

{"id":4935,"date":"2024-02-07T18:46:24","date_gmt":"2024-02-07T18:46:24","guid":{"rendered":"https:\/\/sites.temple.edu\/historynews\/?p=4935"},"modified":"2024-02-07T23:38:39","modified_gmt":"2024-02-07T23:38:39","slug":"visions-in-motion-the-eva-gholson-papers-1975-1999-philadelphia-dance-collection","status":"publish","type":"post","link":"https:\/\/sites.temple.edu\/historynews\/2024\/02\/07\/visions-in-motion-the-eva-gholson-papers-1975-1999-philadelphia-dance-collection\/","title":{"rendered":"Visions in Motion: The Eva Gholson Papers, 1975-1999. Philadelphia Dance Collection"},"content":{"rendered":"\n<p>This month\u2019s pop-up exhibit in the SCRC Reading Room recognizes Black History Month by highlighting the Papers of Eva Gholson, the first Black women to train at the Merce Cunningham studio in the 1960\u2019s. The Eva Gholson Papers provide a glimpse into Gholson\u2019s career as a professor of dance studies at Temple University, her years with Sybil Dance Company, and the Philadelphia dance scene for a small modern dance troupe during the mid-1970s to the early-1990s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"778\" height=\"1024\" src=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2-778x1024.jpeg\" alt=\"\" class=\"wp-image-4938\" style=\"width:324px;height:auto\" srcset=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2-778x1024.jpeg 778w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2-228x300.jpeg 228w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2-768x1011.jpeg 768w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2-1167x1536.jpeg 1167w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2-1555x2048.jpeg 1555w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson2.jpeg 1838w\" sizes=\"auto, (max-width: 778px) 100vw, 778px\" \/><\/a><\/figure>\n\n\n\n<p>Gholson earned a Bachelor of Arts in dance from Bard College and an MFA in dance education at Sarah Lawrence College. Gholson also trained as a pianist, graduating from the Peabody Conservatory of Music with a focus on piano theory and violin. She was a professor of dance studies at Temple University from 1972 to 2011. Gholson was also a founding member, artistic director, and choreographer for Sybil Dance Company.&nbsp;Gholson\u2019s choreography was performed not only by Sybil Dance Company but also PHILADANCO!, Philadelphia Civic Ballet, Temple University dance students, various other college dance programs dance companies around the world.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"712\" height=\"1024\" src=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-712x1024.jpeg\" alt=\"\" class=\"wp-image-4960\" style=\"width:372px;height:auto\" srcset=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-712x1024.jpeg 712w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-208x300.jpeg 208w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-768x1105.jpeg 768w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-1067x1536.jpeg 1067w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-1423x2048.jpeg 1423w, https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson3-15-scaled.jpeg 1779w\" sizes=\"auto, (max-width: 712px) 100vw, 712px\" \/><\/a><\/figure>\n\n\n\n<p>During her career in choreography Gholson created over fifty original works in the modern dance style.&nbsp; Her choreography has been described by various critics as flowing, natural, lyrical, earthy, spiritual, intense, passionate, and formal. As an educator, artistic director, and choreographer, Gholson was recognized for her work in dance with a 1988 award from the Afro-American Historical and Cultural Museum. In 2004, Gholson published&nbsp;<em>Image of the Singing Air: Presence and Conscience in Dance and Music Collaboration,&nbsp;<\/em>which combined her personal perspective with her knowledge of music and dance theory.<\/p>\n\n\n\n<p>A selection of ephemera from performances Gholson choreographed is on display in the SCRC Reading room this month.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson1-2-scaled.jpeg\"><img decoding=\"async\" src=\"https:\/\/sites.temple.edu\/historynews\/files\/2024\/02\/Gholson1-2-1024x507.jpeg\" alt=\"\" class=\"wp-image-4942\" style=\"width:770px;height:auto\" \/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>This month\u2019s pop-up exhibit in the SCRC Reading Room recognizes Black History Month by highlighting the Papers of Eva Gholson, the first Black women to train at the Merce Cunningham studio in the 1960\u2019s. The Eva Gholson Papers provide a glimpse into Gholson\u2019s career as a professor of dance studies at Temple University, her years &hellip; <a href=\"https:\/\/sites.temple.edu\/historynews\/2024\/02\/07\/visions-in-motion-the-eva-gholson-papers-1975-1999-philadelphia-dance-collection\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Visions in Motion: The Eva Gholson Papers, 1975-1999. Philadelphia Dance Collection<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4240,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[34,25,16,6],"class_list":["post-4935","post","type-post","status-publish","format-standard","hentry","category-history-news","tag-black-history","tag-history-news","tag-philadelphia-history","tag-top-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/posts\/4935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/users\/4240"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/comments?post=4935"}],"version-history":[{"count":4,"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/posts\/4935\/revisions"}],"predecessor-version":[{"id":4963,"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/posts\/4935\/revisions\/4963"}],"wp:attachment":[{"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/media?parent=4935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/categories?post=4935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.temple.edu\/historynews\/wp-json\/wp\/v2\/tags?post=4935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}