals by Salamone Rossi, based on research by Temple physician Eric Altschuler. \u00a0Conjectures of Weelkes&#8217; familiarity with the madrigals of Salamone Rossi have been made a number of times based on Weelkes&#8217; using\u00a0the same texts and the musical similarity of these settings. Althschuler solidified this link statistically; therefore we now know for sure that Weelkes 1597 book of madrigals nos. 13 through 18, correspond to madrigals of Salamone Rossi set in 1589, no.s 7, 6, 2, 11, 15, and 19 both texts and musically, and that Weelkes had to\u00a0have been familiar with the Rossi set. \u00a0On Wednesday, October 12th, at noon in Temple University&#8217;s Paley Library, A<em> Concert<\/em> 4<em>20 Years in the Making <\/em>will bring together these corresponding madrigals in a performance for the first time.\u00a0To add to the historic importance of this event, none of the Weelkes&#8217; madrigals on this program have\u00a0previously been recorded.<\/p>\n<figure id=\"attachment_5317\" aria-describedby=\"caption-attachment-5317\" style=\"width: 540px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5317 size-large\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/tapestry-1024x688.jpg\" alt=\"picture of 17th century English musicians\" width=\"540\" height=\"363\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/tapestry.jpg 1024w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/tapestry-300x202.jpg 300w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/tapestry-768x516.jpg 768w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption id=\"caption-attachment-5317\" class=\"wp-caption-text\">Mid 17th Century English tapestry. Museum of Fine Arts, Houston.<\/figcaption><\/figure>\n<p><strong>Madrigals<\/strong><\/p>\n<p>Madrigals, beautifully expressive secular vocal pieces originated in Italy and increased in\u00a0popularity through the 16th and 17th centuries. Composed for 3 or more voices, each voice had its\u00a0own unique florid melody that when sung all together combine to create beautiful music. (Music with\u00a0several melodies \u00a0occurring at the same time is called <a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.oxfordmusiconline.com\/subscriber\/article\/opr\/t114\/e5271?q=polyphony&amp;pos=2&amp;_start=1#firsthit\">polyphony<\/a>.) The expressive and complex melodies found in madrigals\u00a0necessitate a\u00a0considerable amount of skill and artistry to compose and to perform. The popular Italian madrigal spread north, and flourished particularly\u00a0in England after the 1588 publication of <a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/gateway.proquest.com\/openurl?ctx_ver=Z39.88-2003&amp;xri:pqil:res_ver=0.2&amp;res_id=xri:lion&amp;rft_id=xri:lion:ft:po:Z000493425:&amp;rft.accountid=14270\"><em>Musica Transalpina<\/em><\/a>, a collection of Italian madrigals translated into English. So popular was the madrigal, and so many madrigals were composed by English composers that an &#8220;English Madrigal School&#8221; developed with its own unique musical characteristics. At the end of the 16th century, the English Madrigal School\u00a0reached its height with Thomas Morley, John Wilbye, and Thomas Weelkes considered to be the best\u00a0English madrigalists.<\/p>\n<p><strong>Thomas Weelkes<\/strong><\/p>\n<p>Thomas Weelkes (1570-1623), arguably the finest English madrigalist, wrote sacred \u00a0and instrumental music in addition to madrigals. \u00a0His served\u00a0as\u00a0organist at Winchester College and as organist and <em>informator choristarum<\/em> at the Chichester Cathedral. \u00a0He presumably suffered from alcoholism\u00a0and records indicate that he was noted for neglecting his duties and behaving in a disruptive unseemly manner during worship services. \u00a0In spite of all this,\u00a0Weelkes was a prolific composer. \u00a0In his\u00a0first publication (1587) of \u00a0<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/gateway.proquest.com\/openurl?ctx_ver=Z39.88-2003&amp;res_id=xri:eebo&amp;rft_id=xri:eebo:image:3446\">Cantus prim[us]. Madrigals to 3.4.5. &amp; 6. voyces<\/a>,\u00a0numbers 13 through 18, all for 5 voices, correspond to canzonettes published in 1589\u00a0by Italian composer Salamone Rossi.