

{"id":74,"date":"2014-06-10T00:59:58","date_gmt":"2014-06-10T00:59:58","guid":{"rendered":"https:\/\/sites.temple.edu\/kristingjesdal\/?page_id=74"},"modified":"2024-11-02T19:39:08","modified_gmt":"2024-11-02T19:39:08","slug":"work-in-norwegian-selection","status":"publish","type":"page","link":"https:\/\/sites.temple.edu\/kristingjesdal\/work-in-norwegian-selection\/","title":{"rendered":"work in norwegian"},"content":{"rendered":"<p>I worked\u00a0for many years as a literary critic for NRK (the national broadcasting service, radio division), and newspapers such as <em>Klassekampen<\/em>, <em>Morgenbladet<\/em>, and <em>Nationen<\/em>.<\/p>\n<p>I have also edited two book series for Pax Publishing House (co-edited with Mari Lending). The first series is called <a href=\"https:\/\/bokelskere.no\/serie\/pax-palimpsest\/1809\/\">Pax Palimpsest<\/a> (a total of 18 volumes, including translations of Gracian, Kant, Benjamin, Schopenhauer, Freud, Hegel, Bourdieu, Kristeva, and others. The second series is called Literary Palimpsest (16 volumes, focusing on translation of literature and essays including Bachmann, Beckett, Bove, DeGourmont, Karl Kraus, and Nabokov). Many of the volumes were supported by Internationes (Germany) and the Norwegian Research Council. Several volumes also came out in Danish editions.<\/p>\n<p>From 1992 to 1996, I was editor of <em>K<\/em><i>ritikkjournalen<\/i>, the Scandinavian University Press\u2019 annual journal of literary criticism (co-edited with Mari Lending). I have been on the Editorial Board of <a href=\"http:\/\/samtiden.no\/\">Samtiden<\/a><em>\u00a0<\/em>(1992-1996) and <a href=\"https:\/\/www.aschehoug.no\/Boeker\/Tidskrifter\/Om-Agora\">Agora<\/a> (2002-2019).<\/p>\n<p>Below is a list that includes some of my academic work in Norwegian. All titles are translated from Norwegian.<\/p>\n<p><i>a.\u00a0\u00a0\u00a0 Edited Books\u00a0<\/i><\/p>\n<p>3.<i>\u00a0\u00a0\u00a0 On Good and<\/i><i>\u00a0Bad in Literature: A Schopenhauer Reader<\/i>. Oslo: Pax Publishing House, 1997<\/p>\n<p>2.\u00a0\u00a0\u00a0\u00a0<i>Experience and the Ordinary<\/i>:<i>\u00a0A Stanley Cavell Reader<\/i>. Oslo: Pax Publishing House, 1996<\/p>\n<p>1.\u00a0\u00a0\u00a0 Robert Burton,\u00a0<i>An Anatomy of Melancholy<\/i>\u00a0(selections). Oslo: Pax Publishing House, 1994<\/p>\n<p><i>b.\u00a0\u00a0\u00a0 Edited Special Volumes<\/i><\/p>\n<p>3.\u00a0\u00a0\u00a0 Special issue of\u00a0<em>Agora<\/em>\u00a0(no. 4, 2010),\u00a0<i>Sculpture.\u00a0<\/i>Oslo: Aschehoug Publishing House, 2010<\/p>\n<p>2.\u00a0\u00a0\u00a0 Special issue of\u00a0<i>Agora<\/i>\u00a0(no. 3, 2006),\u00a0<i>The Museum.\u00a0<\/i>Oslo: Aschehoug Publishing House, 2006<\/p>\n<p>1.\u00a0\u00a0\u00a0 Special issue of\u00a0<i>Agora<\/i>\u00a0(no. 1-2, 2004),\u00a0<i>Philosophy and Architecture.<\/i><i>\u00a0<\/i>Oslo: Aschehoug Publishing House, 2004<\/p>\n<p><i>c.\u00a0\u00a0 \u00a0\u00a0Peer Reviewed Articles and Chapters<\/i><i>\u00a0<\/i><\/p>\n<p>12. \u00a0\u201cGlobal Citizenship: Democracy, Politics, Tolerance\u201d\u00a0<i>Samtiden.\u00a0<\/i>Oslo: Aschehoug Publishing House, 2012, 116-126<\/p>\n<p>11. \u00a0\u201cSculpture, Tragedy, and the End of Art: Hegel and Herder on the Future of Aesthetics,&#8221;\u00a0\u00a0<i>Agora,\u00a0<\/i>Oslo: Aschehoug Publishing House, 2010, 5-22<\/p>\n<p>10.