{"id":420,"date":"2013-03-18T14:18:40","date_gmt":"2013-03-18T18:18:40","guid":{"rendered":"https:\/\/sites.temple.edu\/gradenglish\/?post_type=tribe_events&p=420"},"modified":"2013-03-24T12:47:18","modified_gmt":"2013-03-24T16:47:18","slug":"chat-lecture-with-priya-joshi-rethinking-the-theory-of-the-novel","status":"publish","type":"tribe_events","link":"https:\/\/sites.temple.edu\/gradenglish\/event\/chat-lecture-with-priya-joshi-rethinking-the-theory-of-the-novel\/","title":{"rendered":"CHAT Lecture with Priya Joshi: Rethinking the Theory of the Novel"},"content":{"rendered":"

The Center for the Humanities at Temple<\/a>\u00a0presents a lecture by English professor Priya Joshi for their\u00a0Distinguished Faculty Lectures Series. \u00a0In “Rethinking the Theory of the Novel,” Dr. Joshi will\u00a0examine the recent explosion of commercially successful English novels in India.\u00a0What theory of the novel might emerge when it is based on anti-literary forms? How might attention to the anti-literary revise the history of the novel as it is presently conceived?<\/p>\n

Writers such as Chetan Bhagat illuminate a new purpose and presence of the twenty-first century novel that unabashedly enters that most popular of zones (the Bollywood film) where it participates and shapes dialogues about nation and citizen, modernity and social purpose in realms far removed from print, literacy, and even the novel. That in the end may be the future of the novel in the twenty-first century: inhabiting a zone in which it actively coexists with other forms and media, rather than obliterating or being obliterated by them. A literary history of such coexistence remains to be written.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The Center for the Humanities at Temple\u00a0presents a lecture by English professor Priya Joshi for their\u00a0Distinguished Faculty Lectures Series. \u00a0In “Rethinking the Theory of the Novel,” Dr. Joshi will\u00a0examine the … Continue reading CHAT Lecture with Priya Joshi: Rethinking the Theory of the Novel<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1417,"featured_media":0,"template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[7],"class_list":["post-420","tribe_events","type-tribe_events","status-publish","hentry","tribe_events_cat-tuevents","cat_tuevents"],"_links":{"self":[{"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/tribe_events\/420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/users\/1417"}],"version-history":[{"count":0,"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/tribe_events\/420\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/media?parent=420"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/tags?post=420"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/sites.temple.edu\/gradenglish\/wp-json\/wp\/v2\/tribe_events_cat?post=420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}