<\/p>\n<figure id=\"attachment_5323\" aria-describedby=\"caption-attachment-5323\" style=\"width: 212px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5323 size-medium\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/rossiprimolibro-212x300.png\" alt=\"title page of Rossi's 1589 set of madrigals.\" width=\"212\" height=\"300\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/rossiprimolibro-212x300.png 212w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/rossiprimolibro-768x1086.png 768w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/rossiprimolibro-724x1024.png 724w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/rossiprimolibro.png 1131w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><figcaption id=\"caption-attachment-5323\" class=\"wp-caption-text\">Rossi Primo Libro delle Canzonette, Venice, 1589.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong>Salamone Rossi \u00a0\u00a0<\/strong><\/p>\n<p>Salamone Rossi (1570? &#8211; 1630), \u00a0a contemporary and colleague of <a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.oxfordmusiconline.com\/subscriber\/article\/grove\/music\/44352pg2#S44352.2\">Claudio Monteverdi<\/a>, served as violist at the court of Vincenzo Gonzaga in Mantua.\u00a0Duke Vincenzo thought so highly of Rossi that a royal decree was issued absolving Rossi from having to wear the yellow patch required of all Jews in Mantua at that time. \u00a0 Rossi is most known for writing\u00a0Jewish liturgical music, particularly the\u00a0<em>Hashirim asher lish\u2019lomo<\/em> (\u2018The Songs of Solomon\u2019), a collection of 33 polyphonic settings of Hebrew psalms, hymns and songs. \u00a0In addition, Rossi was an important composer of instrumental music, and morphed the instrumental canzona into what we now call the trio sonata. He was known for using\u00a0vocal compositional techniques for\u00a0instrumental music. Rossi&#8217;s first publication,\u00a0<em>Primo libro delle canzonette a tre voci<\/em> (Venice, 1589), directly influenced Thomas Weelkes&#8217; 5 voice madrigals of 1597.<\/p>\n<figure id=\"attachment_5341\" aria-describedby=\"caption-attachment-5341\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5341 size-full\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/weelkesrossichart.png\" alt=\"Weelkes 1597 Madrigals on the left, correspond to Rossi 1589 Primo libro delle canzonette on the right. (Cohen, 110)\" width=\"650\" height=\"138\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/weelkesrossichart.png 650w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/weelkesrossichart-300x64.png 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption id=\"caption-attachment-5341\" class=\"wp-caption-text\">Weelkes 1597 Madrigals on the left, correspond to Rossi 1589 Primo libro delle canzonette on the right. (Cohen, 110)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_5344\" aria-describedby=\"caption-attachment-5344\" style=\"width: 230px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5344\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos.jpg\" alt=\"photo of Dr. Hart\" width=\"230\" height=\"230\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos.jpg 230w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos-150x150.jpg 150w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos-32x32.jpg 32w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos-50x50.jpg 50w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos-64x64.jpg 64w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos-96x96.jpg 96w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/mitos-128x128.jpg 128w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><figcaption id=\"caption-attachment-5344\" class=\"wp-caption-text\">Dr. Mitos Andaya Hart<\/figcaption><\/figure>\n<p>Internationally renowned <strong>Dr. Mitos Andaya Hart<\/strong>, Associate Professor of Choral Music and Choral Activities, has performed in South Africa, Kenya, Australia, the Netherlands, Sweden, the United Kingdom, Italy, Portugal, Spain, and throughout the United States. At Temple University, Dr. Hart currently\u00a0teaches undergraduate conducting, graduate choral literature, assists with graduate conducting, and directs the Temple University Singers.