My work at Temple has been important in my self-reflections. I recently premiered, “Project: Assata || Conscious States of Rage”, on October 25-26, 2019, a culminating thesis performance and a gathering of three years of research. I’m realizing that this third iteration, at the Conwell Dance Theater is the catalyst to some of my artistic transformations. This work focuses on Assata Shakur former black panther member. To create various phrase work and gesture phrases I extracted poems from Shakur’s autobiography, “The Autobiography of Assata Shakur” to create a map of small vignettes.
After the second iteration I sat with the work and I discovered rage. Recognizing that black femme bodies rarely yield rage justly. It is viewed as an inflated response from “angry black” women. I linked rage to Shakur because she was able to navigate with rage beautifully. Her circumstances were very different, but she did not hold back her anger. I admire her ability to express freely, something I sought for myself.
This work challenges who can justly express rage and explores modes of anger. When working collaboratively with my movement artist I discovered that rage goes beyond anger, that it can function in passion, love and belief. I allowed freedom for the work to develop organically often shifting things to suit the collective. Sitting in the audience during show week was both fulfilling and frightening. Giving myself space to reflect makes me feel gracious.
Having the space and a budget provided by Temple is a blessing as finding funding outside of the university is difficult. As I look at the process now, I am grateful for the experience. It taught me a lot about myself as a dance maker. Challenged my choreographic structure and perspectives. I was able to locate myself in my work. I will always be in process. Emergent, emerging, emergence. These are the lessons I’ve taken with me and the work feels like a gracious testimony to time, exploration and healing.