\u00a0\u00a0 \u201cHegel on Architecture as the Beginning of Art,\u201d\u00a0<i>Agora,\u00a0<\/i>Oslo: Aschehoug Publishing House, 2004, 7-24<\/p>\n<p>9.\u00a0\u00a0\u00a0 Introduction to Friedrich Schiller,\u00a0<i>Aesthetic Education of Mankind<\/i>. Oslo: De Norske\u00a0Bokklubber, 2004, vii-xlii (translation and introduction published with the support of the Norwegian Research Council)<\/p>\n<p>8.\u00a0\u00a0\u00a0 \u201cPost-romantic Mythologies: On Matthew Barney\u2019s\u00a0<i>Cremaster Cycle,<\/i>\u201d\u00a0<i>Kunstkritikk.No<\/i><\/p>\n<p>7.\u00a0\u00a0\u00a0 Introduction:\u00a0<i>The Rosalind Krauss Reader<\/i>. Oslo: Pax Publishing House, 2002, 227-237 (translation\u00a0and introduction published with the support of the Norwegian Research Council)<\/p>\n<p>6.\u00a0\u00a0\u00a0 \u201cThe Beginning of the End of Art\u201d (Interview with Arthur Danto),\u00a0<i>Samtiden\u00a0<\/i>(Aschehoug\u00a0Publishing House), no. 4, 2002, 95-105<\/p>\n<p>5.\u00a0\u00a0\u00a0 \u201cTowards a New Political Art? Documenta XI,\u201d\u00a0<i>Vinduet,\u00a0<\/i>Oslo: Gyldendal, 2002, 55-62<\/p>\n<p>4.\u00a0\u00a0\u00a0 \u201cTowards a New Understanding of Political Space,\u201d in Bodil Stenseth (ed.),<i>\u00a0<\/i><i>At the end of the Twentieth-Century,\u00a0<\/i>Oslo: Scandinavian University Press, 1999, 175-194<\/p>\n<p>3.\u00a0\u00a0\u00a0 \u201cHannah Arendt\u2019s Romantic Paradox,\u201d\u00a0<i>NFT<\/i>\u00a0(<i>Norwegian Journal of Philosophy<\/i>),\u00a0Oslo: Scandinavian University Press, 1997, 5-25<\/p>\n<p>2.\u00a0\u00a0\u00a0 \u201cWalter Benjamin\u2019s Notion of Literary Criticism,\u201d in Sissel Lie and Liv Nysted (red.),\u00a0<i>Literary Criticism,<\/i>\u00a0Oslo: Cappelen, 1995, 135-145<\/p>\n<p>1.\u00a0\u00a0 \u201cAn Urban Anatomy: On Eug\u00e8ne Atget and Early 20th-Century Photography in\u00a0Paris,\u201d\u00a0<i>Hyperfoto<\/i>, Oslo: 1994, 36-42<\/p>\n<p><i>\u00a0<\/i><\/p>\n<p><i>d.\u00a0\u00a0\u00a0 Translations<\/i><\/p>\n<p>i. \u00a0Introduction (by Stephen Mulhall) to\u00a0<i>Experience and the Ordinary: A Stanley\u00a0<\/i><i>Cavell Reader<\/i>, Oslo: Pax Publishing House, 1995<\/p>\n<p>ii. Guy Scarpetta, \u201cAvantgarden,\u201d in\u00a0<i>Arr: Norwegian Journal for the History of\u00a0<\/i><i>Ideas, <\/i>1992 (translated from French)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I worked\u00a0for many years as a literary critic for NRK (the national broadcasting service, radio division), and newspapers such as Klassekampen, Morgenbladet, and Nationen. I have also edited two book series for Pax Publishing House (co-edited with Mari Lending). The &hellip; <a href=\"https:\/\/sites.temple.edu\/kristingjesdal\/work-in-norwegian-selection\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4575,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-74","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/pages\/74","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/users\/4575"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/comments?post=74"}],"version-history":[{"count":2,"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/pages\/74\/revisions"}],"predecessor-version":[{"id":313,"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/pages\/74\/revisions\/313"}],"wp:attachment":[{"href":"https:\/\/sites.temple.edu\/kristingjesdal\/wp-json\/wp\/v2\/media?parent=74"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}