<br \/>\nAndaya Hart has Renaissance and other editions published with Alliance Music Publications, and jazz compositions and arrangements with UNC Jazz Press and Hal Leonard. \u00a0She is active in the American Choral Directors Association and International Federation of Choral Music, and currently serves as President-Elect of the National Collegiate Choral Organization (NCCO).<\/p>\n<figure id=\"attachment_5347\" aria-describedby=\"caption-attachment-5347\" style=\"width: 230px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5347\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230.jpg\" alt=\"photo of Ted Latham\" width=\"230\" height=\"230\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230.jpg 230w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230-150x150.jpg 150w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230-32x32.jpg 32w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230-50x50.jpg 50w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230-64x64.jpg 64w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230-96x96.jpg 96w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/Latham_E_007_230x230-128x128.jpg 128w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><figcaption id=\"caption-attachment-5347\" class=\"wp-caption-text\">Dr. Edward Latham<\/figcaption><\/figure>\n<p><strong>Dr.\u00a0Edward Latham<\/strong> was the recipient of Temple University&#8217;s 2008 Lindback Award and the 2007 Teaching Academy Award for excellence in teaching. His research focuses on the interdisciplinary analysis of texted or danced musical works and his publications (in <em>Music Theory Online, Indiana Theory Review, Theory and Practice, Gamut, Dance Chronicle, <\/em>and <em>Ex Tempore) <\/em>include articles and chapters on the music of Bach, Debussy, Gershwin, Korngold, and Schoenberg, an article on the analysis of multimedia works, and reviews of the work of Ethan Haimo, Stephanie Jordan, Philip Rupprecht and Arnold Whittall. His recent regional, national and international conference papers have also addressed the intersection of musical and dramatic or choreographic structure in works by Bach, Mozart, and Weill. His book on twentieth-century American opera, <em>Tonality as Drama, <\/em>was published in 2008 by the University of North Texas Press.<\/p>\n<figure id=\"attachment_5356\" aria-describedby=\"caption-attachment-5356\" style=\"width: 223px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5356 size-medium\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/altschuler_e_profile-223x300.jpg\" alt=\"photo of Dr. Altschuler\" width=\"223\" height=\"300\" srcset=\"https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/altschuler_e_profile-223x300.jpg 223w, https:\/\/sites.temple.edu\/performingartsnews\/files\/2016\/09\/altschuler_e_profile.jpg 320w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><figcaption id=\"caption-attachment-5356\" class=\"wp-caption-text\">Eric Altschuler, MD<\/figcaption><\/figure>\n<p><strong>Dr. Eric Altschuler<\/strong> is an Associate Professor of Physical Medicine and Rehabilitation at the Lewis Katz School of Medicine at Temple University.\u00a0In addition to his extensive <a href=\"http:\/\/www.ncbi.nlm.nih.gov\/pubmed\/?term=%28Altschuler+EL[Author]+AND+%28Harvard+University[ad]+OR+Brooklyn+Hospital+Center[ad]+OR+California[ad]+OR+Mt.+Sinai[ad]+OR+New+Jersey+Medical+School[ad]+OR+Temple+Univeristy[ad]%29%29\">publications in the field of medicine<\/a>, Dr. Altschuler also writes about Johann Sebastian Bach and the English composer Thomas Weelkes. \u00a0Dr. Altschuler&#8217;s articles on Weelkes include:<\/p>\n<p>Altschuler, Eric Lewin, and Jansen William. &#8220;<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.jstor.org\/stable\/30044108?seq=1#page_scan_tab_contents\">Shakespeariana in a Thomas Weelkes Dedication from 1600.<\/a>&#8221; <i>The Musical Times<\/i>146.1892 (2005): 83-91.<\/p>\n<p>Altschuler, Eric Lewin, and Jansen William. &#8220;<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.jstor.org\/stable\/4149115?seq=1#page_scan_tab_contents\">Thomas Weelkes and Salamone Rossi: Some Interconnections.<\/a>&#8221; <i>The Musical Times<\/i>145.1888 (2004): 87-94.