{"version":"1.0","provider_name":"Performing Arts News","provider_url":"https:\/\/sites.temple.edu\/performingartsnews","title":"Unending Protests, Unending Music - Performing Arts News","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GM9Zo56nKO\"><a href=\"https:\/\/sites.temple.edu\/performingartsnews\/2020\/11\/19\/unending-protests-unending-music\/\">Unending Protests, Unending Music<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sites.temple.edu\/performingartsnews\/2020\/11\/19\/unending-protests-unending-music\/embed\/#?secret=GM9Zo56nKO\" width=\"600\" height=\"338\" title=\"&#8220;Unending Protests, Unending Music&#8221; &#8212; Performing Arts News\" data-secret=\"GM9Zo56nKO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/sites.temple.edu\/performingartsnews\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/sites.temple.edu\/performingartsnews\/files\/2020\/11\/Manabe-photocredit-Scott-Gilbard.jpeg","thumbnail_width":640,"thumbnail_height":480,"description":"The Trump Presidency: A Revue Wednesday, December 2, Noon Since he announced his candidacy in 2015, Donald Trump has been a subject in music, much of it in the form of parodies, remixes, and mashups released on social media.This talk by\u00a0Dr. Noriko Manabe\u00a0reviews this music of the Trump presidency (mostly from the Trump Resistance) and [&hellip;]"}