‘Rebirth’ On Stage and In Life

 

Makayla Peterson
BFA in Dance 2020

 

By Makayla Peterson

The closure of Temple University’s campus in light of the worldwide pandemic shifted my life tremendously. From finishing my senior year online, taking virtual dance classes and not having the opportunity to walk across the stage- I never imagined I would be where I am now. I was forced to rethink, adjust and transform my original post-graduation plans. I always dreamed of starting my own dance company, but later on in life. With everything becoming virtual, I realized I could take advantage of this time and begin navigating the professional dance world as a choreographer and dancer. And thus, my company Monét Movement Productions: The Collective was founded in May 2020. 

The Collective cultivates artistry through innovative choreography and intentional movement. With works that generate meaningful connections, we provide captivating images and experiences for both the dancers and audience members. By sharing stories that are personal, social and/or cultural in nature we represent the collective and the world around us. After solidifying a name, I began applying to a plethora of opportunities to share my choreographic works. I received my first acceptance to present as a New Artist in the 11th Annual Making Moves Dance Festival- ‘Switchin’ It Up’ curated by the Jamaica Center for Arts and Learning.

Two dancer’s silhouetted shadows against a cloudy sunset of a city skyline and water. They have one foot flexed in front of the body, while the other knee is bent. Their arms are bent close to the body in a state of suspended transition.

The work featured was titled ‘Rebirth’, a restaging of a piece I created and performed at Temple University’s Student Dance Concert (Spring 2019). The original creation was reflective of my interpretation of the quote ‘Be you. Love you. Always, all ways’, by Alex Elle. It embodied a journey of self-reflection in opposition to the beauty standards held in society. This new version expanded and evolved in meaning and length. ‘Rebirth’ now exemplifies a journey of self-reflection, discovery, realization and love to understand that you are not defined by society and external conditions.

With the world shifting to virtual platforms to accommodate the “new normal”, our entire rehearsal process occurred through Zoom. This approach challenged me as I assumed the role of both artistic director and choreographer. We engaged in copious amounts of dancer/choreographer collaboration thus giving the dancers more artistic freedom. We focused more on storytelling, connecting to the music and reworking the original piece to fit a digital space. We successfully learned a 12-minute piece in 5 rehearsals which culminated in a dance on film production. 

Two dancers stand in blue dresses against a nature background of green trees where the trees’ shadows stretch along the ground, engulfing the dancers own shadows. Their blue dresses are swayed from a quick movement and their arms are outstretched in front of their bodies, crossed at the forearms.

Presenting ‘Rebirth’ at the Making Moves Dance Festival was a gratifying experience that pushed me outside of my comfort zone. I stepped into the role of director/video producer. I expanded my capabilities as an artistic director and have fallen in love with creating dance films. Family, friends and Temple faculty who supported me thoroughly enjoyed the work making my heart swell with immense joy and gratitude. ‘Rebirth’ will always have a special place in my life as it was my company debut. I look forward to displaying the film at other choreographic showcases as I begin my company’s second project, a restaging of my senior thesis ‘868 Irving Street’!

Makayla Peterson Temple BFA in Dance, A smiling Makayla in white button down shirt and black shorts against the background of a window of a city building, stretches her arms fully in line with her shoulders while gazing toward her right hand. Her legs are bent at a 90 degree angle, parallel with her arms, and balancing on the balls of her feet with raised heels.

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