<\/p>\n<p>Altschuler, Eric Lewin, and Jansen William. &#8220;<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.jstor.org\/stable\/1004594?seq=1#page_scan_tab_contents\">Thomas Weelkes&#8217;s Text Authors: Men of Letters.<\/a>&#8221; <i>The Musical Times<\/i> 143.1879 (2002): 17-24. Web.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><strong>Find out more!<\/strong><\/p>\n<p style=\"text-align: center\"><strong>Scores of Weelkes&#8217; 1597 Madrigals<\/strong><\/p>\n<p style=\"text-align: left;padding-left: 30px\"><a href=\"http:\/\/eebo.chadwyck.com\/search\/search?SEARCH=submit+search&amp;ACTION=SearchOrBrowse&amp;AUTHOR=EXACT+%22Weelkes%2C%20Thomas%2C%201575%20(ca.)-1623.%22&amp;RETRIEVETYPE=subset&amp;HISTLOGGING=N&amp;DATE1=1473&amp;DATE2=1900&amp;DUMMYHIT=%22%3CEEBOID%3E%22&amp;SOURCE=config.cfg&amp;SCREEN=search_advanced.htx&amp;ECCO=param(ECCO)\">Weelkes, Thomas, 1575 (ca.)-1623.<\/a>\u00a0\u00a0<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/gateway.proquest.com\/openurl?ctx_ver=Z39.88-2003&amp;res_id=xri:eebo&amp;rft_id=xri:eebo:image:3446\">Cantus prim[us]. Madrigals to 3.4.5. &amp; 6. voyces. Made &amp; newly published by Thomas Weelkes<\/a>.\u00a0At London : Printed by Thomas Este, 1597.<\/p>\n<p style=\"padding-left: 30px\"><a href=\"https:\/\/login.libproxy.temple.edu\/login?qurl=https:\/\/search.alexanderstreet.com\/view\/work\/420947\">Your Beauty It Allureth.<\/a><br \/>\n<a href=\"https:\/\/login.libproxy.temple.edu\/login?qurl=https:\/\/search.alexanderstreet.com\/view\/work\/420947\">If thy deceitful looks.<\/a><br \/>\n<a href=\"https:\/\/login.libproxy.temple.edu\/login?qurl=https:\/\/search.alexanderstreet.com\/view\/work\/420950\">Those sweet delightful lilies.<\/a><br \/>\n<a href=\"https:\/\/login.libproxy.temple.edu\/login?qurl=https:\/\/search.alexanderstreet.com\/view\/work\/420953\">Lady your spotless feature.<\/a><br \/>\n<a href=\"https:\/\/login.libproxy.temple.edu\/login?qurl=https:\/\/search.alexanderstreet.com\/view\/work\/420959\">Make haste ye lovers.<\/a><br \/>\n<a href=\"https:\/\/login.libproxy.temple.edu\/login?qurl=https:\/\/search.alexanderstreet.com\/view\/work\/420963\">What haste, fair lady.<\/a><\/p>\n<p style=\"text-align: center\"><strong>Thomas Weelkes<\/strong><\/p>\n<p>Brown, David. <em>Thomas Weelkes: a biographical and critical study<\/em>. New York: F.A. Praeger, 1969. <a href=\"http:\/\/diamond.temple.edu\/record=b1747533~S30\">Paley Stacks ML410.W36B8<\/a><\/p>\n<p>Brown, David. \u201c<span class=\"roman\"><a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.oxforddnb.com\/view\/article\/28970?docPos=1\"><span class=\"headword\">Weelkes, Thomas<\/span><\/a> (<em>bap. <\/em>1576?, <em>d.<\/em>1623)<\/span>.\u201d David Brown.\u00a0<i>Oxford Dictionary of National Biography<\/i>. Online ed. Ed. David Cannadine. Oxford: OUP, 2004.<\/p>\n<p>&#8220;<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/search.credoreference.com\/content\/entry\/harvbiodictmusic\/weelkes_thomas_c_1575_elsted_sussex_30_nov_1623_london\/0\">Weelkes, Thomas (<\/a>C. 1575, Elsted?, Sussex &#8211; 30 Nov. 1623, London).&#8221; <i>The Harvard Biographical Dictionary of Music<\/i>, edited by Don Michael Randel, Harvard University Press, 2003. <i>Credo Reference.<\/i><\/p>\n<p class=\"bibl\" style=\"text-align: center\"><strong>Salamone Rossi<\/strong><\/p>\n<p class=\"bibl\"><span class=\"author\">Iain Fenlon<\/span>. <span class=\"article-name\">&#8220;<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.oxfordmusiconline.com\/subscriber\/article\/grove\/music\/23896?q=Salamone+Rossi&amp;search=quick&amp;pos=1&amp;_start=1\">Rossi, Salamone.<\/a>&#8221; <\/span><span class=\"source\"><em>Grove Music Online<\/em><\/span>. <em class=\"site-name\">Oxford Music Online<\/em>. <span class=\"site-name-affix\">Oxford University Press<\/span>.<span class=\"access-type\">Web<\/span>.<\/p>\n<p class=\"bibl\">Newman, Joel and Fritz Rikko. <em>A Thematic\u00a0Index to the Works of Salamon Rossi<\/em>. Hackensack, NJ: J. Boonin, 1972. <a href=\"http:\/\/diamond.temple.edu\/record=b1749744~S30\">Paley Stacks ML134.R685N5<\/a>\u00a0Library Use Only<\/p>\n<p class=\"bibl\">Harr\u00e1n, Don. Salamone Rossi: Jewish Musician in Late Renaissance Mantua. Oxford, 1999. <a href=\"http:\/\/diamond.temple.edu\/record=b2534489~S30\">Paley Stacks ML410.R78 H37 1999<\/a><\/p>\n<p class=\"bibl\" style=\"text-align: center\"><strong>The Madrigals<\/strong><\/p>\n<p><span class=\"ag\"><span class=\"auth\"><span class=\"init\">Cohen, Judith.\u00a0<\/span><\/span><\/span><a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/www.jstor.org\/stable\/854803?pq-origsite=summon&amp;seq=1#page_scan_tab_contents\">\u2018<span class=\"atitle\">Thomas Weelkes\u2019s Borrowings from Salamone Rossi<\/span>\u2019,<\/a>\u00a0<em>Music and Letters<\/em>, <span class=\"vol\">lxvi<\/span> (<span class=\"date\"><span class=\"year\">1985<\/span><\/span>), <span class=\"pp\">110\u201317.<\/span><\/p>\n<p><span class=\"ag\"><span class=\"auth\"><span class=\"init\">Einstein, Alfred.\u00a0<\/span><\/span>\u00a0<\/span>\u2018<a href=\"http:\/\/libproxy.temple.edu\/login?url=http:\/\/search.ebscohost.com\/login.aspx?direct=true&amp;db=rfh&amp;AN=ATLA0000663202&amp;site=ehost-live&amp;scope=site\"><span class=\"atitle\">Salamone Rossi as Composer of Madrigals<\/span><\/a>\u2019, <em><span class=\"jnl\">Hebrew Union College Annual<\/span><\/em>, <span class=\"vol\">xxiii<\/span>\/<span class=\"issue\">2<\/span> (<span class=\"date\"><span class=\"year\">1950\u201351<\/span><\/span>),<span class=\"pp\">383\u201396.<\/span><\/p>\n<p class=\"bibl\"><span class=\"auth\"><span class=\"init\">Fellowes, Edmund H.\u00a0<\/span><\/span>\u00a0<em class=\"work\">The English Madrigal Composers. <\/em>Oxford, 1948. <a href=\"http:\/\/diamond.temple.edu\/record=b1394737~S30\">Paley Stacks ML2631.F46 1948.<\/a><\/p>\n<p class=\"bibl\"><span class=\"ag\"><span class=\"auth\"><span class=\"init\">Fellowes, Edmund H.\u00a0<\/span><\/span>\u00a0<\/span><em class=\"work\">English Madrigal Verse, 1588\u20131632. <\/em>Oxford, 1968. <a href=\"http:\/\/diamond.temple.edu\/record=b1424864~S30\">Paley Stacks PR1195.M2F4 1968.<\/a><\/p>\n<p class=\"bibl\">Kerman, Joseph. <em>T<\/em><i>he Elizabethan Madrigal.\u00a0<\/i>New York: American Musicological Soc, 1962. <a href=\"http:\/\/diamond.temple.edu\/record=b1384752~S30\">Paley Stacks ML2631K47<\/a><\/p>\n<p class=\"bibl\"><span class=\"ag\"><span class=\"auth\"><span class=\"init\">Roche, Jerome. <\/span><\/span>\u00a0<\/span><em class=\"work\">The Madrigal. <\/em>Oxford, 1990.<a href=\"http:\/\/diamond.temple.edu\/record=b1394737~S30\"> Paley Stacks ML2600.R63 1990.<\/a><\/p>\n<hr \/>\n<p class=\"bibl\">Many thanks to Temple University Libraries, Boyer College, and the Presidential Humanities and Arts Program for their support of\u00a0<em>Beyond the Notes<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beyond the Notes : Temple Library\u2019s Noontime Concert Series presents A Concert 420 Years in the Making \u00a0Madrigals of Thomas Weelkes and Salamone Rossi featuring Edward Latham, Mitos Andaya Hart, the Temple Ten and the Graduate Choral Literature Singers! Wednesday, October 12th 12:00 &#8211; 1:00pm Paley Library Lecture Hall In A Concert 420 Years in [&hellip;]<\/p>\n","protected":false},"author":671,"featured_media":5161,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"cybocfi_hide_featured_image":"","footnotes":""},"categories":[100,5],"tags":[87,11,115,9,83,4,114,72],"coauthors":[112],"class_list":["post-5257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beyond-the-notes","category-performing-arts-news","tag-beyond-the-notes","tag-classical-music","tag-madrigals","tag-music","tag-noontime-concert-series","tag-performing-arts","tag-renaissance","tag-top-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A Concert 420 Years in the Making! - Performing Arts News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.temple.edu\/performingartsnews\/2016\/09\/21\/weelkesrossi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Concert 420 Years in the Making! - Performing Arts News\" \/>\n<meta property=\"og:description\" content=\"Beyond the Notes : Temple Library\u2019s Noontime Concert Series presents A Concert 420 Years in the Making \u00a0Madrigals of Thomas Weelkes and Salamone Rossi featuring Edward Latham, Mitos Andaya Hart, the Temple Ten and the Graduate Choral Literature Singers! 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